Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Why Local Artists Help Bring Reading Rooms To Life

A reading room can give children access to books, quiet study, and a welcoming place to gather. Its atmosphere also influences how young readers feel when they enter. A room that reflects local colors, stories, landscapes, and creative traditions can feel familiar rather than borrowed, helping children see learning as part of their own world.

At Avalokiteśvara Trust, we partner with artists from the communities where our reading rooms are based. In Ladakh and other Himalayan communities, these creative collaborators understand the visual language, materials, symbols, and daily experiences that shape local life. Their work helps turn functional spaces into places with character and meaning.

This approach connects literacy with creativity. Children encounter books alongside murals, patterns, illustrations, and handmade details that invite observation and conversation. The result is a learning environment designed with the community, rather than simply installed in it.

Creating A Sense Of Belonging

Children are more likely to feel comfortable in a reading room when the space reflects something recognizable from their surroundings. A painted mountain ridge, a familiar plant, a local animal, or a pattern inspired by regional craft can create an immediate sense of connection. These details make the room feel like a shared community space.

Local artists bring an understanding of what images mean to families and children. They can identify which visual references are appropriate, which colors feel welcoming, and how cultural elements can be presented with care. Their insight helps avoid decoration that feels generic or disconnected from the community.

A welcoming room also supports children who may be shy about reading aloud or joining an activity. Warm, thoughtful surroundings can reduce the formality of learning and encourage young visitors to spend more time exploring books, drawing, listening, and talking together.

Preserving Local Stories Through Art

Art can carry stories across generations. In Himalayan communities, visual traditions often connect landscapes, spiritual life, animals, seasonal work, and community memory. When local artists bring these themes into reading rooms, children see that their heritage belongs in educational spaces.

Murals and illustrations can also become starting points for literacy activities. A scene on a wall may prompt children to create a story, describe a character, learn new vocabulary, or write about a place they know. Teachers and volunteers can use these images as conversation prompts during reading sessions.

This connection between books and local culture gives children multiple ways to engage with learning. A child who is hesitant to begin with a long text may first respond to a picture, pattern, or familiar scene. That first connection can lead naturally toward storytelling and independent reading.

Designing Spaces That Encourage Discovery

The decoration of a reading room should serve its purpose. Artwork can guide movement through the space, identify different activity areas, and make shelves easier for children to recognize. Simple visual cues can help younger readers understand where to find picture books, creative supplies, or group activities.

Artists can work alongside the Trust’s team to consider scale, lighting, wall space, and the practical needs of children. A mural should leave room for shelves and displays. A painted corner can create a calm place for quiet reading. Carefully placed illustrations may support alphabet learning, vocabulary building, or imaginative play.

Materials also matter. In remote locations, supplies may need to be transported over difficult routes, and maintenance options can be limited. Choosing durable, low-toxicity paints and locally available materials makes the artwork more sustainable. Good design combines beauty with the realities of climate, use, and long-term care.

Area Standard Decoration Locally Designed Artwork
Cultural connection May use general educational themes Reflects local stories, landscapes, and visual traditions
Children’s participation Often limited to viewing Can involve drawing, storytelling, and creative workshops
Community involvement Primarily planned by an outside team Shaped through collaboration with artists, families, and volunteers
Practical design Added after the room is arranged Considered alongside shelves, lighting, movement, and activities
Long-term value Creates atmosphere Supports identity, learning, and community ownership

Building Partnerships With Local Creators

Working with local artists begins with listening. The Trust can discuss the purpose of the reading room, learn about the community’s expectations, and explore how the artist’s style might serve children’s learning. This process gives creative decisions a strong foundation.

A partnership may include mural painting, illustrated signs, hand-painted furniture, workshops, or the development of visual materials for book activities. Each project can be adapted to the artist’s skills and the room’s needs. Some artists may work with natural forms and landscapes, while others may specialize in traditional motifs, portraiture, lettering, or contemporary illustration.

Fair compensation is an important part of the relationship. Paying artists for their time and expertise recognizes creative work as skilled professional work. It also directs charitable funding into the local economy and strengthens the network of people invested in the reading room’s future.

Children can sometimes participate in age-appropriate ways, such as contributing small drawings, discussing favorite stories, or helping prepare a community display. The artist remains responsible for the creative direction and safe working practices, while children gain a meaningful experience of making something together.

Connecting Creativity With Literacy

Reading rooms are places for books, yet literacy develops through many forms of expression. Drawing, music, drama, and storytelling can help children build vocabulary, confidence, concentration, and communication skills. A visually engaging room supports this broader understanding of learning.

An artist-led workshop might invite children to illustrate a folktale, create book covers, or invent a character based on a mural. These activities encourage children to interpret what they see and communicate their own ideas. They also provide opportunities for collaborative learning, where older children can assist younger participants.

Creative experiences can make reading feel active rather than passive. Children may return to a book after noticing an image connected to its setting or theme. They may choose a new story because its cover or display catches their attention. Small moments of curiosity can help establish lasting reading habits.

The artwork also gives volunteers useful tools for engagement. A mural can become part of a language lesson, a writing prompt, or a group discussion about the local environment. In this way, decoration continues to support programming long after the paint has dried.

Making Community Ownership Visible

A reading room becomes stronger when local people recognize their contribution to it. Artists help make that ownership visible. Their presence shows that the space has been shaped by community knowledge and creative ability, rather than delivered as a finished product from elsewhere.

This sense of shared responsibility can encourage families to care for the room, recommend books, attend activities, and tell others about its resources. Community members may also suggest future workshops or identify subjects that children want to explore. The room becomes a living place that develops with its users.

For the Trust, partnership also creates an opportunity to document local creativity respectfully. Photos and stories from a project can show donors and supporters how their contributions are used, while giving proper credit to participating artists and communities. Documentation should focus on the work, the process, and the children’s experience without treating local culture as a decorative backdrop.

Ways To Support Creative Reading Spaces

Supporters can contribute to the connection between art and literacy in several practical ways:

  • Donate toward paint, durable art supplies, shelving, books, and workshop materials.
  • Sponsor a local artist’s time for mural design, installation, or children’s creative sessions.
  • Share stories about reading rooms to help more people learn about community-led education.
  • Volunteer skills in photography, arts programming, literacy support, or project documentation.
  • Encourage schools, cultural groups, and book clubs to organize reading and art fundraisers.

Every contribution helps create an environment where children can read, make, and imagine. A donated book fills a shelf; a thoughtful visual space can help children feel that the shelf belongs to them.

The most effective projects bring these elements together. Books, artists, volunteers, families, and children each add something essential. When they collaborate, a reading room becomes more than a place to store resources. It becomes a welcoming center for curiosity, expression, and connection.

Help Bring More Creative Learning To Children

Partnering with local artists is part of our commitment to building reading rooms that respect community identity and encourage joyful learning. Your support can help provide quality books, creative materials, artist partnerships, and educational activities for children and young monks across the Himalayan region.

Donate, volunteer, or share Avalokiteśvara Trust’s work with someone who values literacy and cultural creativity. Together, we can help make every reading room a place where children feel at home among books and inspired to tell their own stories.