Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Why we teach origami to reuse discarded notebook pages

At Avalokiteśvara Trust, we teach origami as a way to reuse discarded notebook pages. The simple practice turns school leftovers into useful objects while giving children and young monks opportunities to read, measure and create.

A single clean sheet can hold a geometry lesson, a quiet moment of concentration and the beginning of a handmade bookmark. Because the material is familiar and the first folds are manageable, learners can begin even when they have no origami experience.

Pages that once carried sums, stories or sketches can carry new ideas. Folding them supports literacy through instructions, mathematical language through shape and spatial reasoning through careful observation.

Our reading rooms, book drives and creative activities give this work a wider purpose. Origami connects books with hands-on learning, so reclaimed paper becomes part of a thoughtful educational resource rather than a craft isolated from reading.

A second life for familiar paper

Many notebooks reach the end of their useful school lives with blank backs, loose leaves or pages marked by small experiments. Instead of discarding them immediately, we sort the clean sheets and keep them for folding activities. Ruled, squared and grid paper each offer a different starting point for learning.

Cleaning and sorting the pages also teaches care for materials. Children learn that a resource can have more than one purpose and that an ordinary sheet can be prepared thoughtfully before it becomes something new. The activity begins with an appreciation of what paper can do rather than how quickly it can be used.

Reuse must remain respectful of the original learning. A page covered in corrections may be useful for testing folds, while a blank page can become a bookmark or simple model. This distinction encourages careful selection and shows that saving paper does not require treating every sheet in the same way.

Why folding supports learning

Origami gives young learners a practical way to encounter geometry. Creases introduce angles, symmetry, diagonals and spatial relationships in forms that can be seen and handled. A square becomes a triangle, then a smaller square, while language such as fold, flap, edge and valley gives mathematical ideas a clear spoken form.

Each model also develops sequencing and problem-solving. A paper crane or traditional boat may look simple, but it depends on accurate steps, memory and the ability to recognise where an earlier fold belongs. When instructions are read aloud, learners gain experience following directions before they begin creating independently.

Creative expression grows alongside these technical skills. Choosing colours, adding a drawn landscape or turning a model into a bookmark links the mathematics of folding with imagination. The result is an activity that can support quiet concentration, fine motor development and confidence without requiring expensive equipment.

Origami in the Himalayan setting

In Ladakh and other Himalayan communities, children may travel considerable distances to access educational resources. Using available paper in inventive ways helps an activity remain focused and achievable. Notebook pages are common in homes and schools, so reclaimed sheets feel more accessible than materials that must be purchased specially.

At our reading rooms, folded objects can naturally accompany books. Bookmarks made from notebook pages give a tangible purpose to recycled material, while models based on mountains, animals or local stories can prompt conversation about what children see around them. The creative work becomes an invitation to read rather than a replacement for reading.

The principle travels well: in Chattanooga, community reading projects also show how books can become part of a wider community life. Both examples demonstrate how shared learning spaces can connect practical participation with access to stories and information.

Practical choices for Australian classrooms

Australian partners can adapt the activity with materials already familiar to families and schools. Stationery shops in Sydney and Melbourne commonly stock A4 exercise books and squared or grid-paper notebooks, while the January start of the Australian school year creates a natural point for collecting clean unused pages. A small supply gathered at that time can support activities throughout the year.

A simple materials collection keeps the project inexpensive and easy to manage:

  • Clean, unused pages from ruled, squared or grid notebooks
  • Larger sheets of thin recycled paper for testing models
  • Pencils, erasers and a small roll of paper tape
  • Blunt scissors for activities that require cutting
  • Shallow trays or folded newspaper for sorting materials

Each session can combine reading with a manageable folding challenge:

  • A short passage read before the first fold
  • One demonstration followed by paired practice
  • Vocabulary connected with edges, flaps, peaks and valleys
  • A shared display of models beside selected books
  • A tally of notebook pages reused at the end

Local habits make reuse especially easy to explain. Many Australian councils accept clean paper in household recycling, although rules differ between municipalities and soft plastics usually require separate collection. Children’s Book Week in August can provide a timely connection between stories and paper models, while community op shops and school fetes offer established places for exchanging useful materials. In remote areas, sharing patterns and instructions can reduce the cost of transporting bulk supplies.

Building skills one fold at a time

A successful session needs a clear progression. We begin by examining the page, identifying its edges and grid lines, and selecting one simple square-based model. The facilitator reads the first instruction, demonstrates the fold and allows time for every learner to complete it before moving forward.

Language develops as the model takes shape. Terms such as mountain fold and valley fold become part of a shared vocabulary that can later appear in mathematics lessons. Learners can retell the instructions, compare diagrams or explain how a shape changes, turning the reading activity into a form of practical comprehension.

Activities should remain flexible. Some children may need larger paper, pre-cut squares or fewer steps, while others may be ready to adapt a model or design their own version. Progress comes from understanding and persistence rather than producing a perfect object within a fixed time.

Measuring more than paper savings

The strongest evidence of the activity appears in participation and confidence. Facilitators can record how many learners take part, which folds they can explain and whether they return to a difficult model. A simple tally of pages reused also records the material benefit without exaggerating its wider environmental effect.

The reading connection deserves attention too. Children might retell a story through a folded shape, identify instructions in a book or compare two methods for making the same object. Photographs of finished models can support reflection, provided the children and families involved give informed permission for their images to be shared.

Paper reuse is one part of a larger pattern of care that includes repairing, sharing and recycling. Its direct value here is modest but real: discarded notebook pages gain another purpose, and children develop practical skills while participating in a shared reading experience.

Preparing the next shared session

The model works best when reading, folding and reflection are planned as one activity. Australian supporters can contribute clean paper, simple folding guides or funding for locally made materials, while local facilitators select models that connect with books already available in the community. Sharing instructions digitally can also reduce freight to remote areas.

Before a session, the facilitator can prepare a small kit containing square starting sheets, a bookmark pattern, a vocabulary card and one five-step model. Children keep their work, return to it during a later reading period and explain the process they used. This creates continuity between creative sessions and reading-room activities.

The concrete next step is to prepare one origami-and-reading kit for the next session, using twelve clean notebook pages, one bookmark pattern and a five-step folding sequence.