Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Why We Host a Weekly Riddle Contest to Sharpen Critical Thinking

At Avalokiteśvara Trust, each week a short riddle goes out through our reading-room network in Ladakh and other Himalayan communities. Children respond in writing or tell an adult their reasoning, turning a moment of curiosity into a small but meaningful learning routine.

For children and young monks, the contest complements the books, art and music in our reading rooms. It gives learners a reason to revisit a sentence, test a possibility and persist when the first answer does not fit.

The aim is not simply to find the quickest solver. It is to practise careful thought, explain choices and discover that a well-reasoned question can be more valuable than an immediate answer.

From Playful Questions to Stronger Reasoning

A riddle invites close reading without feeling like schoolwork. The solver must notice precise words, identify what the clue rules out and decide which detail matters most. That is inference, deductive reasoning and evidence checking in a form young people can enjoy.

The reasoning matters more than the answer. Participants explain what they assumed, what they noticed and what changed their minds. We can then praise a sound argument even when its final answer differs from the expected one.

A weekly contest creates a dependable rhythm. One clue builds on the vocabulary, confidence and habit developed during the previous week, so puzzle-solving becomes part of reading and discussion rather than a one-off activity.

What Children Learn Through Riddles

Each well-made clue has layers. Literal clues test comprehension, wordplay tests vocabulary, and story-based riddles ask for inference. We vary the difficulty and avoid obscure references because confusion caused by missing context is not useful critical thinking.

Mistakes are valuable when they are handled safely. A wrong answer can expose an assumption, and comparing two explanations helps a child see that evidence can support more than one possibility. We discuss alternatives instead of treating uncertainty as failure.

Younger solvers may need fewer words and a picture, while older readers can consider motive, hidden meanings or multiple solutions. Shared clues let different ages approach the same problem without competing on speed.

Keeping Participation Fair and Accessible

Participation must feel fair. We use age bands, plain-language versions and key terms translated where needed. Children in Himalayan communities should not be excluded because English is their second or third language, nor should any cultural reference become a test of status.

Access also depends on how children take part. We accept a written slip, a response read to a facilitator and a simple phone message, so a device or reliable internet is not required. Australian supporters can contribute wording that uses familiar expressions such as arvo, have a go and cuppa, always with enough context to explain them.

Recognition should reward thinking rather than public rank. Certificates, a small book prize or a featured riddle at the next reading-room gathering encourage effort without humiliation. We keep winners and non-winners in the same supportive circle.

Connecting the Contest to Books and Creativity

Every clue can lead back to books. A child might find a poem with similar wordplay, read a folktale linked to the theme, or use the riddle as a prompt for a new story. The contest gives our book drives a living purpose beyond collecting volumes.

Creativity is another route in. Participants can illustrate a clue, compose a riddle about Ladakh or perform a short rhythmic version with the music group. Solving and creating together exercises imagination, collaboration and attentive listening.

For supporters in Australian cities, the programme fits familiar volunteer networks. Community groups in Footscray, Richmond and Parramatta can hold book drives, while local libraries, school holiday programmes and CBCA Book Week activities offer ready-made audiences for a weekly question. Australia’s charity market also relies on clear information about deductible gift recipient status, workplace giving and practical partnerships with community organisations.

A Simple Weekly Contest Format

Each cycle begins with one clearly stated clue and closes on a fixed day. Participants have several days to respond, allowing time for reflection and conversation with family, teachers or mentors. The answer key is shared only after the submission period.

A facilitator then records the common interpretations. One short explanation shows the intended solution, while another notes a reasonable alternative and the clues supporting it. Children learn that checking a conclusion means comparing it with the available evidence.

Results guide the next round. If a clue is too obscure, we rewrite it; if several children need the same context, we add a picture or glossary note. Australian library partners can display the same clue during school holidays, keeping the conversation active between visits.

Recommendations for Building Reasoning Skills

Different formats train different kinds of reasoning. A balanced weekly mix makes the contest more accessible and prevents one style of puzzle from becoming the only route to success.

Clue format Main skill Best use Point to watch
Text riddle Close reading and inference Vocabulary-rich weekly clues Hidden cultural assumptions
Image riddle Visual interpretation Younger solvers and art activities Ambiguous visual details
Story puzzle Evidence-based reasoning Older children and group discussion Too many plausible answers
Number puzzle Logic and systematic checking Numeracy practice Patterns guessed without explanation

Mixing these formats also lets us match the contest to our wider activities. A visual clue can lead into an art session, while a story prompt can finish beside the reading-room bookshelf. We keep one rule across every format: solvers must explain how their answer follows from the clue.

  • Alternate text, image, story and number clues over a four-week cycle, providing an accessible version of each.
  • Keep age bands for judging while allowing younger and older solvers to attempt the same central idea.
  • Ask participants to provide the clue-based evidence for an answer, not only the answer itself.
  • Provide paper, spoken and phone submission routes so participation does not depend on devices or fast internet.
  • Review each clue with teachers, facilitators and young readers, then publish corrections and explain alternative solutions.

Carrying the Habit Beyond the Contest

The contest matters because the habits outlast the prize. Children who regularly ask what a clue assumes, look for context and revise an explanation carry those habits into reading, study and creative work. Our role is to keep making that practice welcoming, rigorous and connected to real books.

At the next reading-room session, we will print one clue for each age band, place it beside the book box and open a journal for the first written explanations.