Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Why we host weekly poetry readings in our reading rooms

In a quiet reading room, a poem can become a doorway. A few carefully chosen lines may carry children from a classroom in Ladakh to a mountain path, a riverbank, a distant city, or a feeling they have never found words for before. This is why poetry has a regular place in the work of Avalokiteśvara Trust.

Our weekly gatherings are simple by design. Children and young monks sit together, listen to a poem, read aloud, draw, discuss unfamiliar words, and sometimes write a few lines of their own. The activity does not require expensive equipment or advanced literacy. It begins with attention, curiosity, and the confidence to share a voice.

Poetry readings also help our reading rooms become more than places where books are stored. They turn libraries into welcoming community spaces where learning is social, creative, and connected to daily life. Each session strengthens the habit of returning to books and discovering that reading can be joyful as well as useful.

A regular hour for wonder

Children benefit from predictable opportunities to pause and imagine. A weekly poetry reading creates that dependable moment. Even when schoolwork, travel, weather, or family responsibilities make life busy, participants know that a familiar group will gather around words and stories.

The rhythm of the session matters. A poem may be read once by an adult, again by the children, and a third time in small groups. With each reading, a different detail can emerge: a repeated sound, an image of snow, the movement of an animal, or an emotion hidden in a simple phrase. Repetition makes difficult language less intimidating and gives every child time to participate.

This regular practice also encourages attentive listening. Children learn to notice pauses, tone, rhythm, and meaning. Those skills support classroom learning, but they also help young people communicate with patience and respect in everyday relationships.

Reading aloud builds confidence

Many children understand more than they initially feel comfortable expressing. Reading aloud gives them a gentle way to cross that distance. A short poem offers manageable lines, natural pauses, and room for interpretation, allowing a hesitant reader to take part without feeling pressured to perform perfectly.

Facilitators can support different levels of confidence by offering several roles. One child may read the opening lines, another may explain a word, and a third may choose an image for a drawing. Group reading allows quieter participants to speak with the support of others, while individual reading gives confident children a chance to encourage their peers.

Over time, these small successes accumulate. A child who once avoided speaking may volunteer to read a stanza. A young monk may begin composing verses in a notebook. These changes are valuable because literacy grows through practice, but confidence grows through being heard and taken seriously.

Poetry connects language and place

The Himalayan region is home to many languages, traditions, landscapes, and forms of oral expression. Poetry gives children a way to explore that richness. Readings may include translated works, local voices, nature poems, folk-inspired writing, and contemporary pieces that reflect experiences familiar to participants.

A poem about wind across a high pass can prompt memories of a village road. Lines about a family meal may lead to a conversation about food, hospitality, or seasonal customs. When children connect literature with their surroundings, books feel less distant. Reading becomes a way of recognizing their own lives as worthy of description.

Poetry can also create respectful bridges between cultures. A child may encounter a writer from another country and discover that a feeling expressed in unfamiliar language still feels recognizable. This kind of literary exchange builds empathy without erasing local identity. It shows that difference and connection can exist in the same conversation.

What happens during a reading room session

Our weekly gatherings usually combine listening, discussion, creative activity, and independent exploration. The structure is flexible enough to suit different ages and group sizes, while the familiar sequence helps children know what to expect. A session might include the following elements:

Activity What children practise Why it matters
Shared reading Pronunciation, rhythm, and listening Builds fluency and attention
Word discovery Vocabulary and interpretation Makes unfamiliar language approachable
Group discussion Speaking, reasoning, and respectful disagreement Strengthens communication
Drawing or music Creative response and memory Lets children express meaning in different forms
Quiet book browsing Choice and independent reading Encourages lasting reading habits

A facilitator may begin with a visual prompt, a question about nature, or a sound connected to the poem. After reading, children can identify a favourite line, act out an image, create a simple rhythm, or write a response in any language they know. There is no single correct interpretation, and that freedom helps children see reading as an active process rather than a test.

The final minutes often return to the bookshelves. Children may look for another poem by the same writer, find a picture book connected to the theme, or borrow a title for the week. This transition from a shared activity to personal choice is important: it turns a special event into an invitation to keep reading.

Books support thoughtful curiosity

Poetry is part of a wider approach to literacy. Reading rooms give children access to stories, reference books, biographies, art books, music resources, and age-appropriate material that may not be available at home or school. Weekly readings help participants learn how to approach all these resources with curiosity and judgment.

Discussion can include how a writer chooses words, how a publisher presents information, and how readers decide whether a claim is trustworthy. For older participants, facilitators can explore media literacy through examples such as probability in games, asking how persuasive language, statistics, and presentation can influence an audience. The purpose is not to promote the subject, but to help young people distinguish evidence from confident-sounding claims.

This kind of thoughtful reading is increasingly important. Children encounter information through books, phones, posters, conversations, and websites. Poetry strengthens sensitivity to language, while guided discussion helps them notice context, intention, and accuracy. Together, these skills support responsible learning in a changing world.

Ways to strengthen the reading culture

A lively reading room depends on many small contributions. Donors help us purchase books suited to local interests and different reading levels. Volunteers can read, translate, organize activities, or help children choose books. Teachers, families, and community members also bring knowledge about stories and traditions that enrich every session.

Supporters can help in practical ways:

  • Donate new or gently used children’s books that reflect varied cultures, interests, and reading abilities.
  • Sponsor art, writing, or music materials for creative responses to poetry.
  • Share information about the reading rooms with schools, libraries, and community groups.
  • Volunteer time for reading sessions, book organization, translation, or educational activities.

The most useful support is consistent and thoughtful. A carefully selected collection is more valuable than a large shipment of unsuitable books, and a regular volunteer presence can help children build trust. When resources and relationships continue over time, reading becomes part of community life rather than a one-time event.

Weekly poetry readings are small gatherings with lasting possibilities. They help children listen closely, speak bravely, imagine freely, and recognize the power of their own words. In Himalayan communities where access to quality books can be limited, each shared poem contributes to a larger culture of learning.

You can help keep that culture growing by supporting Avalokiteśvara Trust’s reading rooms, sharing our work, or contributing books and educational resources. Every poem read aloud gives a child another opportunity to discover language, creativity, and a wider world.