Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Five Books That Every Himalayan Child Should Read

A good children’s book can travel across a mountain pass, enter a remote classroom, and open a world larger than the village where it is read. For children in Ladakh and other Himalayan communities, reading offers more than language practice. It builds confidence, strengthens imagination, and creates a welcoming space for questions, conversation, and creative expression.

The five books selected here bring together local landscapes, traditional wisdom, humor, nature, and wonder. They can be enjoyed by children at different reading levels, especially when adults, older students, or volunteers read aloud and discuss the stories in more than one language.

The phrase “every Himalayan child should read” should be understood as an invitation rather than a strict rule. Children deserve access to many kinds of books, including stories from their own communities and books that introduce unfamiliar places. A strong reading shelf respects both needs.

The Blue Umbrella And The Familiar Mountain World

Ruskin Bond’s The Blue Umbrella is an ideal choice for young readers who recognize steep paths, small settlements, changing weather, and the close relationships found in mountain communities. The story follows Binya, a village girl whose beautiful blue umbrella attracts attention and envy. Its language is approachable, while its emotional questions are rich enough for group discussion.

Children can talk about kindness, possession, jealousy, and forgiveness without needing a complicated plot. The book also helps young readers see that a Himalayan setting can be the center of a meaningful literary world, rather than merely a distant backdrop in someone else’s adventure.

In a reading room, this story can lead to drawing activities about village life, short descriptions of a treasured object, or conversations about how people repair relationships. For children learning English, illustrated editions and shared reading make the vocabulary less intimidating.

Panchatantra And The Intelligence Of Storytelling

The Panchatantra belongs on a Himalayan children’s bookshelf because its animal tales connect entertainment with practical wisdom. Stories about clever rabbits, loyal friends, foolish kings, and talking animals have traveled across South Asia for centuries. Their short structure makes them particularly useful for read-aloud sessions and beginner readers.

Each fable presents a decision and its consequence, but children do not have to accept the stated lesson without question. They can ask whether a character acted fairly, whether cleverness is always admirable, or how the ending might change if another animal told the story. Such discussion develops comprehension and ethical reasoning at the same time.

Adaptations should be chosen with care, since some versions use difficult language or contain ideas that need explanation. A teacher or volunteer can pair one tale with a role-play, puppet show, or retelling in Ladakhi, Tibetan, Hindi, or a family language. Oral storytelling then becomes a bridge into independent reading.

Aesop’s Fables For Short, Memorable Lessons

Aesop’s Fables offers another collection of brief stories that can fit naturally into a busy school day. “The Tortoise and the Hare,” “The Lion and the Mouse,” and “The Ant and the Grasshopper” are familiar to many children, yet each can be revisited at different ages. Younger readers enjoy the animals and repetition; older children can examine the assumptions behind each moral.

These fables are especially valuable for developing prediction skills. Before the final paragraph, a group can pause and ask what may happen next. Children can then compare the printed ending with one they invent themselves. This small act gives them ownership of the story and encourages them to write, perform, and illustrate.

A collection of fables also supports vocabulary building because the stories contain clear actions and strong contrasts. Teachers can select one passage for reading practice, one for drawing, and one for a short dramatic performance. Books become active learning resources rather than objects that remain untouched on a shelf.

A Shelf That Balances Roots And Curiosity

The Little Prince by Antoine de Saint-Exupéry introduces children to a very different style of storytelling. Its planets, travelers, fox, rose, and desert landscapes invite questions about friendship, responsibility, loneliness, and the ways adults see the world. Some ideas may be abstract for younger children, so the book works best when read in stages and discussed together.

Eric Carle’s The Very Hungry Caterpillar offers a gentler entry point for early readers. Repetition, counting, colors, days of the week, and transformation make it suitable for children beginning to connect printed words with familiar concepts. Its visual design can inspire paper collage, sequencing games, and nature observation around the classroom.

Book Strongest Age Range Ideas It Opens Creative Follow-Up
The Blue Umbrella 8–12 Kindness, envy, village life Draw a treasured object
Panchatantra 6–12 Wisdom, choices, consequences Retell a fable as a play
Aesop’s Fables 5–11 Responsibility, prediction, fairness Invent a new moral
The Little Prince 9–14 Friendship, care, imagination Create a small paper planet
The Very Hungry Caterpillar 3–7 Counting, sequence, change Make a life-cycle collage

Together, these five titles offer a useful range of reading experiences. They include short and longer texts, realistic and fantastic settings, simple and philosophical themes, and activities that suit quiet reading as well as group learning.

Stories Become Stronger Through Art And Music

Children often understand a story more deeply when they can respond with their hands, voices, and bodies. A fable can become a puppet performance, a mountain scene can inspire a watercolor, and a repeated phrase can turn into a song. These activities support children who may feel hesitant about reading aloud but are confident in drawing, movement, or rhythm.

Music is especially effective in remote classrooms because it creates a shared language among children with different reading abilities. The Trust’s account of how volunteer musicians bring rhythm shows how creative activities can make learning more memorable and joyful. A story session does not need expensive equipment; clapping patterns, handmade instruments, and local songs can all help children engage.

The books should also encourage children to notice their own surroundings. After reading about a forest, a child might record local birds. After discussing a journey, another might draw a map between home, school, and the nearest reading room. Literacy grows when printed stories connect with lived experience.

Building A Living Reading Room

A collection succeeds when books are easy to reach, carefully looked after, and regularly shared. Reading rooms in Himalayan communities can display books with covers facing outward, group titles by reading level, and keep a small area for drawing and storytelling. A simple borrowing card can help children bring stories home and tell siblings or grandparents about them.

Language access matters as much as book selection. English editions can widen educational opportunities, while Hindi, Tibetan, Ladakhi, and other local-language books help children see their identities and landscapes reflected in print. When a title is available in several languages, children can compare expressions, learn new vocabulary, and invite family members into the reading experience.

A practical reading program might pair one featured book with a weekly activity:

  • Read one chapter or story aloud, pausing for predictions and vocabulary.
  • Invite children to retell the plot in their strongest language.
  • Add drawings, music, drama, or nature observation connected to the book.
  • Let children recommend a title to a friend and explain their choice.
  • Keep a shared reading journal with sketches, favorite lines, and new words.

These habits make a book collection feel active rather than formal. They also give volunteers clear ways to support children without turning every reading session into a test.

Shared Books, Wider Possibilities

The five titles named here can give children a strong beginning, but they should sit beside local folktales, biographies, poetry, science books, comics, and stories by Himalayan writers. A child who starts with a fable may soon want to read about snow leopards, astronomy, music, medicine, or another valley. Curiosity rarely follows a fixed shelf.

Every donated book can contribute to that expanding world. Support for reading rooms, book drives, and creative education helps children find stories in places where access may otherwise be limited. Visit Avalokiteśvara Trust’s work, share a book drive with your community, or help provide the next welcoming shelf where a young reader can begin.