Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

The role of folk tales in building identity for Himalayan children

Across the Himalayan region, stories travel through many forms: a grandparent’s evening narration, a song shared during a festival, a painted image in a monastery, or a book read aloud in a village reading room. Folk tales carry memories of landscapes, values, fears, humor, and hopes. For children growing up among high valleys and culturally diverse communities, these stories can become an important bridge between everyday life and a deeper sense of belonging.

A tale about a clever hare, a compassionate ruler, a mountain spirit, or a wandering monk does more than entertain. It gives children language for understanding relationships, responsibility, courage, and place. When young readers encounter stories rooted in their own region, they see their homes, families, and traditions treated as worthy of attention.

This matters in communities where access to quality books may be limited and where rapid social change can distance children from local customs. Literacy initiatives, book drives, creative workshops, and shared reading spaces can help preserve oral heritage while giving children the confidence to interpret it in their own voices.

Stories as maps of belonging

Folk tales often begin with recognizable settings: a high mountain pass, a grazing field, a remote village, or a monastery courtyard. Such details help children connect narrative landscapes with their own surroundings. A snow-covered peak is no longer simply part of the view; it can become a place associated with memory, wisdom, danger, or protection.

This connection strengthens cultural identity without suggesting that identity is fixed. Children may belong to several worlds at once, including a local Himalayan community, a religious tradition, a national culture, and a wider global society. Traditional stories offer one foundation from which they can explore these layers with curiosity rather than uncertainty.

Values carried through narrative

Moral lessons are especially powerful when they are embodied in characters and choices. A story can show the consequences of greed more vividly than a direct instruction, while a generous character can make compassion feel practical and attainable. Children examine motives, discuss fairness, and consider how decisions affect a whole community.

Many Himalayan narratives also emphasize cooperation with nature, respect for elders, hospitality, patience, and care for vulnerable people. These themes can support social and emotional learning in a way that feels familiar. Teachers, parents, and volunteers can use storytelling to open conversations about kindness, conflict, stewardship, and ethical behavior.

The goal is not to present every traditional tale as flawless. Some stories contain hierarchies, stereotypes, or supernatural explanations that children may question. Guided discussion allows young people to value their heritage while developing critical thinking. They learn that respecting a tradition can include interpreting it thoughtfully and imagining how it might be retold today.

Oral heritage and reading culture

In many Himalayan communities, oral storytelling remains a living practice. A skilled narrator uses pauses, gestures, repetition, and changes in voice to hold attention. Children learn by listening, but they also learn by watching how stories are remembered and shared. This experience can encourage them to become storytellers themselves.

Books add another dimension. Printed collections make narratives available to children who may not have a regular storyteller at home, and illustrated editions can support readers who are still developing confidence in a second or third language. Reading rooms provide a welcoming place where children can encounter folk tales alongside science, poetry, history, and fiction.

A strong literacy program does not replace oral tradition with books. It brings the two forms together. Children might hear a local tale from an elder, read a related version, compare differences, and then create their own illustrated retelling. Such activities protect cultural memory while building vocabulary, comprehension, imagination, and artistic expression.

Language, translation, and self-expression

Language is closely tied to identity. A folk tale told in a child’s home language can affirm that the language belongs in books, classrooms, performances, and public life. This affirmation is significant for children who may otherwise encounter educational materials primarily in dominant regional or international languages.

Translation can widen access, though it should be approached with care. Translators must preserve the emotional tone and cultural meaning of a story rather than reducing it to a simple moral. Parallel texts can help children move between languages, compare expressions, and understand how a single idea changes across cultural contexts.

Creative responses make this process even richer. Children can write new endings, produce shadow plays, compose songs, paint scenes, or record elders telling a favorite story. These activities give young people ownership of their heritage. Their work becomes a contemporary part of the tradition rather than a museum piece.

What folk tales can develop

Area of development How folk tales contribute Practical activity
Cultural identity Connect children with local places, customs, and shared memories Map the setting of a traditional story
Language growth Build vocabulary, listening skills, and confidence across languages Create a bilingual word list
Ethical reasoning Encourage discussion of choices, consequences, and fairness Debate a character’s decision
Imagination Inspire visual, dramatic, and musical interpretation Make puppets or illustrate a scene
Community connection Bring children, elders, teachers, and volunteers together Host an intergenerational story circle
Reading confidence Offer engaging material linked to familiar experiences Read several versions of one tale

These outcomes are especially valuable for young monks and children in remote communities. A story can support classroom learning while also creating a shared cultural space. When children discuss a tale together, they practice listening to different perspectives and discover that their own experiences have a place in collective learning.

The emotional effect should not be overlooked. Seeing a familiar landscape or cultural practice represented in a book can communicate recognition: lives like mine matter. That message may encourage children to read more widely, speak more confidently, and imagine themselves as authors, artists, educators, or community leaders.

Making storytelling part of community life

Organizations supporting Himalayan children can build folk tales into regular educational activities rather than treating them as occasional entertainment. A reading room might dedicate one afternoon each week to local stories, followed by drawing or discussion. Book drives can seek collections that include regional authors, folktale adaptations, bilingual materials, and picture books that reflect mountain life respectfully.

Volunteers also have an important role. They can invite children to share stories they know, help record oral histories with permission, and introduce books without presenting outside perspectives as superior. The most effective approach is collaborative: local families, educators, monastic communities, and children should influence which stories are collected and how they are presented.

Small rituals can make storytelling memorable. A group may begin with a song, display a map of the Himalayas, or keep a shared notebook of new tales. Children can write thank-you notes to supporters who provide books; examples of this meaningful exchange can be seen in these children's thank-you letters. Such moments connect reading with gratitude and remind children that learning communities extend beyond their immediate surroundings.

Practices that honor children’s voices

Folk tales should be shared in ways that protect dignity and encourage participation. Adults can avoid presenting Himalayan culture as exotic or frozen in the past. Children should be free to laugh at a character, challenge a lesson, combine traditions, or create a story about present-day concerns such as climate change, migration, friendship, and education.

Useful practices include:

  • Invite local elders, teachers, and families to guide the selection and interpretation of stories.
  • Pair oral storytelling with books, drawings, drama, music, and bilingual writing.
  • Ask children what a story means to them before explaining an adult interpretation.
  • Include contemporary adaptations created by Himalayan children alongside traditional versions.
  • Build accessible reading collections that reflect different languages, communities, abilities, and experiences.

When children become active participants, identity grows through practice. They are not simply receiving a heritage chosen by adults; they are adding their own observations, humor, questions, and dreams to it. This process helps tradition remain flexible enough to live in the present.

Folk tales can therefore support much more than cultural preservation. They help children locate themselves in a landscape, understand the responsibilities of community, develop language, and express imagination. With thoughtful books, welcoming reading rooms, and opportunities to listen and create, every story can become an invitation to belong and to contribute.

Support literacy and cultural learning by helping bring quality books, storytelling activities, and creative resources to children and young monks in Himalayan communities. A donated book, shared skill, or contribution to a reading room can help keep local stories in circulation while opening doors to many new ones.