Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

How a Simple Alphabet Poster Became a Favorite Learning Tool

A classroom does not always need expensive equipment to become an inviting place to learn. In a reading room, a bright alphabet poster can turn an empty wall into a daily source of recognition, conversation, and discovery. Its letters, pictures, and colors offer children an approachable first step into reading.

For children growing up in Himalayan communities, access to engaging learning materials can vary widely. A well-designed alphabet chart gives young learners something dependable to return to, whether they are practicing English sounds, identifying familiar objects, or helping a younger child remember a letter.

At Avalokiteśvara Trust, simple resources have a meaningful role alongside books, creative activities, music, and volunteer-led lessons. The poster is useful because it invites participation at many levels: a child may begin by pointing at a picture, then naming it, tracing a letter, and eventually reading a word independently.

Why familiar letters invite participation

Alphabet displays are easy to understand at a glance. A child who cannot yet read instructions can still recognize that each large symbol has a place on the wall. The visual order creates a gentle structure, while the colors and illustrations make the learning space feel lively rather than formal or intimidating.

The poster also supports informal learning. Children may gather around it before a lesson, compare pictures, or test one another on letter sounds. These small exchanges turn practice into a shared activity. A young learner who is hesitant to speak in front of a group may feel more comfortable pointing, repeating, or joining a song.

Familiarity is important in early literacy. Seeing the same letters day after day gives children repeated exposure without making practice feel like a test. Over time, the alphabet chart becomes part of the room’s identity, much like a favorite book or a well-used set of colored pencils.

Designing for many kinds of learners

A useful alphabet poster should be clear before it is decorative. Large letters, strong contrast, generous spacing, and recognizable images help children distinguish one symbol from another. A crowded design may look attractive from a distance but can make it harder for early readers to focus on individual letter forms.

Pictures should also connect with children’s experiences. Animals, plants, household objects, landscapes, and everyday activities can help learners attach meaning to unfamiliar words. In Ladakh and other Himalayan settings, culturally familiar images may encourage children to talk about their own lives while building vocabulary in English.

The same poster can serve learners at different stages. Beginners can practice naming letters and pictures. Developing readers can match uppercase and lowercase forms, identify beginning sounds, or copy short words. More confident children can use the display to lead a game or help someone else, turning literacy practice into peer learning.

From wall display to active lesson

The strength of an alphabet chart lies in how people use it. A volunteer might invite children to find the first letter of their name, locate a letter hidden in a storybook, or arrange letter cards in the same order as the wall display. These activities transform a static classroom decoration into an interactive teaching aid.

Movement can make the lessons memorable. Children can walk to the letter they hear, clap when a target sound appears, or form letter shapes with their hands. Drawing, singing, and simple rhythm exercises bring artistic and musical learning into literacy work, helping children who respond better to sound or physical activity than to worksheets.

A poster can also support storytelling. A volunteer may select three pictures from the chart and ask children to create a short tale, then add new words as the story develops. This approach connects phonics, vocabulary, speaking, imagination, and social confidence within one flexible exercise.

Poster feature Learning opportunity Simple activity
Large uppercase letters Letter recognition and visual memory Find the letter that begins a child’s name
Lowercase matches Understanding different letter forms Pair cards with the wall display
Clear illustrations Vocabulary development Name the picture and describe it
Strong colors and spacing Focus and visual distinction Point to a requested letter quickly
Familiar objects and animals Personal connection and conversation Tell a story using three images
Durable paper or lamination Frequent, long-term use Use the poster during daily reading time

Reading rooms make repetition possible

A learning tool becomes more valuable when children can encounter it regularly. In a reading room, an alphabet poster remains available between organized activities. Children can look at it while waiting for a book, use it during a drawing session, or revisit it after a story has introduced a new word.

This regular access matters because literacy develops through repeated contact with letters, sounds, vocabulary, and books. A child may not remember a new symbol after one lesson, yet recognize it after seeing it across several visits. The poster quietly supports this process without demanding special equipment or a separate lesson plan every time.

Its durability also makes it practical for community education. A carefully placed chart can welcome different groups of children throughout the year. Volunteers can build new games around the same resource, while children who have already mastered basic letters can take responsibility for guiding younger participants.

Small achievements build confidence

Learning becomes more encouraging when children can see their progress. A child who once needed help identifying a letter may later point to it quickly, write it independently, or use it in a word. These visible steps deserve recognition, especially for learners who may have had limited access to books and structured educational support.

Celebration does not need to be elaborate. A round of applause, a drawing displayed on the wall, a chance to lead a letter game, or a certificate can show children that their effort matters. Stories about celebrating children’s achievements reflect how encouragement can connect learning with pride and belonging.

Recognition also strengthens the community around a reading room. Families, volunteers, and teachers can see that progress is made through consistent attention rather than instant results. When children feel that their achievements are noticed, they are more likely to open another book, attempt a difficult word, or help someone else learn.

Keeping a simple resource meaningful

An alphabet poster works best when it is part of a wider learning environment. Books give the letters context, creative activities let children express what they understand, and conversation helps them use new vocabulary. The poster acts as a bridge among these experiences rather than standing apart from them.

Its simplicity is a practical advantage. A volunteer does not need advanced teaching equipment to use it, and a child does not need prior reading ability to participate. The chart can support a short activity during a busy afternoon or become the center of a longer lesson built around stories, songs, drawing, and group games.

Anyone preparing a literacy space can make the resource more effective by focusing on consistency and participation:

  • Place the poster at children’s eye level where they can point to it easily.
  • Pair letter practice with picture books, songs, and familiar objects.
  • Invite children to lead matching, naming, and letter-search activities.
  • Replace damaged materials and keep the display clean and easy to read.
  • Celebrate steady progress with kind, specific encouragement.

A small alphabet display can therefore become much more than classroom decoration. It can greet children when they enter, support volunteers during activities, and provide a familiar reference across many visits. In a Himalayan reading room, that dependable presence helps make literacy feel accessible, social, and joyful.

Support from donors and volunteers helps create spaces where resources like this can be used every day. By contributing books, time, creative skills, or practical assistance to Avalokiteśvara Trust, you can help more children discover the confidence that begins with recognizing one letter.