Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Why flowers bloom beside every reading room door

In a Himalayan village where the air is thin and the soil is stony, a small patch of marigolds outside a reading room can change how a child feels about walking through the door. That is the working belief behind every garden bed the Avalokiteśvara Trust tends beside its reading rooms in Ladakh and surrounding valleys. The flowers are not decoration added after the books arrive; they are part of the architecture of welcome, planted before the first child is invited inside.

Australian readers will recognise the same instinct. Whether it is the planters outside the State Library of Victoria in Melbourne or the courtyard beds at Readings in Carlton, hospitality in a learning space is rarely accidental. Visitors read the outside of a place before they ever meet the inside, and a doorway lined with living colour quietly answers the question a child has not yet learned to ask: do I belong here?

This piece looks at what those gardens do, what grows in them, and why a handful of petals can be a serious piece of educational infrastructure. The reasoning draws on cold-desert horticulture, on small acts of stewardship, and on the way a place that is cared for teaches the people inside it to care for what they find there.

The first welcome a child receives

A reading room is, for many children in the villages we serve, the first indoor space they enter that is not a home, a classroom, or a monastery hall. It is a third kind of place: somewhere a book is the point of being there. That third-ness can feel strange, even slightly intimidating, especially to younger children who have spent most of their time outdoors. The threshold between the dirt path and the reading room floor is where hesitation happens.

A row of flowers narrows that hesitation. The eye lands on colour first, then on movement, then on the doorway. A child who has stopped to look at a bumblebee on a marigold has, without knowing it, already rehearsed the act of slowing down that reading requires. The garden becomes a kind of porch, even when the building has none.

We have watched children who refused to enter on their first visit come back the next week and walk straight in past the same flowers. The garden gave them something to do with their hands and eyes before the more demanding work of choosing a book began. That small gift of time is one of the most consistent effects we have observed.

Comparing what different plantings offer a reading room

Different species bring different kinds of welcome. Some are showy and brief, others quiet and resilient, and the choice shapes how a space feels across the seasons. A short comparison helps frame what we are after when we plan a bed outside a new reading room.

Plant type Visual signal Maintenance level Best for
Marigolds Bright, immediate warmth Low, annual reseeding New beds, quick impact in a single season
Petunias Soft, layered colour Moderate, regular deadheading Established beds in sheltered courtyards
Hardy geraniums Calm, repeating green Low once rooted Long-term framing of a doorway
Lavender (in lower valleys) Scent and slow movement Moderate, well-drained soil Warmer sites where fragrance can be felt indoors
Native wildflower mix Gentle, locally rooted feel Variable, requires patience Sites where children help collect seed

The comparison above is a planning aid, not a rule. A reading room high on the Changthang plateau will struggle with lavender; a courtyard in a warmer valley near Leh will not. The species matter, but the underlying decision is the same: that something alive should greet every child who arrives.

We also weigh what the bed teaches. A child who watches marigolds come up quickly learns that effort has a quick return; a child who waits for a wildflower mix learns patience. Both lessons are valuable, and we try to choose the one a particular site needs. A reading room opening in a season of grief, for instance, might be better served by hardy geraniums that promise return, rather than by showy annuals that feel celebratory.

Choosing species for cold high-altitude gardens

In the high valleys where many of our reading rooms sit, the growing season is short and the nights stay cold well into late spring. We have learned, sometimes painfully, which species survive a frost and which surrender at the first dip below zero. The list that has worked best is unglamorous but dependable, and it leans heavily on hardy annuals and tough perennials that can self-seed between seasons.

Plants that have earned their place in our beds include:

  • Marigolds, which tolerate cold nights better than most bedding flowers and reseed readily in disturbed soil
  • Pansies, which bloom early and seem unbothered by light frost
  • Snapdragons, which add height and a sense of formality at the entrance
  • Hardy geraniums in sheltered corners, where their soft green frames the doorway year after year
  • A scattering of cosmos late in the summer, when the air is finally warm enough to bring them on

Each of these is chosen with the children in mind. They are easy to water from buckets the children already carry, easy to recognise from a distance, and forgiving of small hands learning what a stem feels like. A garden that fails in its first season teaches a child that effort does not pay off, and we try not to build that lesson by accident.

How a garden of flowers changes reading behaviour

The link between a planted doorway and the reading that happens inside it is not metaphorical. Children linger longer at the threshold, ask more questions about the books, and return more often in the weeks after a bed has been planted and tended. We have seen enrolment in our reading programmes tick upward in villages where the outside of the room has been cared for, even when the inside has changed very little.

There is also a quieter effect on the books themselves. Children who have helped weed a bed treat the spines on the shelf with noticeably more care. The practice of looking after something small and living seems to travel, like a habit, from the garden to the room. We see fewer bent pages, fewer wet books left on the floor, and more children who instinctively put a chair back where it belongs.

A short story illustrates the point. A retired schoolteacher in a town outside Sydney once sent us a package of donated encyclopedias after reading about our work. The story of an unexpected encyclopedia box arrived in a season when our shelves were thin, and it reminded us that generosity often travels through objects that have been loved somewhere else first. Gardens and donated books behave similarly: both are things that have been cared for, and that history of care is what a child picks up on when they walk through the door.

What Australian communities already know about a planted welcome

Australian towns have been quietly practising this idea for a long time. Community gardens in inner Brisbane, the bush-tucker plantings outside the Adelaide Hills library branches, and the drought-tolerant beds tended by volunteers in Perth all share a working assumption: a public learning space that looks cared for is treated as cared for. The instinct travels well between hemispheres.

A few Australian habits feel especially close to our own:

  • School gardens at primary schools in regional Victoria, where children grow seedlings for the entrance path themselves
  • Native grass and saltbush plantings at the entrance to the new Hobart waterfront library
  • Volunteer planting days at urban reading hubs in Sydney's western suburbs
  • The use of hardier grevillea and westringia along library frontages in Adelaide, where water is always a consideration
  • The Bushcare networks that maintain pocket gardens next to community halls across Melbourne

Each of these is a local answer to the same question we ask in Ladakh: how do you make a place feel like it was left ready for a stranger? A garden of flowers is one of the simplest answers, and it scales from a courtyard of twenty square metres to a hectare of public ground.

A short guide for new reading room beds

When we plan a new bed beside a new reading room, we follow a small set of habits that have served us well. They are not rules, but they keep us honest about what we are doing and why.

We plant the bed at least a month before the reading room opens, so the flowers are settled when the first child arrives. We choose species the local children can recognise and name, so the garden becomes a vocabulary as well as a view. We place the tallest plants nearest the wall and the lowest nearest the path, so the doorway stays open. We keep a watering rota visible at the entrance, so children can take a turn and feel responsible. We replace tired annuals each season, treating that replacement as part of the welcome rather than as maintenance. The point of these habits is to remember that the bed is the first curriculum a child meets, and that curriculum deserves a plan.

A practical way to begin is to write to us about a single reading room you would like to see planted. We will share the local site conditions, the species list we are considering, and the season in which the bed will go in, so the project is tied to a specific row of flowers outside a specific door.