Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

What A World Map Gives A Child In A Reading Room

A world map can change the atmosphere of a reading room. It turns a wall into an invitation, linking a child’s immediate surroundings with distant cities, oceans, languages and landscapes. In a community where books may be limited, a large map can begin a journey before a child has opened a cover.

For children and young monks in Ladakh and other Himalayan communities, this visual resource carries special meaning. Their daily lives may be shaped by high mountain passes, long travel distances and close-knit villages, yet the map shows that their experiences belong to a much larger human story. A small room becomes connected to Nairobi, Melbourne, Kathmandu, Reykjavík and countless places still unknown.

Avalokiteśvara Trust supports reading rooms, book drives and creative learning because access to ideas can widen a child’s sense of possibility. A world map strengthens that work through geography, storytelling and conversation. It encourages children to ask where people live, how they travel, what languages they speak and how one place is connected to another.

A Wall That Opens Into The World

A map gives shape to words that children may encounter in books. “Island”, “desert”, “border” and “ocean” stop being abstract terms when a child can point to them. A story about a polar expedition becomes easier to imagine beside the southern ice, while a folktale from Africa or South America gains a location beyond the page.

This visual connection supports independent reading. A child who notices a place name in a book may return to the map, trace a route and search for other stories from the same region. The process is simple, yet it creates a habit of inquiry: read, locate, wonder, and read again.

The map also gives children permission to imagine themselves moving through the world. They might picture becoming a writer in Delhi, an artist in Sydney, a scientist in Perth or a teacher in their own village. Imagination does not require immediate travel. It begins when a child understands that the world contains more possibilities than the familiar horizon.

Geography Becomes A Human Story

A map can teach facts, but its deeper value lies in the relationships it reveals. Mountains influence settlement, rivers connect communities, and coastlines shape trade and food. When children compare the Himalayas with the Australian Alps or the dry plateaus of Ladakh with the interior of Western Australia, geography becomes connected to human choices and daily life.

For a young monk, a map may prompt reflection on pilgrimage routes, monasteries and the movement of teachings across Asia. For another child, it may raise questions about migration, family history or the different languages heard in a nearby market. These conversations help children see places as lived environments rather than coloured shapes.

Map-based discussion can also nurture respect. Children learn that no country is simply a label or a destination. Each contains many communities, traditions and experiences. A reading room can therefore become a place where curiosity replaces assumption and where distant people are approached through stories, not stereotypes.

Small Activities With A Wide Reach

A world map works best when children are invited to use it actively. It can sit beside atlases, novels, picture books, postcards and handmade drawings. Educators and volunteers can encourage short activities that connect reading with movement, memory and artistic expression.

Useful map-based activities include:

  • Marking the setting of each story with a coloured pin or thread
  • Drawing an imaginary journey between two places in a book
  • Comparing local weather with conditions in another region
  • Learning greetings, place names and common words from different languages
  • Creating a wall of animals, foods or musical instruments by continent

These activities suit mixed-age groups because each child can participate at a different level. A younger reader may match a picture to a country, while an older student may calculate distances, investigate climate or research why a city developed beside a river.

The map can also support music and art sessions. Children might listen to instruments from different regions, paint a landscape inspired by a travel story or design a set of flags using researched symbols. Literacy becomes part of a broader creative practice, allowing children who are still developing reading confidence to contribute through drawing, performance and discussion.

Connecting Ladakh With Australian Curiosity

Australian supporters can understand the value of this resource through familiar places. A child in Melbourne might know the routine of a weekend visit to the local library, while a child in Sydney may encounter many languages on the school run or at a neighbourhood market. A map helps connect those ordinary experiences with communities in Ladakh, Nepal and other Himalayan regions.

Australia’s geography also offers rich comparisons. The scale of the country, the distance between Perth and Brisbane, the tropical north and the dry interior all provide starting points for conversations about travel, climate and settlement. Children can compare the road between a remote Himalayan village and a larger town with the long journeys many Australian families make between regional centres.

There is a practical reason for Australian donors to value well-stocked reading rooms. New books can be costly, especially when imported resources, freight and currency exchange are involved. Book fairs, council libraries, school collections and op shops often provide accessible second-hand materials, but remote Himalayan communities may have far fewer ways to build a varied collection. A carefully selected donation can therefore have lasting value.

Australian supporters should also consider how children’s images and stories are handled. The Australian Privacy Act 1988 and the National Principles for Child Safe Organisations provide useful guidance around privacy, consent and respectful participation. The Australian Charities and Not-for-profits Commission encourages transparency in charitable operations. Responsible partnerships protect children while helping supporters see the educational purpose behind each reading room.

Designing A Map For Shared Discovery

A useful map does not need to be expensive or technologically advanced. It needs to be clear, durable, large enough for group use and placed where children can reach it. Laminated paper, fabric or painted boards may suit different rooms and climates. Local names and regional geography should be represented accurately, with space for children to add notes and illustrations.

The surrounding materials matter as much as the map itself. A globe, compass, atlas and selection of translated books can turn a display into a small geography corner. A low shelf of travel writing, folktales and picture books encourages children to make connections without waiting for a formal lesson.

A thoughtful reading room might include:

  • A map with major Himalayan places clearly marked
  • Books representing local, regional and international voices
  • Cards for recording new place names and questions
  • Coloured yarn for tracing journeys from stories
  • A safe display area for children’s drawings and research

Volunteers can help by modelling curiosity rather than delivering a lecture. Asking a child to explain a route, describe a landscape or choose the next place to investigate gives ownership to the learner. The aim is not to test every capital city. It is to make geography feel approachable, relevant and connected to reading.

The map should also reflect the community around it. Local villages, monasteries, rivers and mountain passes deserve as much attention as famous global landmarks. When children see their own home represented with care, the wider world feels less like something that belongs only to distant visitors or wealthy travellers.

A Lasting Image Of Possibility

The strongest effect of a world map may appear quietly. A child may return to the same country several times, notice a new river or ask why two borders meet. Another may choose a book because its cover shows a place they have learned to locate. These small moments build confidence and establish learning as an active, pleasurable habit.

For young monks and children in Himalayan communities, the map can hold many kinds of futures. It can support schoolwork, inspire creative projects and encourage empathy across distance. It can also affirm that knowledge from a remote village has a place in a global conversation.

For Australian families, schools, libraries and donors, supporting reading rooms means supporting more than the delivery of books. It means helping create spaces where children can connect stories to places, places to people, and curiosity to lifelong learning. A practical starting point is a durable, child-height map placed beside good books, local knowledge and enough open space for children to trace their own journeys.