Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

How Our Music Program Bridges Generations: Grandparents Sing Too

In the Himalayan communities where Avalokiteśvara Trust works, music is part of everyday life. A melody may travel from a monastery courtyard to a family kitchen, from an elder’s memory to a child’s notebook, gathering new meaning each time it is sung. Our music activities create a welcoming space where these exchanges can happen naturally.

Children and young monks often arrive ready to experiment. They learn rhythms, try instruments, invent verses, and gain confidence by performing with friends. Grandparents bring a different kind of knowledge: songs remembered from childhood, local expressions, seasonal rhythms, and stories connected to particular places.

When these forms of learning meet, music becomes a bridge between generations. It strengthens literacy, encourages creativity, and gives families a shared activity that values both tradition and fresh ideas.

Music As Shared Memory

Many older community members carry songs that were learned without written music. The words may describe fields, animals, mountain passes, festivals, or moments from family history. Some melodies are used to settle children, celebrate a gathering, or make routine work feel lighter. When grandparents sing these songs aloud, young listeners gain access to a living archive.

For children, this kind of encounter can make heritage feel personal rather than distant. They hear a familiar voice give shape to a song, then discover that they can learn, repeat, and adapt it. A young monk might add a steady drumbeat, while a child in a reading room writes down a remembered verse or illustrates its story.

This process supports language development in an enjoyable way. Repeated lyrics help children notice sounds, rhythm, spelling, and patterns. They are practicing communication and listening while taking part in something meaningful to their families.

From Classroom To Courtyard

Our music program is designed to move beyond a formal lesson. A session may begin with a simple rhythm exercise, continue with singing, and end with children and elders performing together in a courtyard. The setting matters less than the invitation to participate. There is room for experienced singers, shy listeners, beginners, and people who would rather clap than take the lead.

Grandparents often become natural mentors. They can teach a local song, explain when it was traditionally performed, or show how a melody changes between villages. Children respond with curiosity, asking about unfamiliar words and offering their own interpretations. This exchange gives older adults a visible role in the educational life of the community.

The result is a learning environment based on attention and reciprocity. Children are not simply receiving information, and elders are not treated as observers. Each group contributes something essential: energy and experimentation from the younger generation, memory and perspective from the older one.

What Older Voices Bring

A grandparent’s participation can alter the atmosphere of a music gathering. An elder who begins a song may initially be met with quiet concentration, but soon children join in, matching the tune or finding a harmony. Their voices may differ in pitch and strength, yet that contrast creates a fuller sound and encourages children to listen closely.

Older singers also model patience. They may repeat a phrase several times, slow down for a difficult passage, or explain why a particular word is pronounced in a certain way. These small moments help children understand that learning music is a process of careful practice rather than a test of instant performance.

For young monks, intergenerational singing can connect education with community life. Music becomes a way to honor local culture while developing concentration, confidence, and cooperation. It also gives elders a chance to see their knowledge continuing through a new generation.

A Living Exchange Between Ages

The program’s value can be seen in what each participant gives and receives. The exchange is musical, educational, and social at the same time.

Participant Contribution Shared Benefit
Grandparents Traditional songs, stories, pronunciation, and memory Recognition, connection, and a meaningful teaching role
Children Curiosity, new rhythms, drawings, and creative variations Confidence, language practice, and cultural understanding
Young monks Focus, disciplined practice, and group leadership Stronger communication and community participation
Families Encouragement, local knowledge, and shared attendance A common activity across age groups
Trust volunteers Instruments, resources, facilitation, and patient support A welcoming setting for learning and expression

These contributions do not need to be equal to be valuable. A grandparent may sing the main melody, while a child keeps time with a small percussion instrument. A volunteer may help record lyrics, and a monk may guide the group through a repeated chorus. Each role makes the final performance possible.

Music also creates occasions for conversation after the singing ends. Children may ask relatives about their childhood, while grandparents learn what kinds of songs or instruments excite younger listeners. Those conversations can continue at home, extending the benefits of the program beyond the activity itself.

Keeping The Circle Open

Access is central to our work. Activities are offered in communities where families may have limited access to books, instruments, arts education, or organized creative programs. Keeping music sessions welcoming and free allows children to participate because they are interested, not because their families can afford additional lessons.

The same principle guides our wider educational work, from reading rooms and book drives to artistic activities for children and young monks. Supporters can learn more about keeping programs free and the practical care required to sustain these opportunities.

A free program also benefits grandparents. They do not need formal musical training, special clothing, or previous experience to join. Their memories are enough to begin. When the atmosphere is respectful, an elder’s imperfect or unpolished voice is welcomed as part of the community’s sound.

Carrying Songs Into Daily Life

The most lasting impact appears when music continues outside organized sessions. A child may sing a chorus while reading, a family may repeat a rhythm during a festival, or a grandparent may teach another verse during a quiet afternoon. These small acts keep songs active and allow them to evolve without losing their roots.

Children can also document what they learn through writing, drawing, and simple performance notes. In this way, music supports the literacy goals of our reading rooms. A song becomes a prompt for new vocabulary, a story becomes a creative writing exercise, and a rhythm becomes a way to explore patterns and counting.

Families and supporters can help strengthen this intergenerational work in practical ways:

  • Share a traditional song or story with a child or young monk.
  • Encourage older relatives to attend community music sessions.
  • Donate books, instruments, or funds that support free educational activities.
  • Volunteer time for singing, rhythm games, creative workshops, or event support.
  • Celebrate children’s performances with attentive listening and generous encouragement.

Every contribution helps create a setting where older voices remain heard and younger voices find room to grow. When grandparents sing beside children, culture becomes an active relationship rather than a memory kept at a distance.

Support Avalokiteśvara Trust by volunteering, donating, sharing our work, or helping make music and learning resources available to Himalayan communities. Together, we can keep the circle of song open across generations.