Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Why Children Should Write Their Own Stories

A child’s story begins with attention: noticing the sound of wind across a mountain pass, remembering a grandmother’s song, or describing the walk from a remote village to school. When children write these moments in their own words, ordinary experiences become valuable records of imagination, identity, and place.

At Avalokiteśvara Trust, we encourage children and young monks to explore reading, writing, art, and music as connected forms of expression. Books give children ideas and language, while creative activities give them the freedom to respond, invent, and share what they see around them.

Why We Encourage Children to Write Their Own Stories is a question with answers that reach far beyond literacy. Story writing develops confidence, strengthens communication, preserves local knowledge, and helps children recognize that their thoughts deserve space in the world.

Stories Give Children A Sense Of Ownership

When a child creates a character, chooses a setting, or decides how a story should end, the child becomes an active maker of meaning. This experience differs from simply repeating a lesson or copying sentences from a textbook. The page belongs to the child, and every detail reflects a personal choice.

That sense of ownership can be especially important in communities where educational resources are limited. A notebook may become a place where a child can write about family life, monastery routines, animals, festivals, friendship, or hopes for the future. The finished story is both a learning exercise and a small declaration of identity.

Writing also teaches children that their lives contain subjects worth exploring. A story about carrying water, learning a traditional instrument, or watching snow settle on a roof may seem simple to an adult. For a child, it can become the beginning of observation, reflection, and creative confidence.

Language Grows Through Imagination

Creative writing gives children a practical reason to learn new words. They search for language that can describe a color, movement, feeling, or sound. This kind of vocabulary building is memorable because it serves a purpose the child understands: making a story clearer and more vivid.

As children revise their work, they learn how sentences connect and how ideas develop. They begin to recognize a beginning, a turning point, and an ending. These skills support reading comprehension, schoolwork, public speaking, and everyday communication in both local languages and additional languages they may be learning.

The process also makes mistakes less intimidating. A first draft can be changed, expanded, or rewritten. Children learn that writing is not a test of perfection but a form of discovery. With patient encouragement, a hesitant writer can gradually become a confident storyteller.

A Safe Space For Feelings And Ideas

Children often understand their emotions before they know how to explain them directly. Fiction gives them a gentle way to explore fear, courage, loneliness, kindness, and hope. A character can face a difficult journey, make a brave decision, or find help from an unexpected friend. Through that character, a child may examine feelings that are difficult to discuss openly.

Storytelling can also strengthen empathy. When children imagine another person’s experience, they practice seeing the world from a different point of view. They may write from the perspective of a younger sibling, an elderly neighbor, an animal, or a traveler arriving in an unfamiliar village. Each perspective expands their emotional and social understanding.

Creative expression should remain welcoming rather than competitive. Children do not need to produce polished literature to benefit from writing. A few sentences, a comic strip, a poem, or a story told aloud can all be meaningful forms of participation.

A simple comparison helps show how different learning activities support one another:

Activity Skills Developed Personal Benefits
Reading a story Vocabulary, comprehension, concentration Curiosity and wider perspectives
Writing a story Sequencing, expression, decision-making Ownership and confidence
Drawing scenes Visual communication, observation Imagination and attention to detail
Sharing aloud Listening, speaking, empathy Belonging and courage
Revising a draft Patience, grammar, reflection Resilience and pride in progress

Local Experiences Become Living Knowledge

Children’s writing can preserve details that rarely appear in formal books. A young writer may describe a seasonal celebration, a local landscape, a family craft, or the sound of prayer flags moving in the wind. Such descriptions carry cultural knowledge in a direct and personal form.

This matters in Himalayan communities, where geography and tradition shape daily life in distinctive ways. When children write about Ladakh or other mountain regions, they connect education with their own surroundings. A lesson about nature can begin with a familiar stream; a discussion of community can begin with a monastery, village, or family gathering.

Reading rooms support this process by giving children access to stories from beyond their immediate environment. At the same time, children’s own writing ensures that learning does not flow in only one direction. They become contributors to a shared collection of voices, experiences, and ideas.

Access to technology can widen that collection when books are difficult to transport. Avalokiteśvara Trust’s digital library project brings e-readers and literary resources to remote monasteries, offering young readers fresh material that can inspire their own creative work.

Stories Connect Reading With Community

A child who writes often develops a deeper relationship with books. After creating a character or plot, the child may read with greater curiosity, noticing how other authors build suspense, describe places, or reveal personality. Reading becomes a conversation between the child’s imagination and the imagination of others.

Sharing stories can strengthen a group as well. Children may listen during a reading circle, illustrate one another’s work, or collaborate on a short performance. Young monks can contribute stories about study, service, music, and daily life, while other children may bring perspectives from home and school. Each voice adds something different.

Art and music can extend a written story beyond the page. Children might paint a scene, compose a rhythm for a dramatic moment, or perform a song connected to the setting. These activities allow children with different strengths to participate and show that literacy is connected to the whole creative life of a community.

Ways Adults Can Nurture Young Storytellers

Adults do not need to be professional writers to help children develop a regular writing habit. A quiet corner, a few notebooks, well-chosen books, and sincere attention can create powerful conditions for learning. The most helpful response is often to ask what a child meant, what inspired an idea, or what might happen next.

Encouragement should focus on effort, detail, and originality rather than spelling alone. Correcting every error too early can make children afraid to experiment. It is usually better to celebrate a strong image or thoughtful idea first, then guide revision in a supportive way.

Practical approaches include:

  • Set aside regular time for free writing, drawing, or storytelling.
  • Offer prompts connected to local places, family memories, nature, and community life.
  • Let children choose whether to write, dictate, illustrate, perform, or work with a partner.
  • Create small reading circles where every child can share without comparison.
  • Keep children’s stories in a classroom, reading room, or community collection.

A child’s story may fit on one page or grow into a collection. Its value does not depend on length. What matters is that the child has been given time, encouragement, and the materials needed to transform experience into language.

When we invest in children’s storytelling, we invest in thoughtful readers, confident communicators, and compassionate community members. Support for reading rooms, book drives, creative workshops, and educational activities helps make that opportunity possible for children across the Himalayan region. You can help provide the books, spaces, and guidance that allow young voices to be heard by supporting Avalokiteśvara Trust’s work.