Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Teaching children to repair and care for their books

When a child learns to mend a torn page or wipe a dusty cover, they are learning something far larger than a practical skill. They are being handed a quiet, enduring lesson about respect, ownership, and the value of a story. Across Australia, where school libraries in Brisbane and regional towns alike often run on tight budgets, the habit of looking after books can stretch a single copy across many eager hands. The same principle travels well to the reading rooms of the Himalayas, where small libraries serve dozens of young monks and neighbourhood kids with only a handful of titles to share.

Book care sits at the crossroads of literacy and character. Children who understand that a book has had a life before them, and will have one after, treat reading as a relationship rather than a transaction. In a country where families regularly pick up pre-loved picture books from Salvos stores or community op shops, that mindset is already part of the cultural furniture. Teaching children the small acts of repair and tidying turns a passive appreciation of books into an active, almost affectionate practice.

Why book care matters beyond the classroom

A book that arrives in a child's hands in perfect condition has usually passed through several sets of fingers already. Australian publishers, distributors, and school suppliers know this well, which is why so many primary schools invest in reinforced editions and library-grade covers. Still, paper tears, glue weakens, and corners curl. When a child is shown how to mend these small damages with a piece of tape, a smear of PVA glue, or a steady hand on a folded page, the message is unmistakable: this object matters enough to fix.

There is also a question of equality. Children from homes where books are scarce, whether in a remote Western Australian community or a mountain village in Ladakh, often share a single copy among siblings or classmates. A repaired book is a book that stays in circulation. The work of organisations such as the Avalokiteśvara Trust shows how this ethic scales up into something meaningful, with reading rooms designed for shared use and young readers encouraged to look after what they borrow.

Simple repair skills that children can practise

The skills children pick up fastest are also the most useful. A short, supervised workshop can cover the basics in a single afternoon session, the sort of activity that fits neatly into a school's literacy block or a library holiday program. Once a child has learned to recognise the difference between a tear that needs glue and one that needs tape, they tend to carry that judgement into everything else they read.

Core repair techniques for young hands

  • Reinforcing a loose spine with a strip of acid-free tape along the inside cover
  • Smoothing dog-eared corners by gently dampening and pressing the page flat under a heavy book
  • Mending a ripped page with a small piece of Japanese tissue and diluted PVA glue, applied with a soft brush
  • Cleaning cloth or laminated covers with a barely damp cloth, avoiding sprays that can damage printing
  • Labelling a repaired book with a small sticker so the next reader knows its history

Children also benefit from learning what not to do. No amount of repair rescues a page that has been written on, and water damage is almost always permanent. Setting these limits early prevents disappointment later, and helps young readers understand that care is also about prevention, not just cure.

From repair to habit: building a reader's mindset

Repair is a visible act, but the deeper habit is invisible. Children who tidy shelves, return books upright, and keep their reading nook free of crumbs are building a daily ritual of respect. In Australian homes, where a child might read in a sun-drenched corner during a long summer arvo or curl up with a novel during a chilly Hobart winter evening, the conditions for books vary enormously. Humidity in coastal Queensland, dry heat in inland NSW, and salt air in places like Cairns all test the resilience of a paperback. Children who are taught to store books away from windows, off the floor, and out of direct sunlight are quietly learning environmental literacy as well.

Everyday habits that protect a home library

  • Washing hands before reading, especially after brekkie or a snack in the loungeroom
  • Storing paperbacks upright on a shelf rather than stacked flat to prevent warping
  • Keeping books away from heaters, windows, and the family dog's favourite nap spot
  • Using a bookmark instead of folding corners, even a scrap of paper or an old bus ticket works
  • Closing books gently and sliding them, not dropping them, into a backpack

There is also a social layer. In group reading settings, from a primary classroom in Melbourne to a monastery classroom in Leh, children often adopt the habits of their peers. If the group treats books with care, new members tend to follow. If a teacher models repair openly, without embarrassment, the children learn that fixing something is a strength, not a sign of poverty or neglect. This kind of modelling is what turns a one-off lesson into a culture.

Australian initiatives that already champion book care

Australia has quietly built a strong ecosystem around shared, well-loved books. The country's network of public libraries, from the flagship State Library of Victoria to small council branches in regional NSW, runs repair and preservation programs that often welcome young volunteers. Books in Homes Australia, which provides new books to children in low-income communities, has long emphasised that ownership comes with responsibility. Schools participating in the program regularly run "love your books" weeks where children clean, label, and mend their growing collections.

Charity bookshops, or op shops as they are widely known, are another quiet classroom. Children accompanying parents to drop off or pick up pre-loved titles see books as living objects that travel between households. Indigenous literacy programs, particularly those working in remote Northern Territory communities, have long understood that book care is inseparable from cultural care. A story that has been read aloud many times, repaired, and passed to a younger sibling carries the warmth of that history with it.

What this looks like in a Himalayan reading room

The reading rooms supported through Himalayan education charities operate in conditions very different from a suburban Australian library. Books are often donated from abroad, translated into local languages, and shared among dozens of children who may not have any books at home. In this context, teaching children to repair and care for their books is not optional; it is the only way the library survives.

A typical session might start with a short lesson on how to open a book without cracking the spine, followed by a group repair of the week's worst-damaged titles. Older children are often trusted to lead younger ones, which builds confidence and reinforces the social value of looking after shared resources. The same PVA glue and Japanese tissue used in Australian school workshops appear on these reading room tables, alongside sturdy cotton tape suited to hardback editions that have crossed mountain passes in a volunteer's backpack.

Approach Setting in Australia Setting in a Himalayan reading room
Main tools Acid-free tape, PVA glue, bone folder PVA glue, Japanese tissue, cotton tape, donated repair kits
Who leads sessions Teacher-librarian, parent volunteer, older student Older student, visiting volunteer, local caretaker
Typical repairs Dog-ears, broken spines, pen marks, cover wear Torn pages from heavy use, water damage, broken spines
Source of books School budget, Books in Homes, op shops, public libraries International donations, charity shipments, translated titles
End goal Lifelong reading habits, library skills, book ownership Shared access, durability across many readers, cultural pride

Across both contexts, the lesson is the same: a cared-for book is a book that gets read again. A practical takeaway for any parent, teacher, or volunteer is to spend ten minutes this week showing a child how to mend a torn page. The repair itself will last for years, but the message it sends will last much longer.