Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Why We Celebrate Every Child’s Handmade Book

A handmade book may begin with a few folded pages, a pencil drawing and a story that has never been written down before. When a child finishes it, the result is far more than a craft activity. It is a visible record of imagination, effort and growing confidence.

For children and young monks in Himalayan communities, creating a book can connect reading with everyday life. A child may write about a family meal, a monastery courtyard, a favourite animal or the mountains outside the window. These personal subjects make literacy feel useful, joyful and close to home.

This is why Avalokiteśvara Trust values the completion of every child’s book. The celebration recognises the child as an author, gives the work an audience and shows that a small reading room can become a place where ideas are made, shared and remembered.

A Finished Book Makes Learning Visible

Many achievements in childhood are gradual. A child may become more comfortable sounding out words over several weeks, or learn to hold a pencil with greater control through repeated practice. Those changes can be difficult to see from one day to the next. A completed handmade book gathers them into one tangible object.

The cover, sequence of pages, illustrations and written sentences all show decisions made by the child. Even a short book demonstrates planning: choosing a subject, beginning a story, developing an idea and bringing it to an ending. For a young learner, that sense of completion can be powerful. “I made this” is a meaningful statement of capability.

In Australia, adults understand this feeling through school readers, library borrowing and the familiar habit of keeping children’s drawings on the fridge. A handmade book extends that experience to communities where quality books and creative resources may be harder to access. It makes learning personal rather than abstract.

Authorship Builds Confidence and Belonging

Children often encounter books as objects produced by adults, publishers and distant writers. Making one changes the relationship. The child moves from reader to author, deciding what matters and how it should be represented. That shift can encourage a stronger interest in books because reading is now connected with self-expression.

A celebration also creates a respectful audience. When peers, teachers, family members or visiting volunteers look through a child’s pages, the work receives attention without being judged only for spelling or neatness. A drawing, a local phrase or an unusual story detail becomes something worth hearing.

The setting matters. In Ladakh and other Himalayan communities, children may grow up among distinctive landscapes, languages, traditions and religious practices. Handmade books can preserve small details of that world while allowing each child’s individual voice to emerge. The activity supports cultural pride without requiring every story to follow the same pattern.

Creativity Turns Pages Into Shared Experience

Bookmaking combines several forms of learning at once. Writing develops vocabulary and communication; drawing encourages observation; folding and assembling pages strengthen coordination; reading the finished work aloud supports speaking and listening. Music, drama and storytelling can also be woven into the process, giving children different ways to participate.

The value of the finished book can be seen clearly when compared with a standard worksheet or a commercially printed book:

Learning experience What the child contributes What the group can celebrate
Worksheet Answers within a set format Accuracy and task completion
Printed story Attention and interpretation Understanding and discussion
Group story Ideas shared with others Cooperation and listening
Handmade book Words, images, structure and presentation Ownership, persistence and creative voice

This kind of activity suits Australian supporters because it reflects familiar community habits. A Saturday library session in Melbourne, a school holiday workshop in Brisbane or a family reading routine in Perth can all encourage children to make and share stories. The materials may differ, but the underlying message is the same: books belong in children’s hands, not only on shelves.

The Ceremony Gives Effort a Place

Celebrating a finished book does not need to be elaborate. Children might display their work on a reading-room shelf, read a page to a friend, add a signature to a class collection or receive applause during a small gathering. These simple rituals mark the transition from unfinished project to valued contribution.

A ceremony also helps children understand persistence. Pages may tear, words may be erased and illustrations may need to be redrawn. Finishing after those difficulties teaches that creative work is allowed to develop slowly. The celebration honours the process as much as the polished result.

For volunteers, the occasion offers a chance to listen rather than take over. Adults can ask about a character, notice a carefully chosen colour or invite the author to explain an unfamiliar place. This approach protects the child’s ownership. Corrections should support future learning without diminishing the pride attached to the completed book.

Books Connect Local Stories With Wider Communities

A handmade book can travel in several ways. It may remain in a community reading room, be shared with younger children or become part of a local collection. Photographs and carefully selected stories can also help supporters in Australia understand the purpose of literacy projects without reducing children to statistics.

Responsible sharing is essential. Children’s names, faces, voices and creative work deserve consent and respectful handling. Australian organisations working with children commonly pay close attention to child-safe practices, Working with Children Checks and privacy obligations under frameworks such as the Privacy Act 1988. These principles are useful when documenting educational activities across borders as well.

The Australian Charities and Not-for-profits Commission also encourages public confidence through responsible governance and transparent communication. For donors and volunteers, that means valuing the story behind a project while protecting the dignity of the child who created it. A book should be shared because it celebrates a young author, not simply because it makes attractive content.

A Small Book Can Carry a Long Future

When a child completes a handmade book, the achievement reaches beyond one afternoon. The child has practised literacy, creativity, concentration and communication. The reading room has gained a new resource made by one of its own learners. Other children may open the book later and recognise that they, too, can write, draw and publish their ideas.

For supporters in Australia, this perspective gives book drives and donations a deeper meaning. Buying quality children’s books at a local independent bookshop, collecting gently used titles or contributing art materials can help create the conditions for more authors to emerge. A resource is valuable because of what it makes possible: a story shared, a question asked or a child encouraged to keep learning.

The next step is to set aside one reusable notebook, fold it into pages and create a first handmade book to share with a child-focused reading project.