Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Why We Create Art Galleries Inside Our Reading Rooms

A reading room can begin with shelves, floor cushions, and a small collection of carefully chosen books. Over time, it becomes something larger: a welcoming place where children gather after school, young monks explore new ideas, and neighbors share stories. At Avalokiteśvara Trust, our reading rooms in Ladakh are designed as lively community spaces rather than silent rooms used only for borrowing books.

Art galleries are part of that vision. We display children’s drawings, paintings, photographs, handmade objects, and creative projects alongside books because learning becomes richer when words, images, and personal expression meet. A gallery wall can encourage a child to pause, look closely, and imagine possibilities beyond the page.

These exhibitions also make the reading room feel connected to the people it serves. Every artwork carries a memory, a question, or a view of the surrounding world. By giving those creations a visible home, we affirm that children’s ideas matter and that creativity belongs at the heart of education.

A Room Becomes A Place Of Belonging

A conventional library may be valued for its collection, yet a community reading room must also feel warm, familiar, and inviting. Artwork helps create that atmosphere immediately. Bright colors, local scenes, playful characters, and handmade decorations make the space less formal and more personal for children who may be encountering a library for the first time.

The gallery also gives children a reason to return. A young reader may visit to see a new display, recognize a friend’s drawing, or discover that their own work has been placed on the wall. These small experiences build ownership. The room becomes “our reading room,” a shared place shaped by the imagination of its visitors.

This sense of belonging matters in communities where access to books, art materials, and extracurricular activities may be limited. A carefully arranged exhibition communicates that the room is open to curiosity, conversation, and discovery. It welcomes children at different ages and levels of confidence.

Art Gives Reading A Wider Language

Books develop vocabulary and comprehension, while art encourages observation, interpretation, and emotional expression. When the two are brought together, children can approach a subject through several forms of communication. A story about mountain life might lead to a landscape painting; a folk tale might inspire a puppet, collage, or illustrated sequence.

Visual work can also support children who are still developing reading confidence. A child may not yet want to read aloud, but they may be eager to describe a picture or explain how it was made. That conversation creates a bridge toward language learning. Children practice naming colors, describing places, sequencing events, and expressing opinions in a natural setting.

For young monks, artistic activities can complement study by creating a space for reflection and experimentation. Drawing, music, and craft work invite patience and attention, qualities that also support reading. The gallery preserves the result of that effort, showing that learning is a process worth honoring.

Local Stories Deserve A Visible Home

Our exhibitions often begin with the experiences of the children and families around each reading room. Mountains, monasteries, animals, festivals, traditional clothing, rivers, homes, and everyday journeys may appear in their work. These details offer a visual record of community life as children understand it, without requiring their experiences to fit an outside definition of creativity.

A gallery can also help connect generations. Elders may recognize familiar landscapes or cultural symbols in a child’s painting. Parents and caregivers can see the skills developing through reading-room activities. When families visit an exhibition, the child’s work becomes a point of conversation between home, school, and the wider community.

The growth of a reading room often follows this same pattern, moving from a modest collection toward a hub for learning and connection. Our reading room story shows how a simple shelf of books can develop into a shared community resource. Artwork helps tell that story by making the room’s people, activities, and aspirations visible.

Designing Exhibits For Curious Minds

Creating a gallery inside a reading room does not require expensive frames or specialized equipment. We may use clipboards, string, recycled card, simple shelves, or low display boards that children can view easily. The arrangement matters more than the cost. Work should be placed at a child’s eye level, with enough space for each piece to be appreciated.

We also change displays regularly. A rotating exhibition keeps the room fresh and gives more children an opportunity to participate. Some displays may focus on a theme from a book collection, while others may celebrate a season, a local celebration, a music activity, or an open-ended art session.

The most effective gallery design balances beauty with accessibility. Labels can include the artist’s name, age, title, and a short description, using language appropriate to the children who visit. Where possible, we invite children to help choose the arrangement. Curating their own work teaches decision-making and helps them understand how museums and galleries communicate ideas.

Gallery Feature Learning Benefit Community Value
Children’s drawings Builds confidence and visual expression Celebrates individual voices
Book-inspired artwork Connects reading with imagination Encourages families to explore books
Local landscape displays Develops observation and descriptive language Preserves children’s view of place
Rotating exhibitions Creates regular reasons to return Includes more participants over time
Collaborative murals Strengthens cooperation and planning Makes the reading room visibly shared

Learning Through Making And Sharing

The gallery is most powerful when it is connected to an activity rather than treated as decoration. After reading a picture book, children might create an alternative cover. Following a discussion about animals, they could make paper sculptures or research local species. A poetry session might end with illustrated verses displayed together.

The process encourages children to make connections across subjects. Art can support literacy, environmental awareness, cultural learning, and communication skills in one project. Children learn to observe details, explain choices, listen to others, revise their work, and take pride in completing something tangible.

Sharing the work adds another layer of learning. An informal exhibition opening can include storytelling, music, a reading, or a short explanation from the artists. These events give children practice speaking to a group while allowing visitors to appreciate the effort behind each piece. The gallery becomes an active teaching tool, not a fixed background.

Ways To Help These Spaces Grow

Supporters can contribute to the creative life of a reading room in practical ways. A donation may help provide paper, paints, pencils, display materials, books about art, or storage for ongoing projects. Volunteers can lead an activity, help organize a book-related exhibition, or encourage children as they develop their ideas.

The most useful support respects the character of each community. Materials should be safe, durable, and suitable for local conditions. Activities should leave room for children to make independent choices rather than copying a single model. A successful gallery does not depend on polished results; it depends on participation, encouragement, and the belief that every child can create.

  • Donate children’s books that connect with art, culture, nature, or storytelling.
  • Provide quality drawing, painting, craft, and display materials.
  • Sponsor a rotating exhibition or a creative workshop in a reading room.
  • Share the stories and photographs of these community spaces with others.
  • Volunteer time to read, make, organize, or celebrate alongside the children.

An art gallery inside a reading room changes how children see both the space and themselves. Books remain central, yet the walls begin to speak as well. They show that a child’s drawing can carry meaning, that local experiences deserve attention, and that learning can be thoughtful, joyful, and shared.

By supporting Avalokiteśvara Trust, you can help us keep building reading rooms where literature, art, music, and community life meet. Give books or creative materials, fund a learning activity, volunteer your skills, or share our work so more children in the Himalayan region can find a welcoming place to read and create.