Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Why Children Benefit from Writing Letters to Their Future Selves

When a child sits down with a sheet of paper and writes a message to the person they will be in five, ten, or twenty years, something quietly powerful takes place. The act pulls together their present hopes, their reading, their friendships, and their small daily worries into a single vessel that travels forward in time. Across community libraries in Melbourne and school programs in Sydney, educators are rediscovering this simple ritual as a way to deepen literacy while nurturing emotional resilience. A pen, a page, and a date in the future become a bridge between the child who is and the child who is yet to come. Learn more about A Volunteer S Experience Camping With Kids And Telling Stories Under The Stars D376b.

The same instinct lives inside reading rooms in the Himalayan foothills, where children in Ladakh and surrounding villages already know the weight of a book and the patience of waiting for a story. Pairing that love of reading with the reflective practice of letter writing turns a literacy hour into something more personal. It asks the child not only to read about other lives, but to claim their own narrative on the page. Below is a look at why this exercise has travelled so widely, what makes it distinct from other reflective tools, and how families, teachers, and volunteers can bring it to life.

The Inner World of a Child at a Writing Desk

A letter addressed to a future self asks a child to perform three small acts of imagination at once. They must picture themselves later, recall who they are now, and choose what is worth preserving between those two points. Developmental researchers often describe this as future self-continuity, and studies have linked it to stronger academic motivation, better delay of gratification, and a more grounded sense of identity. Children who regularly imagine their older self tend to make choices, from homework to friendships, that feel coherent rather than reactive.

For a young reader, the exercise also doubles as a quiet form of self-authorship. The page becomes a private stage where worries about a new school in Brisbane, the loss of a grandparent, or excitement about a cricket season can be honoured without needing an immediate answer. Unlike a school essay, the letter is not graded. Unlike a spoken wish, it is fixed in ink and waiting. The child learns that feelings can be held, dated, and revisited, which is a foundational skill for emotional regulation long before adolescence arrives.

Comparing Letter Writing to Other Reflective Practices

Not every reflective practice suits every child or every setting. The table below places the future-self letter alongside four other popular activities used in literacy programs, including one supported by a long-running American library support network that has helped shape community reading rooms.

Practice Core skill Time investment Best age to begin Keepsake value
Letter to future self Perspective taking, written expression 20 to 40 minutes per letter 7 to 9 Very high, especially if sealed and dated
Private daily journal Routine, self-monitoring 5 to 15 minutes per day 9 to 11 Medium, depends on consistency
Family time capsule Collaboration, curation Several sessions over weeks 6 to 12 High, opened collectively
Video message to future self Speaking, performance 15 to 30 minutes per recording 8 to 12 Very high, but requires devices
Vision board Visual thinking, goal setting 30 to 60 minutes 10 to 14 Medium, often refreshed

What separates the future-self letter is the combination of low material cost, no screen time, and a built-in reopening moment years later. A child in regional Western Australia with only a notebook and a pencil can create an artefact that may be read at graduation, on a first day of paid work, or in a moment of adult reflection, with all the wonder of finding a small time capsule written by a younger hand.

Reading Rooms in the Mountains and Classrooms in Australia

In a reading room high above the Indus, a child may sit on a woven mat surrounded by books in English, Tibetan, and Hindi, choosing a story to read aloud before the room settles into quiet writing. Volunteers often describe the moment when a child folds a letter, writes a date five years ahead, and places it into a tin for safekeeping. One such story, captured in a volunteer experience camping with kids and telling stories under the stars, shows how letter writing flows naturally from shared storytelling around a fire. The story becomes the prompt, and the letter becomes the child's response across time.

Australian schools have been quietly building similar rituals. During Book Week, teachers in Adelaide have asked Year 4 students to draft letters to their Year 12 selves, then store them in a sealed envelope held by the school library. Some public libraries in Perth run seasonal Future Self stations where a child can write beside a parent and tuck the letter into a take-home envelope. The practice weaves easily into the literacy block, but it also reaches parts of the curriculum that feel harder to touch, such as resilience, identity, and the gentle art of waiting.

Prompts to Set a Young Writer in Motion

A child often hesitates at the first blank line. A few well-chosen questions can turn hesitation into momentum, and they can be adapted to the reading level of any group, from a small reading room in Ladakh to a primary classroom in Hobart.

  • What is your favourite sound right now, and what do you hope still sounds the same to you in ten years?
  • Describe a book that changed how you saw the world this year.
  • Write down one question you would like your future self to answer.
  • Tell the older you about a person, place, or animal that matters to you today.
  • List three small things you would like to remember, even if you forget everything else.

These prompts work because they are specific without being heavy. A child does not need to know what they want to be when they grow up, only what they want to remember or wonder about. A volunteer or teacher can model their own letter first, sharing something ordinary and slightly vulnerable, which gives the children permission to do the same.

Books and Read-Aloud Sessions as the Spark

A letter rarely arrives out of nowhere. Most children write more honestly after they have listened to a story that has stirred something. A reading room can be stocked with picture books about change, such as stories of migration, growing seasons, and family traditions, that give children a vocabulary for their own experiences. In Australia, pairing letters with titles from the Indigenous literary canon, or with works by the current Australian Children's Laureate, gives children mirrors of their own communities as well as windows onto others.

Tying the writing moment to a shared reading experience also solves a practical problem. Many young writers stare at a blank page because they are not sure their life is interesting enough to record. A story read aloud, especially one that ends with an open question, hands them a ready-made springboard. The letter becomes a continuation of the story, and the child becomes a co-author rather than a confessor, which is a far more inviting role for a first attempt at personal writing.

A Small Ritual That Travels Anywhere

What makes the future-self letter such a portable practice is its modesty. It needs paper, a pencil, a future date, and a trusted hand to hold the envelope. It does not require a screen, a budget, or a trained therapist, which is why it has found its way into reading rooms in remote villages, school libraries in regional Queensland, and the corner of a kitchen table in suburban Melbourne. A child anywhere can write one. A trusted adult anywhere can promise to mail it back in a decade, or to hand it over on a chosen birthday.

If you would like to bring this practice into a reading room, a classroom, or your own home this week, start with one child, one prompt, and a clearly labelled envelope. Write the opening date and the date five years from now on the front, then ask the child to choose a small, specific detail to include, such as the name of a friend, a favourite meal, or the title of a book they are reading today. Seal it together, decide together who will hold it, and let the future do the rest.