Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

IMG_0459

Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Why Every Reading Room Keeps a Guest Book

A reading room is shaped by the people who use it. Shelves, cushions and tables create the setting, but visitors bring the memories, questions and encouragement that give the space its living character. In a Himalayan village, a guest book makes those connections visible long after a visitor has returned home.

The books are open to everyone: children choosing a story, young monks discovering a new subject, local families, teachers, volunteers and travellers. A short note can record a first visit, recommend a favourite title or describe a moment of discovery. A drawing from a child can be just as meaningful as a carefully written paragraph.

For Avalokiteśvara Trust, these pages form a gentle record of shared learning. They help visitors feel that their presence matters, while giving children a sense that people far beyond Ladakh care about their reading, creativity and future. The result is part diary, part welcome book and part bridge between communities.

What a visitor leaves What children may gain Why it matters
A memory of the room A sense of belonging The reading room feels like a shared community space
A book recommendation A new story to explore Reading becomes a social exchange
A sketch or message Encouragement to create Art and writing sit naturally beside books
A note about a visit A record of connection Children can see that their work reaches others
A volunteer’s reflection Practical insight for future activities The programme grows with experience

A bridge between visitors and children

A guest book turns a quiet arrival into a small act of participation. Someone may write about the mountain landscape, the calm of the room or the excitement of seeing a familiar picture book in a new setting. These observations show children that a reading room can welcome many kinds of people and ideas.

The practice also connects with a long tradition in libraries. Visitors to library guest books often leave behind evidence of affection for a place that has helped them learn, meet others or feel at home. In Ladakh, the setting is different, yet the impulse is familiar: people want to acknowledge a useful, generous space.

For an Australian visitor, this may feel similar to signing a community library’s visitors’ book after a school holiday activity in Melbourne or a regional storytelling session in northern New South Wales. The gesture is simple, but it says that the room is more than a facility. It is a place where relationships are being built.

More than a record of names

A list of names would tell only a small part of the story. The richest entries describe a child’s favourite character, a new word learned in English, a young monk’s interest in science or a group’s excitement about a painting activity. These details help preserve the everyday life of the programme.

Children may also contribute drawings, small poems and messages in more than one language. A page filled with different handwriting styles shows that reading and creativity do not belong to one age group or one culture. It creates a visual conversation between local participants and visitors from other parts of India, Australia and the wider world.

This matters in communities where access to books can be limited by distance, household income or the availability of suitable materials. A guest book cannot replace books, trained educators or reliable learning spaces. It adds something different: recognition. It records the idea that each child’s curiosity deserves attention.

What the pages teach us

Over time, the entries reveal patterns that may be easy to miss during a busy visit. Several children might mention the same adventure story, ask for more books about animals or draw musical instruments after a creative session. Volunteers can use these clues when planning book selections and activities.

The comments can also show how visitors experience the room. A teacher may notice that younger children need more floor space for group reading. A parent might suggest books with larger print. A volunteer could record which art materials worked best for a mixed-age workshop. Such reflections become useful knowledge rather than disappearing when the day ends.

This kind of informal feedback has value in Australia too, where local councils and community organisations often rely on participation records when applying for grants or planning programmes. A reading room in Brisbane, Perth or a remote town may use attendance figures, written feedback and stories from families to explain why a service deserves continued support. The guest book gives a Himalayan project a similarly human record.

A shared space for many voices

Visitors do not all arrive with the same role. A donor may see the room for the first time, a volunteer may spend several weeks teaching, and a child may return each afternoon to read independently. The guest book gives each person an equal-sized space to contribute, without requiring formal expertise.

That equality is important for young monks and children who may be shy in conversation. They can express themselves through a picture, a single sentence or a favourite word. A visitor can respond with encouragement, creating a quiet exchange across differences in age, language and background.

Australian guests often understand the value of this kind of community participation. At a local council library, a “cheers” in the comments book, a note written during Book Week or a quick message after a school holiday craft session can help staff see the emotional effect of their work. In a Himalayan reading room, similar words can become a lasting reminder that learning is supported by a wide circle of people.

The book also helps visitors slow down. Travel through Ladakh can involve long roads, high passes and carefully planned itineraries. After arriving in a reading room, writing a few lines encourages attention to the children, the books and the atmosphere rather than treating the visit as a brief stop for photographs.

How stories become support

A guest book can influence practical support when its stories are shared responsibly. A volunteer’s reflection may help a future visitor understand why picture books, stationery, musical instruments or age-appropriate science titles are needed. A donor may see the effect of a reading room through a child’s drawing rather than through statistics alone.

This is especially useful for supporters in Australia, where donations often move through registered charities, workplace giving schemes, school communities and local fundraising events. Shipping books from Sydney or Adelaide can be expensive, and imported collections may not always match local needs. Personal accounts help supporters focus on relevant resources, such as quality second-hand books, art supplies or funds for locally selected materials.

The pages can also connect people to the wider work of Avalokiteśvara Trust, including reading rooms, book drives and educational activities. A visitor who writes about a music session or a child’s enthusiasm for a particular story creates a small piece of public history. With permission, these reflections can be shared in newsletters, exhibitions or community presentations.

Care is essential when sharing them. Children’s privacy, cultural context and personal dignity should come before publicity. Names may need to be omitted, translations checked and photographs used only with appropriate consent. The guest book works best when it remains a safe space for honest, warm and respectful contributions.

A page that keeps travelling

The physical book stays in the reading room, yet its stories travel widely. A volunteer returns to Australia with a memory of a child choosing a book. A family tells friends in Canberra about a village library in Ladakh. A school group in Hobart raises funds after hearing how a small collection can change the rhythm of an afternoon.

These connections create continuity between visits. Children can look back at earlier pages and see evidence of people who came before them. Volunteers can return to their own words years later. Future visitors can read the record and understand that they are joining an ongoing community rather than beginning a separate event.

The guest book also leaves room for surprise. A quick sketch may become the image that a visitor remembers most clearly. A sentence written by a child may show a new confidence in English. A simple recommendation may lead another reader to a book they would never have chosen. Learning often moves through these small, unplanned exchanges.

The next time you visit a reading room, leave one specific memory, one book recommendation or one encouraging drawing on its final available page.