Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Why Picture Books Matter for Early Literacy in the Himalayas

In the Himalayan region, a picture book can be a child’s first doorway into reading. Before children can recognize every letter or follow a full sentence, they can study a face, identify an animal, trace a landscape, and predict what may happen next. These small acts of attention build the foundations of literacy while making books feel welcoming rather than difficult.

For children in Ladakh and neighboring communities, access to quality books may be limited by distance, cost, language, and the practical challenges of mountain travel. A carefully chosen collection in a reading room can therefore have an importance far beyond its shelves. It gives children regular contact with stories, images, sounds, and ideas that support learning at school and at home.

Avalokiteśvara Trust focuses on picture books because they bring together literacy, imagination, art, and shared conversation. They are useful for children beginning to read, for older learners building confidence in English or another language, and for young monks who benefit from a balance of study, creativity, and play.

Books That Speak Before Words

Picture books invite children to understand a story through several channels at once. The illustrations provide clues about setting, emotion, sequence, and meaning, while the written words introduce vocabulary and sentence patterns. A child who cannot yet read independently can still explain what is happening, describe a character, or connect an image with a familiar experience.

This participation matters. Early literacy is not limited to memorizing letters; it includes listening, speaking, observing, remembering, and making predictions. When adults read aloud and pause to discuss an illustration, children practice the same comprehension skills they will later use with longer texts. A picture book gives every child a way to contribute, regardless of reading level.

Shared reading also strengthens relationships. In a reading room, several children may gather around one book and notice different details. One child may recognize a bird, another may interpret a character’s feelings, and another may retell the story in a local language. These exchanges turn reading into a social activity rather than a solitary task reserved for the most confident readers.

Learning Across Languages And Landscapes

The Himalayas are home to rich linguistic and cultural diversity. Children may hear Ladakhi, Tibetan, Hindi, Urdu, Nepali, English, or other languages in their homes, schools, monasteries, and communities. Picture books help bridge these language environments because an image can communicate meaning even when a child does not know every printed word.

A familiar setting can make a new language less intimidating. A story about snow, family meals, animals, friendship, or a journey can be discussed in a child’s strongest language before key words are introduced in English. This approach supports bilingual vocabulary development without treating a home language as an obstacle. The image becomes a shared reference point for teachers, volunteers, parents, and children.

Local relevance is equally important. Books should include a range of places, families, abilities, and ways of living, while collections can also include stories that reflect mountain communities and Buddhist cultural contexts with care. Children deserve both mirrors that reflect their own lives and windows into experiences beyond their valley.

Building Vocabulary Through Images

A strong picture book offers repeated opportunities to encounter language. Children hear a new word in context, connect it with an illustration, use it during discussion, and later recognize it in print. Words such as “shelter,” “journey,” “gentle,” or “discover” become easier to remember when they are linked to a meaningful scene rather than presented as an isolated list.

Illustrations also help children understand sequence and cause. They can identify what happened first, explain why a character acted in a certain way, and infer what might happen next. These are early comprehension skills that support future work in science, history, mathematics, and everyday problem-solving.

For young children, repetition is a strength, not a weakness. Returning to a favorite story allows them to notice details they missed before, join in with repeated phrases, and eventually retell the narrative. Familiar books can build fluency and confidence, especially for children who have had few opportunities to practice reading outside the classroom.

Choosing Books That Serve Real Readers

The most useful collection is not simply the one with the brightest covers. It is a collection that matches children’s ages, interests, reading abilities, and cultural surroundings. Books should be durable enough for frequent handling, visually clear without being overwhelming, and varied in subject so that every child can find an appealing entry point.

Volunteers and educators can look for stories with expressive illustrations, manageable text, strong narrative structure, and opportunities for conversation. Wordless or nearly wordless books are especially valuable in multilingual settings because children can create their own narration. Informational picture books about animals, weather, the human body, nature, and local geography can extend learning beyond fiction.

Picture book feature Literacy benefit Value in Himalayan reading rooms
Clear, expressive illustrations Supports comprehension and inference Helps children follow stories across language differences
Repeated words and phrases Builds vocabulary and reading fluency Encourages participation during read-aloud sessions
Wordless or low-text storytelling Develops oral language and sequencing Welcomes children at many reading levels
Durable paper and binding Allows repeated handling Suits shared collections and frequent lending
Diverse characters and settings Expands empathy and background knowledge Offers both local representation and wider perspectives
Informational subjects Introduces facts and subject vocabulary Connects reading with school and community life

A balanced shelf might include folktales, contemporary fiction, poetry, nonfiction, visual dictionaries, and books about art or music. It should also contain quiet books for independent browsing and lively stories designed for group reading. This variety helps children discover that literacy can be useful, entertaining, imaginative, and personally meaningful.

Reading Rooms That Invite Participation

A reading room is more than a place where books are stored. Its arrangement can influence whether children feel comfortable choosing a book, asking for help, and returning to a story. Low shelves, visible covers, floor cushions, drawing materials, and a welcoming display can make books easier to approach. Even in a small space, a dedicated reading corner signals that children’s curiosity is valued.

Picture books work especially well in shared spaces because they support several kinds of activity. A volunteer can read aloud to a group, two children can examine the illustrations together, or a young reader can practice telling a story to a younger child. Art and music sessions can grow from the same books through drawing characters, making simple instruments, or acting out a sequence of events.

In monasteries and community centers, reading can complement existing educational traditions. Young monks may use picture books to strengthen language skills, explore visual storytelling, or take a creative break from formal study. Children who visit after school can build a routine around reading, conversation, and artistic expression.

Practical Choices For A Stronger Collection

Book drives are most effective when donations respond to local needs rather than sending unsuitable or duplicate materials. Age labels, short descriptions, and clear condition standards help organizers sort books before they travel. New and gently used books can both be valuable when they are clean, complete, age-appropriate, and likely to be read.

It is also important to support the people who make the collection useful. Volunteers can model read-aloud techniques, prepare bilingual prompts, and record which books children choose most often. Feedback from teachers, families, and community partners should guide future purchases and donations.

  • Choose visually rich books with clear stories and language suitable for different reading levels.
  • Include wordless, bilingual, multilingual, fiction, nonfiction, poetry, and locally relevant titles.
  • Prioritize sturdy bindings and washable or easily maintained materials for shared use.
  • Pair book donations with reading-room furniture, art supplies, and volunteer-led activities.
  • Track children’s interests so future book drives reflect genuine community demand.

When children see their choices respected, they are more likely to develop a lasting reading habit. A child who first studies a picture of a yak, river, or family journey may soon be ready to read the accompanying words, write a description, or search for another book on the same subject.

Picture books are a practical and generous starting point for early literacy in the Himalayas. They reduce barriers without reducing the richness of learning, allowing children to speak, listen, imagine, and read together. Through reading rooms, book drives, and creative programs, each carefully selected book can become part of a wider culture of curiosity.

Support Avalokiteśvara Trust by donating quality children’s books, contributing to a reading-room project, organizing a thoughtful book drive, or volunteering time for storytelling and creative activities. Your support can place meaningful stories within reach of children and young monks across Ladakh and other Himalayan communities.