Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Why We Teach English Through Songs and Rhymes in the Himalayas

In Himalayan communities, learning often takes place across several languages. Children may speak a local language at home, encounter Hindi or another regional language in daily life, and meet English through schoolbooks, signs, technology, or visiting volunteers. This rich multilingual setting creates valuable possibilities, yet it can also make English feel distant and difficult.

At Avalokiteśvara Trust, songs and rhymes help make that distance smaller. A melody gives children a reason to listen, repeat, move, laugh, and try again. Familiar sounds become useful words, and short verses create a gentle path toward pronunciation, reading, and conversation.

This approach belongs to a wider educational purpose. Reading rooms, book drives, creative activities, and music sessions give children access to resources that support curiosity over time. English is one part of that work: a practical language skill that can grow alongside confidence, imagination, and a lasting love of learning.

A natural bridge across languages

Songs provide a welcoming starting point for children who are still becoming comfortable with English. A child does not need to understand every word before joining in. Repeated phrases, actions, and a steady beat make participation possible from the first session, including for beginners who may hesitate during a conventional lesson.

This matters in remote Himalayan communities, where classroom resources can vary and children may have different levels of exposure to English. A familiar rhyme can bring the whole group together without requiring every learner to progress at the same speed. Children with stronger language skills can model pronunciation, while newer learners gain support from the group.

The social setting is important too. Singing in a circle changes the feeling of practice. Mistakes become part of the activity rather than a public failure, and children can hear English being used as a shared form of play. That positive association often encourages them to speak more willingly in later lessons.

Why rhythm supports memory

Rhythm organizes language into patterns that are easier to notice and recall. Children hear where a phrase begins, which syllables are stressed, and how words connect in natural speech. Through repetition, they practice sounds such as short and long vowels, consonant combinations, and common word endings without relying on abstract explanations.

Rhymes also strengthen listening skills. A child learns to anticipate a repeated line, identify a familiar word, or recognize a sound that appears at the end of several phrases. These small acts of listening build phonological awareness, an important foundation for early reading and spelling.

Movement can reinforce the same learning. Clapping syllables, tapping a beat, pointing to picture cards, or acting out verbs links sound with physical experience. When vocabulary is connected to an action, image, or emotion, it is more likely to remain meaningful after the song has ended.

From listening to confident speech

Songs are useful because they connect several language skills within one short activity. A teacher can begin with listening, add gestures for meaning, invite repetition, and then use the same words in a simple conversation or reading exercise. This sequence lets children move from recognition toward independent use.

Learning aim How songs and rhymes help Follow-up activity
Pronunciation Repeated sounds and steady rhythm give children a model to copy Echo lines, clap syllables, or practice challenging sounds
Vocabulary Words appear in memorable phrases connected to actions or pictures Sort picture cards, act out verbs, or label objects
Listening Children learn to notice familiar words within continuous speech Raise a card when a target word is heard
Speaking confidence Group singing reduces pressure and encourages participation Replace a word, complete a line, or perform in pairs
Early literacy Repeated lyrics connect spoken language with printed words Match lines to pictures, trace key words, or read a short verse

The same song can therefore be adapted for different ages and abilities. Younger children might focus on actions and a few key words. Older learners can identify rhyming words, change a verse, write new lines, or perform a short song for their peers. This flexibility helps mixed-age groups learn together.

Progress does not have to be measured by a perfect performance. A child who begins by listening may later join the final word of each line, then sing a full phrase, and eventually use the vocabulary in ordinary conversation. These small steps show that language development is taking place.

Learning that fits Himalayan classrooms

Educational activities in mountain regions need to respect local rhythms of life. Weather, travel distances, community responsibilities, and school schedules can affect attendance and available teaching time. Songs and rhymes are portable resources: they require very little equipment and can be used in a reading room, classroom, courtyard, or monastery setting.

They also work well when a group has limited access to printed materials. A teacher can introduce a rhyme orally, add hand-drawn pictures, and gradually connect the spoken words to a shared book. When books are available, repeated lyrics can become a bridge into reading practice, helping children recognize familiar language on the page.

Local culture should remain visible in this process. English activities can include images of mountains, animals, weather, family life, journeys, and festivals that are meaningful to Himalayan children. Inviting learners to create verses about their own surroundings gives English a local voice instead of presenting it as a language separated from everyday experience.

For young monks and other children living or studying in community settings, music can also support routine and belonging. A short opening song may settle a group before reading time, while a closing rhyme can help children remember new words. These predictable transitions create structure without making learning feel rigid.

Songs that open the door to books

Oral language and reading development strengthen one another. Once children know a rhyme by sound, printed lyrics are less intimidating because many words are already familiar. Teachers can point to each word while the group sings, highlight repeated phrases, and show how spoken sounds correspond to letters.

This method is especially useful in reading rooms, where books, story cards, and illustrated materials can extend the lesson. A song about colors might lead to a picture book; a rhyme about animals could become a nonfiction reading activity; a verse about travel might inspire children to draw a map or write a few sentences.

Creative follow-up activities can include:

  • Matching repeated words with pictures or objects
  • Making simple books with one line and one drawing per page
  • Finding rhyming pairs in a familiar poem
  • Creating new verses about local places, animals, or daily routines
  • Performing a short song for families, classmates, or visitors

These activities develop more than vocabulary. They encourage sequencing, memory, fine motor skills, artistic expression, and cooperation. A child who illustrates a verse is interpreting meaning; a child who invents a new line is experimenting with grammar and sound. Each response gives educators a clearer view of the learner’s progress.

The arts also make room for different strengths. Some children sing loudly, while others prefer drawing, playing a simple rhythm, or arranging picture cards. By offering several ways to participate, English learning becomes more inclusive and gives every child a meaningful role.

How supporters can strengthen the work

A successful music-and-language session depends on consistency more than expensive equipment. Volunteers can learn a small collection of age-appropriate songs, use clear gestures, repeat key vocabulary, and leave time for children to lead. Patience is essential: pronunciation develops gradually, especially when learners are working across several languages.

Donors and community partners can support the surrounding learning environment by helping provide books, art supplies, musical materials, and comfortable spaces for reading and group activities. A well-stocked reading room gives children opportunities to revisit language after a session, while suitable picture books help connect songs with stories and independent exploration.

Useful support can include:

  • Funding books and illustrated English readers for community reading rooms
  • Providing durable musical instruments and art materials
  • Supporting teacher and volunteer training in playful language learning
  • Sharing culturally responsive songs, stories, and teaching resources
  • Contributing to regular educational activities in Ladakh and nearby communities

The strongest programs listen to local teachers, families, and children. Their observations help determine which themes feel relevant, which activities suit a particular group, and how English can complement existing languages rather than displace them. Avalokiteśvara Trust’s work is grounded in this kind of relationship-based learning.

When children sing together, they practice sounds and words, yet they also build courage. They discover that a new language can be explored through movement, creativity, friendship, and repetition. That confidence can carry into the pages of a book, a classroom discussion, or a future opportunity beyond their village.

Support Avalokiteśvara Trust by helping expand access to books, reading spaces, music, and joyful learning activities for children and young monks across the Himalayas. Your contribution can help turn a simple song into a lasting connection with language, literacy, and possibility.