Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

The Story of a Book That Helped a Young Monk Overcome Homesickness

In a monastery high in the Himalayan region, homesickness can arrive quietly. It may appear after evening prayers, when the cold settles over the valley and a young monk remembers his family, familiar meals and the sound of voices from home. For children living far from their villages, a book can offer a gentle bridge between memory and the new life they are learning to understand.

This story is a fictionalised reflection of the experiences that reading rooms and book drives can support in Ladakh and nearby communities. It follows a young monk, a donated storybook and the small changes that happen when a child finds a place for his feelings in the pages of a book.

The First Quiet Evening

Dorje was eleven when he began living at a monastery several hours from his village. He had expected the lessons, the early mornings and the long robes. He had not expected the silence after sunset, when the other boys settled into their bedding and the mountains seemed to hold every sound at a distance.

His family had sent him with a woollen shawl, a small cloth bag and a photograph of his younger sister. The photograph was already soft at the corners from being handled. Dorje missed the ordinary details of home: his mother calling him in from outside, his father repairing tools and his sister singing while she helped prepare tea.

A few weeks into the term, a box arrived at a small reading room connected with the monastery. It contained picture books, folktales, atlases and novels in several languages. One slim book, illustrated with blue hills and a travelling fox, caught Dorje’s attention. He could read much of it himself, and where the words were difficult, an older student helped him.

The story followed the fox as it left its familiar valley and crossed unfamiliar landscapes. The fox felt lonely, made mistakes and wondered whether it would ever belong in a new place. Dorje recognised the feeling immediately. He borrowed the book for one night, then returned the next morning to read it again.

When A Story Makes Room For Feelings

The book did not remove Dorje’s homesickness. That was not its purpose. Instead, it gave him a way to recognise what was happening inside him. The fox was brave and frightened at the same time, curious and uncertain. Dorje began to see that missing home did not mean he had made the wrong choice or failed to be strong.

He started drawing the fox in the margins of his exercise paper. Then he drew his own journey: the monastery, the mountain path, his family’s kitchen and the stream near his village. A teacher noticed the drawings and asked Dorje to tell the story in his own words. For the first time, he spoke openly about missing his sister.

Other young monks joined him in the reading room. They compared favourite illustrations, invented new endings and made a map showing the fox’s route. The book became a shared object rather than a private comfort. It helped the boys talk to one another, and it gave the adults a better understanding of what the children were carrying emotionally.

For an Australian reader, this may sound familiar in a different setting. A child at a Melbourne community library might choose a story about moving house, while a student at a Sydney school could find reassurance in a novel about friendship. The landscape changes, but the need to see one’s own feelings reflected in a book remains remarkably constant.

What A Meaningful Book Can Offer

A useful donation is more than an item placed on a shelf. It should be suitable for the age of the children, visually inviting and sturdy enough for repeated reading. A story with an emotional centre can be especially valuable because it supports conversation, imagination and confidence alongside literacy.

The books that mattered most to Dorje had several qualities:

  • Clear language that allowed him to read independently
  • Illustrations that helped him follow unfamiliar scenes
  • Characters facing change, separation or uncertainty
  • Enough depth to reward repeated reading

The reading room also gave him choices. He could read quietly, listen to another child, draw a response or put the book aside and return to it later. That freedom made the space feel safe. It also showed that reading is not a test to pass; it can be a way to rest, explore and connect.

This is where educational, artistic and musical activities complement a book collection. A child who struggles to explain homesickness in conversation may express it through colour, rhythm or a picture. In Dorje’s case, drawing the fox became the first step towards telling his own story.

From Australian Shelves To Himalayan Reading Rooms

Books travelling from Australia to remote Himalayan communities require careful planning. Families may donate during a school fete, a neighbourhood collection or an end-of-term clear-out, but useful books must then be sorted, packed and matched with the needs of the receiving community. A book that is excellent for one age group may be unsuitable for another, while damaged or outdated material can add weight without adding value.

The physical journey is part of the story. Cartons may move from a local collection point to a central warehouse, then through international freight networks and difficult mountain routes. The practical detail behind this work is explained in shipping books to Ladakh, where distance, weather, customs and transport capacity all influence the final delivery.

Australian supporters often understand logistics through familiar experiences: waiting for an Australia Post parcel, organising a school book drive or carrying boxes into a community hall on a Saturday morning. A Melbourne bookshop might set aside a shelf for donations, while a family in regional New South Wales could contribute during a local fundraiser. Even the casual promise to meet “this arvo” and sort a few cartons can become part of a much larger educational effort.

Good book drives also respect the economics of charity work. Transport costs, storage space and staff time matter. Sending fewer well-chosen books can be more useful than sending large quantities of unsuitable ones. The aim is to create a lasting collection that children and teachers can use repeatedly.

What Support Makes Possible

Dorje’s relationship with the book changed gradually. He still missed his family, particularly during festivals and on days when other children received news from home. Yet he began writing short letters to his sister and adding small drawings. He also volunteered to read aloud to younger boys in the reading room.

The effects of a thoughtful book can spread through a community in simple ways:

  • A hesitant reader gains confidence by choosing a book independently
  • A teacher finds material for language and creative lessons
  • Children practise sharing, listening and taking turns
  • Young monks discover stories beyond their immediate surroundings
  • Families receive a new reason to talk about feelings and change

Months later, Dorje made a paper book about the fox’s return to its valley. In his version, the fox came home with stories, sketches and new friendships. It had not forgotten its first home. It had learned that belonging could grow in more than one place.

The reading room became part of that growth. Its shelves held donated books, but its deeper value was the atmosphere around them: a quiet corner, a patient adult, a friend who could read a difficult paragraph and enough time for a child to discover what interested him.

Resource Immediate Value Longer-Term Benefit
Illustrated storybook Comfort and independent reading Emotional vocabulary and imagination
Reading room Quiet access to books A regular habit of learning
Art materials A way to express difficult feelings Creativity and confidence
Shared reading session Support with unfamiliar words Friendship and communication
Carefully organised book drive Relevant books in good condition A dependable community collection

For Australian donors and volunteers, the distance can feel daunting. Ladakh’s high-altitude settlements are far from Brisbane, Perth or Hobart, and the daily realities of a Himalayan monastery differ greatly from those of an Australian school. Still, the connection begins with a universal act: placing a good book in a child’s hands and allowing time for its meaning to unfold.

Dorje remembered the fox because it made room for both homesickness and hope. The book did not tell him to forget home. It helped him carry home with him while he made a place for learning, friendship and belonging. That is what readers should remember: a carefully chosen book can travel far beyond its pages, reaching a child’s imagination, emotions and sense of possibility.