Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Camping With Children in Ladakh and Telling Stories Under the Stars

The crunch of boots on a frozen Ladakhi riverbed at dawn is not the sound most people from Sydney or Melbourne associate with volunteering. Yet every winter a small group of trekkers and helpers from across Australia pack sleeping bags, head torches and dog-eared picture books onto flights to Delhi, then minibuses bound for Leh. They go to spend ten days in the care of the Avalokiteśvara Trust, running winter reading camps for children and young monks in villages like Choglamsar, Phey and the Nubra Valley. The work is simple, the rewards are not.

Australian readers may already sense the kinship. A country that grew up around the campfire, that gave the world the bush ballad and the lanky poetry of Henry Lawson, knows something about evenings spent on dusty ground, telling tall tales to children with wide eyes. The trust's volunteer trips tap into that lineage, then twist it gently outward. Instead of wattles and scrub, the backdrop becomes apricot orchards and snow-fed streams. Instead of a didgeridoo, the soundtrack is a single harmonium.

What follows is a journal-style reflection, drawn from notes kept during one such trip, together with practical observations for anyone considering similar travel. It is not a brochure. The dust gets into the throat, the wash water freezes by sunrise, and the children fall asleep mid-sentence. None of that is a complaint.

Arriving in Leh and Settling Into Camp

The first thing to understand is that the volunteers do not stay in hotels. The trust arranges shared homestays and domed tents pitched on flat stony ground a short walk from a school or monastery. Beds are foam mattresses, layered with thick blankets that smell faintly of juniper smoke. Toilets are composting, and the trust insists on grey-water care in line with principles familiar to Australian bushwalkers.

Days begin after sunrise, which in winter comes slowly, around seven. Volunteers help serve tsampa and butter tea, then walk with the children to a warm reading room the trust has stocked with Hindi, English and Tibetan titles. Afternoons are spent on art activities, gentle music lessons, or simply supervising homework under a solar lamp. Evenings belong to the fire.

The First Nights Around the Fire

The night ritual is what many volunteers remember longest. After a meal of dal, rice and the occasional carrot grown in the kitchen garden, the children crowd around a metal drum that has been converted into a fire pit. The air is thin and dry, so the flames throw light further than they would in the humid hills outside Brisbane or Cairns. The temperature drops to minus fifteen or lower.

On the first night, conversation is shy. By the second, the older boys begin to challenge each other to riddles. By the third, a young monk named Tenzin produces a flashlight and asks the volunteers to tell stories from "the country down under." That is the cue. The volunteers describe bushrangers, the smell of eucalyptus after rain, the strange sky over the Nullarbor, and the way a quoll hides in a hollow log.

The exchanges are not one way. Children who have walked to school across a frozen river listen politely, then offer their own stories of mountain spirits and the moon rabbit. The trust's reading room programme, explained in this overview of recent literacy drives, treats this exchange as the heart of the work.

Stories That Travel Across Cultures

Storytelling under a Ladakhi sky looks very different from a session in a Melbourne primary school, yet the bones are the same. A circle of listeners, a single voice, a tale that allows a child to feel brave or clever for a few minutes. Volunteers quickly learn that the most useful stories are not the longest, but the most rhythmical. Repetition, rhyme, and a clear hero win the night.

Some volunteers bring folktales from the Noongar or Wurundjeri traditions, with permission and context. Others read aloud from books that have survived two trips in a checked suitcase. Picture books work best, because the freezing air means children keep their hands tucked into sleeves and rely on the visual. A well-timed page turn earns an audible gasp.

The reading rooms that the trust maintains throughout the year do much of this work by daylight, with proper seating and curated shelves. The campfire sessions add something quieter. They teach a child that a book can be opened in the dark, that a voice can replace a lamp, and that the same story told twice can feel brand new.

Challenges, Mistakes, and Small Miracles

No honest account skips the hard parts. Volunteers frequently arrive expecting a kind of noble poverty and find instead a community that is organised, dignified and slightly amused by outsiders who cannot breathe at 3,500 metres. Altitude sickness fells at least one person per trip, and the local clinic in Leh is small. Travelers from Australia should arrange travel insurance that covers high-altitude trekking, as recommended by the Smartraveller advice line.

Cultural mistakes happen. A casual shoulder pat, the wrong shoe in a monastery courtyard, a clumsy comparison between a young monk's robes and a Halloween costume. The trust briefs volunteers carefully, and the briefing reflects Australian standards too. Every participant must hold a current Working with Vulnerable People registration, the equivalent of a Working with Children Check issued by the relevant state authority. The trust also follows child-safeguarding protocols aligned with the ACNC governance standards that govern charities back home.

The small miracles are quieter. A six-year-old who refuses to speak to anyone on day one, then whispers the punchline of a story on day four. A volunteer from Adelaide who came planning a gap-year break, now co-ordinating book shipments for three years running. A father who walks two hours across the valley to hear what his son has been reading.

Bringing It Home

Returning to Australia feels louder and flatter. Volunteers often describe a strange ache for the cold silence of a Ladakhi night. Several channel the feeling into practical action: hosting a book drive at a local school, screening a short film, or simply committing to read aloud more often to their own children or nieces and nephews.

The trust makes it easy to keep the thread alive from home. Donations are tax-deductible under Australian law when processed through a registered Deductible Gift Recipient, and every parcel that arrives in Leh is logged in a public newsletter. Volunteers also help the trust source specific titles, particularly bilingual English-Hindi and English-Tibetan books, which are scarce in the regional market and expensive to import.

For anyone weighing the trip, the honest summary is this. It is cold, simple and often inconvenient. It also asks nothing of a volunteer except attention, patience and a willingness to be a small part of someone else's evening for ten nights in a row.

Camp element Ladakhi reading camp Typical Australian school holiday camp
Sleeping setup Foam mattress in homestay or dome tent Bunk in shared cabin or dormitory
Evening activity Storytelling and songs around a fire drum Trivia night or movie under canvas
Altitude 3,000 to 4,200 metres Sea level to around 1,500 metres
Reading materials Hindi, English and Tibetan picture books Mostly English with some bilingual options
Required checks Working with Vulnerable People, high-altitude insurance Working with Children Check, basic first aid

Practical pointers for a thoughtful first trip:

  • Allow a full week in Leh before joining the camp to acclimatise properly, and add two rest days on either side of the trek portion.
  • Pack one extra layer than seems sensible, plus a four-season sleeping bag rated to at least minus fifteen.
  • Bring six to eight picture books in good condition, with strong visual storytelling that does not rely on local idiom.
  • Brush up on basic Tibetan greetings, including tashi delek, and learn the names of the monks you will meet by asking ahead.
  • Carry small, high-value gifts from home such as coloured pencils or erasers, but check the trust's gift policy so nothing crosses the line into inducement.
  • Photograph respectfully, never include a child's face in social posts without written guardian consent, and follow the ACNC-aligned safeguarding briefing.
  • Plan a debrief with family or a counsellor on return, because the altitude and the emotional intensity can take a fortnight to settle.

The night sky over the Himalayas does not belong to any one country or tradition. Watching it with a circle of children who point out Orion with mittened hands is its own kind of education. For an Australian volunteer, the most useful thing carried home is not a photograph, but a quieter voice and a longer pause before turning the next page.