Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

How Our Volunteer Musicians Bring Rhythm to Remote Classrooms

In the high valleys of Ladakh, a classroom may be separated from the nearest music shop, cultural center, or specialist teacher by hours of difficult travel. Yet children in remote communities have the same instinct to sing, move, listen, and create as students anywhere else. A simple drum, handmade shaker, or shared song can open a lively path into learning.

Our volunteer musicians carry that possibility with them. They arrive with instruments, adaptable lesson plans, and a willingness to learn from each community. Their sessions make space for rhythm, creativity, confidence, and collaboration while complementing the reading, arts, and educational activities supported by the Avalokitesvara Trust.

Music in these classrooms is not treated as an occasional performance. It becomes a practical teaching language: a way to remember new words, explore patterns, express feelings, and build friendships. The sound may be quiet or exuberant, traditional or experimental, but its purpose remains consistent—helping children discover that their ideas deserve to be heard.

Bringing instruments beyond the main roads

Reaching a remote classroom often requires careful planning. Volunteers may travel along narrow mountain roads, adjust to changing weather, and carry instruments that are light enough for a long journey but durable enough for frequent use. Their preparation includes spare strings, drumheads, cables, batteries, and simple materials for making percussion instruments locally.

The work begins before the first note. Musicians speak with teachers and community partners about the children’s ages, language backgrounds, previous experience, and daily routines. This helps them design activities that feel relevant rather than importing a fixed program. A rhythm game may draw on a local celebration, while a singing exercise can incorporate words familiar from the children’s reading lessons.

Small groups are especially valuable in these settings. A volunteer can notice who is eager to lead, who prefers to observe, and who needs encouragement before joining in. By keeping activities welcoming and flexible, the sessions give every child a manageable way to participate.

Rhythm as a bridge to literacy

Music supports early literacy because it makes sound, sequence, and memory tangible. Children clap syllables, repeat patterns, match lyrics to pictures, and invent short verses using new vocabulary. These activities help them hear the structure of language while reducing the pressure that can accompany formal reading practice.

Songs also give repeated exposure to words without making repetition feel like a test. A child may remember a phrase because it belongs to a melody or a movement pattern. When volunteers connect singing with books, children can act out a story, create a soundscape for a page, or compose a refrain for a favorite character.

The benefits extend to older learners. They may write lyrics, arrange a group performance, or compare the sounds and meanings of words in different languages. Such exercises encourage careful listening and clear communication, skills that support schoolwork across subjects.

Creating confidence through shared sound

A classroom ensemble offers a direct lesson in cooperation. Each child has a part, yet no single instrument carries the whole piece. Students learn to wait for a cue, listen to a neighbor, keep a steady beat, and recover when a mistake interrupts the performance. These are musical skills, but they also strengthen patience, attention, and mutual respect.

For children who are shy about speaking in front of others, rhythm can provide a gentler first step. A student might begin by tapping a repeated beat, then progress to leading a call-and-response pattern or singing a short line. The experience of contributing successfully can gradually change how that child approaches other classroom activities.

Volunteers pay attention to the emotional atmosphere as well as the tempo. A fast game can release energy after a demanding lesson, while a quiet breathing exercise can help students settle. Music gives teachers another tool for shaping the day and recognizing the different ways children learn.

Local traditions and new creative paths

The strongest music workshops make room for local knowledge. Himalayan communities have rich traditions of chanting, drumming, folk song, and ceremonial music. Volunteers approach these traditions with respect, inviting children and local educators to share what they know rather than presenting outside styles as the default.

This exchange can lead to creative combinations. A familiar rhythmic pattern might accompany a new English song, or children might use a contemporary arrangement to tell a story from their community. The goal is not to replace cultural heritage with imported entertainment. It is to give young musicians room to value their roots while experimenting with fresh forms.

In some sessions, children build simple instruments from safe, accessible materials. Recycled containers become shakers, cardboard becomes a stringed model, and stones or sticks help demonstrate texture and beat. These projects show that music does not depend on expensive equipment, making creative practice easier to continue after the volunteers leave.

What a classroom session can look like

A workshop usually balances structure with discovery. Volunteers may begin with a welcome song and body percussion, move into a focused listening or rhythm activity, and finish with group composition. The sequence can be shortened for younger children or expanded when a class is ready to work toward a performance.

The table below illustrates how different activities contribute to broader educational aims:

Musical activity Skills children practice Classroom connection
Call-and-response singing Listening, memory, pronunciation Language development and participation
Clapping syllables Rhythm, concentration, vocabulary Reading readiness and word awareness
Group drumming Coordination, turn-taking, self-control Cooperation and classroom routines
Writing short lyrics Imagination, spelling, expression Creative writing and communication
Soundtracking a story Interpretation, sequencing, empathy Reading comprehension and discussion
Instrument-making Problem-solving, design, resourcefulness Practical learning and creativity

A session may end with an informal sharing circle rather than a polished concert. Children can describe the beat they created, explain how they solved a problem, or perform for another class. This keeps the focus on learning and ownership instead of perfection.

Documentation also matters. With permission, photographs, recordings, and short reflections help families and supporters see the children’s progress. These stories make the impact of educational outreach visible while respecting the dignity and privacy of every participant.

Supporting continuity after volunteers depart

A visiting musician can spark enthusiasm, but lasting value comes from leaving useful tools behind. Volunteers share simple song sheets, rhythm cards, activity instructions, and suggestions for adapting lessons with everyday objects. Teachers can then repeat a favorite game during the school week or include music in reading-room activities.

The Trust’s book drives and learning spaces create natural opportunities for this continuity. A story corner can include books about instruments, composers, animals, or local traditions. Children may read a short text, create a rhythm for it, and perform their interpretation. This combination of books and music encourages them to move between listening, reading, making, and presenting.

Relationships with local teachers are essential. Educators understand the community, maintain contact with families, and know how to adjust activities to the school calendar. When musicians work alongside them, the program becomes a shared resource rather than a one-time visit. Future volunteers can build on activities that have already proved meaningful.

How supporters can strengthen music education

Reliable support helps bring musicians, instruments, and educational materials to communities that are difficult to reach. Donations can contribute to travel, instrument maintenance, workshop supplies, and the creation of durable resources for reading rooms and classrooms. Volunteer expertise is equally valuable when musicians can commit time to planning, teaching, or recording adaptable activities.

People who support this work can help in practical ways:

  • Donate new or gently used child-friendly instruments that are easy to transport and maintain.
  • Sponsor workshop materials such as strings, percussion accessories, notebooks, and craft supplies.
  • Volunteer musical, teaching, translation, photography, or logistical skills.
  • Share children’s learning stories responsibly to raise awareness of educational access in the Himalayas.
  • Encourage schools, music groups, and community organizations to organize book or instrument drives.

Every contribution should be guided by local priorities. A well-chosen set of durable rhythm instruments may be more useful than a large collection of specialized equipment. Conversations with teachers and community partners help ensure that support fits the classroom, the climate, and the children who will use it.

When volunteer musicians bring rhythm to remote classrooms, they bring more than songs. They bring an invitation to listen closely, take creative risks, and work together. A beat shared by a whole group can turn an unfamiliar room into a community of learners.

You can help extend that invitation by supporting the Trust’s educational programs, sharing useful instruments, or offering your own musical and teaching skills. Visit the organization’s work to learn how to contribute to reading rooms, arts activities, and learning opportunities for children and young monks across the Himalayan region.