Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

The Art of Thank You: Letters from Children Who Received Books

A book can arrive quietly in a mountain village, wrapped in paper and carried across long roads, yet its presence may be felt for years. For a child, receiving a story, an illustrated encyclopedia, or a notebook filled with blank pages can open a door to places, ideas, and possibilities beyond the immediate landscape.

The letters children write afterward often reveal this transformation more clearly than statistics ever could. Their messages may be brief, carefully copied, decorated with flowers, or written in a mixture of languages. Each one carries a personal response to generosity: excitement over a favorite character, gratitude for a new subject to explore, or a promise to share the book with a friend.

In Ladakh and other Himalayan communities, these handwritten notes connect donors, volunteers, educators, and young readers. They show that a book drive is not simply a transfer of materials. It is a relationship built through trust, curiosity, and the belief that every child deserves access to quality reading.

Why A Child’s Letter Matters

A thank-you letter gives children a meaningful role in the exchange. Rather than being viewed only as recipients, they become communicators who can express what learning means to them. Choosing words, forming sentences, and deciding what to draw on the page are all acts of confidence.

For children developing literacy skills, the letter itself becomes a small writing exercise with a real audience. The purpose is immediate and sincere: to tell someone far away that a gift has been received and valued. This practical reason to write can make spelling, handwriting, vocabulary, and sentence structure feel connected to everyday life.

The messages also preserve details that might otherwise disappear. A child may mention reading beside a window, sharing a comic with a younger sibling, or discovering the name of an animal in a picture book. These observations help supporters understand how educational resources become part of family and community life.

From Bookshelves To Shared Imagination

A new book rarely remains with one reader for long. In a reading room, a single volume may pass among classmates, young monks, siblings, and visitors. Children’s letters frequently celebrate this communal experience, describing a story read aloud or an illustration that caused a group to laugh.

This shared use is especially valuable where home libraries are small or educational materials are limited. A carefully selected collection can offer fiction, science, art, history, poetry, and reference books in one welcoming space. It allows children to follow their interests rather than limiting reading to required schoolwork.

The emotional language of a thank-you note often reflects this freedom. A child may write about a dream of becoming an artist, teacher, doctor, musician, or explorer. The book has provided information, yet it has also helped the child imagine a future with greater range.

What Letters Reveal About Impact

Children’s correspondence offers a human measure of educational impact. Attendance figures and donation totals explain the scale of a project, while a handwritten message shows what that support feels like to an individual reader. Both forms of evidence matter, but the letter gives the work a distinctive voice.

What the child mentions What it may show How supporters can respond
A favorite story or character Reading has become emotionally engaging Include varied fiction and illustrated books
A new subject or fact Curiosity is extending beyond lessons Build science, geography, and reference collections
Sharing books with friends Resources are strengthening community learning Support welcoming reading rooms and group activities
Drawing, decoration, or careful handwriting Creative confidence is growing Pair books with art supplies and creative sessions
A personal dream for the future Learning is influencing aspiration Sustain long-term access to books and mentors

Letters should be read with care rather than treated as promotional material. A child’s spelling or grammar does not determine the value of the message. The important elements are the effort, the feeling, and the perspective expressed. When organizations protect children’s privacy and seek appropriate permission before sharing photographs or quotations, gratitude can be honored without turning it into spectacle.

The Craft Behind A Thank-You Note

Many children approach letter writing as an artistic activity. Borders may be filled with mountains, flowers, stars, animals, or traditional patterns. Some notes include carefully colored titles, while others feature a drawing of the child reading the new book. These visual choices make the message personal before the first sentence is read.

The process can involve several stages. An educator or volunteer may explain the purpose of the letter, help children organize their thoughts, and provide paper or writing materials. Older students may support younger readers with spelling, while each child retains ownership of the final message.

This collaborative setting reinforces the idea that literacy is social. Writing is not an isolated classroom task; it is a way to communicate affection, appreciation, and discovery. The finished letter becomes a record of a child’s developing voice, preserved alongside the memory of a particular book.

Building A Culture Of Reading

Book donations have the greatest effect when they are supported by regular opportunities to read. A shelf filled with books is a beginning, while a lively reading room gives children reasons to return. Story sessions, drawing workshops, music activities, and quiet reading time can make literacy part of a broader creative environment.

Organizations working in Himalayan communities must also consider language, age, reading level, cultural relevance, and physical durability when selecting books. A collection succeeds when children can find material that is understandable, interesting, and respectful of their experiences. Variety matters because readers grow quickly and need fresh challenges.

Through reading rooms, book drives, and educational activities, the Avalokiteśvara Trust connects access to books with a sense of belonging. A child who feels welcome is more likely to browse, ask questions, recommend a story, and eventually write a letter describing what reading has made possible.

Ways To Honor Children’s Gratitude

The most thoughtful response to a child’s letter is to treat it as the beginning of continued care. Donors and volunteers can help create conditions in which children have dependable access to books, patient guidance, and creative ways to share what they learn.

Practical support can be organized around a few lasting priorities:

  • Choose age-appropriate books across fiction, nonfiction, poetry, art, science, and local history.
  • Provide notebooks, pencils, colored materials, and other supplies that make writing and illustration inviting.
  • Fund welcoming reading spaces where children can read independently or listen to stories together.
  • Support trained educators and volunteers who can guide discussion without taking over children’s voices.
  • Protect children’s dignity by obtaining consent and sharing letters or images responsibly.

These actions ensure that thank-you letters are valued as more than pleasant replies. They become reminders of an ongoing relationship between resources and opportunity. Every carefully read book, shared story, and newly written sentence contributes to a stronger culture of learning.

A child’s note may contain only a few lines, yet those lines can travel far. They may reach a donor in another country, encourage a volunteer, or help someone understand why libraries and reading rooms matter in remote communities. The message moves outward, while the benefit continues locally through curiosity, conversation, and imagination.

Supporting book access in the Himalayas gives children more than pages to turn. It gives them language with which to describe their world and the confidence to envision another. To help make that exchange possible, explore the Trust’s work, support its educational initiatives, and help place more meaningful books into the hands of young readers.