Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Why We Hold Storytelling Competitions in Our Reading Rooms

In the Himalayan region, a reading room can become much more than a quiet place filled with books. In Ladakh and neighboring communities, it can be a welcoming space where children discover new ideas, young monks practice communication, and every learner finds encouragement. Our reading rooms are designed to make books accessible, but their deeper purpose is to help children use what they read.

Storytelling competitions bring that purpose to life. They invite children to choose a story, understand its meaning, and share it in their own voice. Some participants retell a traditional tale, while others create an original adventure inspired by a picture book, a family memory, or life in the mountains. Each performance turns reading into an active, social experience.

These events are friendly gatherings rather than formal examinations. The aim is not to identify a single “best” child. It is to nurture literacy, imagination, confidence, listening skills, and a lasting relationship with books.

Turning Reading Into A Living Experience

Reading silently is valuable, yet children often understand a story more deeply when they speak about it. Preparing for a storytelling event encourages them to notice characters, sequence, setting, emotion, and cause and effect. They learn that a story has shape and that each detail can help an audience follow the journey.

A child who retells a folk story must make choices. Which parts should be emphasized? Where should the voice become softer or stronger? How can a character’s feelings be expressed? These decisions develop reading comprehension while making the learning process memorable and enjoyable.

The activity also helps children connect printed language with everyday communication. A new word encountered in a book can become part of a spoken performance. A description of a distant landscape can lead to a conversation about local valleys, monasteries, animals, or family traditions.

Building Confidence Through Shared Attention

Many children are hesitant to speak in front of a group, especially when they are learning in more than one language. A supportive storytelling competition gives them a manageable opportunity to practice. They can begin with a short tale, use picture prompts, or perform alongside a friend before taking the stage alone.

Applause matters, but attentive listening matters just as much. When children see their peers listening carefully, they learn that their ideas deserve time and respect. This can strengthen self-esteem in the reading room and in other settings, including school, community activities, and family life.

Confidence grows through preparation as well. Volunteers and facilitators help participants rehearse pronunciation, organize their thoughts, and use gestures naturally. The child remains the storyteller and decision-maker; adults provide encouragement without taking over the performance.

Honoring Local Voices And Wider Worlds

Books open windows to places children may never visit, while local storytelling keeps community knowledge close. Our events make room for both. A child may share a Himalayan folktale one month and a story translated from another culture the next. Together, these choices show that literature can be rooted in a particular landscape and connected to the wider world.

For young monks, storytelling can offer a creative complement to study and daily discipline. It gives them space to explore humor, compassion, courage, and moral choices through narrative. Children from nearby communities can participate in the same activities, creating opportunities for friendship and cultural exchange.

Language diversity is treated as an asset. A story may be told in English, Hindi, Ladakhi, or another language familiar to the participants, with support for understanding across languages. Hearing different forms of expression helps children appreciate the richness of communication and encourages them to preserve stories that might otherwise be overlooked.

What Children Practice How The Competition Supports It Lasting Benefit
Reading comprehension Selecting key events and explaining a story’s meaning Stronger understanding of books and lessons
Oral communication Speaking clearly, using expression, and addressing an audience Greater confidence in school and community settings
Creativity Adapting tales, inventing characters, and choosing performance styles More imaginative thinking
Listening Paying attention to other children’s performances Respectful communication and empathy
Collaboration Rehearsing with peers, volunteers, and facilitators Cooperation and shared responsibility
Cultural awareness Sharing local traditions alongside global stories Pride in heritage and curiosity about other cultures

Making The Reading Room A Community Space

A book drive can bring valuable titles to a village, but a regular activity helps those books become part of community life. Storytelling competitions draw children into the reading room and show families that it is a place for participation, celebration, and discovery.

The event often becomes a shared effort. Children borrow books, volunteers arrange seating, families encourage performers, and local supporters may help provide refreshments or small prizes. These contributions strengthen relationships around the reading room and make literacy a collective priority.

The atmosphere is deliberately welcoming. A child does not need expensive clothing, advanced equipment, or previous stage experience to take part. A clear voice, a chosen story, and the courage to share are enough. This simple format makes the activity accessible in communities where educational resources can be limited.

Encouraging Creativity Beyond The Page

Storytelling is a natural bridge to other forms of artistic learning. After a competition, children may draw scenes from the stories they heard, write a different ending, create puppets, or set a tale to music. Reading becomes connected with visual art, performance, rhythm, and creative writing.

These connections are especially important for children who may not immediately think of themselves as strong readers. A child who loves acting can enter through performance. Another may prefer illustrating a character or adding sound effects. By offering several ways to respond to books, facilitators help more children discover the pleasure of literacy.

Creative activities also encourage flexible thinking. Participants learn that a story can be interpreted in different ways and that mistakes can become part of the creative process. This freedom supports curiosity rather than fear of being judged.

What A Meaningful Event Looks Like

A successful competition is carefully prepared but does not feel rigid. Facilitators select age-appropriate books, explain the format clearly, and allow enough time for practice. Judges or guests can focus on storytelling qualities such as clarity, expression, originality, and effort instead of rewarding only polished English or confident stage presence.

Recognition can take many forms. Certificates, bookmarks, donated books, and warm words from the community all tell children that their participation matters. It is useful to celebrate different strengths, such as expressive performance, thoughtful interpretation, creative adaptation, or attentive listening.

The event should also leave something behind. Children can be invited to borrow the books they encountered, record a story for younger readers, or help prepare the next reading session. In this way, a single gathering becomes part of an ongoing cycle of reading, sharing, and learning.

How Supporters Help These Stories Continue

Donors and volunteers make inclusive literacy activities possible. Contributions can help us purchase age-appropriate books, transport materials to remote communities, maintain reading rooms, and provide art supplies or musical instruments that enrich storytelling sessions.

Volunteers may read aloud, help children rehearse, translate instructions, organize book displays, or document events through photographs and stories. Their role is grounded in patience and respect. The most valuable support is consistent encouragement that allows children to take ownership of their learning.

Supporters can also help expand the range of stories available. Donations of carefully selected books in relevant languages give children more opportunities to see their own experiences reflected in print and to encounter perspectives beyond their immediate surroundings.

  • Donate children’s books that are engaging, durable, and suitable for different reading levels.
  • Sponsor reading room activities that combine storytelling with art, music, and creative writing.
  • Volunteer time for reading aloud, language support, event preparation, or mentoring.
  • Share the work of Avalokiteśvara Trust with people who care about Himalayan education and literacy.
  • Help us create welcoming spaces where children and young monks can learn with confidence.

A storytelling competition may last for an afternoon, but its effects can continue for years. A child gains the courage to speak, discovers a favorite author, or learns that personal experiences are worthy of being shaped into a story. A reading room becomes a place where books are opened, voices are heard, and imagination is shared.

Support Avalokiteśvara Trust by donating, volunteering, or helping provide books and creative resources for our reading rooms in Ladakh and across the Himalayan region. Together, we can keep stories moving from page to voice, from voice to community, and from one generation of readers to the next.