Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

The surprising benefits of reading inside a blanket fort

A blanket fort can look like a temporary hideaway made from couch cushions, sheets and a few determined pegs. For a child, however, it may become a small reading room with a door, a roof and a clear sense of ownership. That change in setting can make books feel more inviting, especially for children who find ordinary reading time too exposed, noisy or closely supervised.

Allowing children to read under a blanket fort also gives adults a useful reminder: literacy grows through positive experiences, not only through worksheets and assigned chapters. A cosy corner can support concentration, imagination, emotional security and independent choice while keeping reading playful.

Why an enclosed space feels inviting

Children are often surrounded by competing signals. A television may be playing in the next room, siblings may be moving through the house, and a phone may be lighting up nearby. A fort creates a visible boundary around one activity. Even when it is loosely made, the boundary tells the child that this is a place for slowing down.

The sense of shelter can be particularly helpful for children who are sensitive to noise or social pressure. Inside the fort, they can pause over a picture, reread a funny passage or abandon a book that does not suit them without an audience. That privacy can make experimentation feel safer, which matters when a child is still building confidence with unfamiliar words.

A fort also gives children control over their reading environment. They might choose a torch, arrange cushions, select two picture books or invite a younger sibling inside. These small decisions turn reading into an active experience rather than a task delivered by an adult.

How a blanket fort supports attention and imagination

Reading in a contained space can help children stay with a story for longer. The fort does not magically remove distraction, but it reduces the visual clutter that often pulls attention away from a page. A child who struggles to sit at the dining table may manage a longer, calmer session when reading is paired with a comfortable physical setting.

The imaginative quality of the fort adds another layer. A book about mountains may be read from a “base camp”; a story about a ship may be enjoyed from a cabin at sea. This kind of pretend play does not replace comprehension. It gives children a route into it, helping them connect characters, places and events with ideas they can picture.

For younger readers, the fort can support shared reading. An adult can use a quiet voice, pause before turning pages and invite the child to predict what happens next. Older children may prefer to read independently, then emerge to explain a favourite scene. Both forms of engagement strengthen vocabulary and oral storytelling.

A simple reading ritual that suits Australian homes

In Australia, family routines vary widely. A child in Melbourne may read after swimming lessons, while a family in Brisbane might choose a cooler indoor activity during the hottest part of the afternoon. In Sydney, a fort can make a small apartment feel more flexible; in regional towns, it may become a rainy-day project when outdoor plans are cancelled.

The materials do not need to come from a specialist children’s store. A sheet over two chairs, a doona over the end of a bed or towels clipped to a clothes airer can work well. With the cost of groceries, school supplies and new books rising in the Australian market, families can use library loans, second-hand bookshops, school book swaps and local street markets to keep the activity affordable.

The ritual works best when it has a gentle rhythm. Set up the fort, choose a small selection of books, read for an agreed period and pack away safely. A child can bring a water bottle, but food should stay outside to avoid spills and crumbs. Torches should be used with adult guidance, and the structure must leave clear access to doors, windows and household walkways.

Reading setting Likely strength Helpful adult role Best use
Blanket fort Privacy, comfort and imaginative play Provide safe materials and let the child choose Independent or shared reading
Library corner Variety and quiet concentration Help select books and establish a routine Discovering new authors
Bedtime reading Predictability and emotional connection Read slowly and keep the routine consistent Winding down
Outdoor shade Fresh air and sensory variety Check weather, glare and comfort Short daytime sessions

What children learn beyond the words

A blanket fort can encourage self-regulation. Children practise noticing when they need a break, adjusting their position, managing a small space and returning attention to the story. These abilities support classroom learning, even though the activity itself feels like play.

The fort can also become a setting for emotional literacy. Stories often present fear, friendship, exclusion, courage and change in manageable forms. A child may find it easier to discuss a character’s worry while sitting in a sheltered space, especially when the adult responds with curiosity rather than rushing to teach a lesson.

Shared reading spaces can widen access to books for communities as well as individual households. Organisations such as Avalokiteśvara Trust create reading rooms and educational activities for children and young monks in Himalayan communities, showing how a welcoming environment can influence a child’s relationship with learning. Keeping these programmes open depends on careful planning and community funding, as books and safe spaces are practical resources rather than luxuries.

The same principle applies in Australian schools, libraries and homes: children need regular contact with appealing books, adults who make time for them and places where reading is associated with belonging. A fort is a small version of that wider idea.

Keeping the activity safe, inclusive and useful

Adults should treat the fort as an invitation, not a requirement. Some children will love a dark, enclosed space; others may feel uncomfortable or claustrophobic. The structure can be open on one side, built in a sunny corner or replaced with a cushion nest. Children should be free to leave it without losing praise or privileges.

Safety needs to be simple and visible. Do not attach blankets to unstable furniture, block exits or use candles, heaters and unprotected electrical leads inside the fort. In warm Australian weather, check for overheating, especially in homes without strong air conditioning. The Australian product safety system covers many household goods, yet ordinary supervision remains important when children are building with furniture and fabric.

Reading choice matters as much as the construction. Offer comics, poetry, atlases, joke books, graphic novels, novels, bilingual books and information texts. A child who chooses a book about insects or football is still reading purposefully. If a book is too difficult, adults can read it aloud, take turns or use the pictures and headings as entry points.

The most useful approach is to make the fort occasional, comfortable and easy to repeat. Keep a small basket of library books nearby, allow children to decorate the space with removable items, and finish with a brief conversation about what they noticed. A sheet, two sturdy supports and a book chosen by the child can turn an ordinary corner into a dependable reading refuge, so the practical takeaway is simple: make reading feel safe, voluntary and enjoyable, and children are more likely to return to it.