Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

The Bookmark That Made Every Finished Book Matter

In a reading room supported by Avalokiteśvara Trust in Ladakh, finishing a book was not marked with fireworks. A child closed the cover, looked at the volunteer on duty and waited for the small reward that had become part of the reading routine.

The volunteer who knitted bookmarks for every child who finished a book had started with a simple supply of wool and a practical stitch. She wanted the reward to acknowledge persistence, not speed or competition.

Each bookmark was knitted in sturdy garter stitch, with enough length to sit securely inside a book and enough colour to feel personal. The materials were inexpensive, the pattern was manageable and the meaning came from the exchange between reader and maker.

This modest ritual fits the wider work of Avalokiteśvara Trust, where reading rooms, book drives and educational, artistic and musical activities give children and young monks room to discover what books can offer. The practice also travels well to Australian schools, libraries and community groups, where a handmade reward can make sustained reading feel tangible.

A Yarn Idea Takes Root in Ladakh

The volunteer first joined the reading room by sorting donated books and repairing damaged covers. That work brought her into contact with children at different reading levels, including young monks who visited after lessons. She noticed that books held different degrees of attraction for different readers, especially when reading was still a new habit.

In Ladakh, access to good books is shaped by geography, transport and the cost of reaching larger collections. A local reading room can therefore do something important: place suitable stories within reach of children whose homes and schools may be far from a substantial library. Avalokiteśvara Trust supports that access through donated books and welcoming spaces designed for children.

A handmade reward had to fit that practical setting. Buying an item for every child would have required money the volunteer did not have and created expectations that the programme might not sustain. Reclaiming yarn and using a simple stitch offered a sustainable alternative that added almost no cost to the reading room.

From the Last Page to a Keepsake Bookmark

The bookmark had to survive being handled, stored and carried between home and the reading room. Wool offered warmth and strength, while garter stitch created a thick, flexible fabric that resisted curling. A short fringe gave each piece a distinctive finish without requiring complicated equipment.

Children could choose a colour while the yarn was available. That small decision made the object feel personal, although the selection was never presented as a prize hierarchy. The bookmark belonged to one reader for one completed book and carried a private association with the story inside it.

The most valuable part of the ritual was what happened around the handover. A volunteer marked the achievement, and the child received permission to be proud. Reading was still the central activity, but the bookmark recorded it. Instead of disappearing when a cover closed, the effort of reaching the final page had a visible sign.

Why a Handmade Bookmark Carried Meaning

For a child who found reading difficult, that visible sign could be powerful. The object connected the pages already read with the effort required to continue. It transformed a sequence of unfamiliar words into a personal achievement that could be kept, shown at home or brought back for the next story.

For young monks and other children beginning to build confidence with books, the message was equally useful: completing a text was worth celebrating. No public ranking or reading speed was required. The reward belonged to the reader, and the reading experience remained more important than the object.

Handwork also carried associations that a purchased bookmark might lack. Wool, patience and time communicated care. The child received something made rather than dispensed, creating a small connection with an adult who had noticed the effort. In a communal reading space, those connections helped children see reading as a shared activity rather than a solitary task.

When Knitting and Reading Shared a Table

The project made room for shared skills as well as individual rewards. An older child who had learned the basic stitch could show a younger child how to hold the needles. In return, the older reader gained a reason to explain what they knew and to stay involved with younger readers.

This approach fitted naturally alongside Avalokiteśvara Trust’s educational, artistic and musical activities. A knitted bookmark belonged to the same creative ecosystem as storytelling, drawing and music-making. Rhythm could support recitation, while the textile work gave children a way to respond to a story with their hands as well as their voices.

Knitting also changed the volunteer’s role. She did not stand over children and measure their progress. She sorted yarn, repaired loose fringes, listened to descriptions of favourite stories and offered encouragement. A child who had finished a book could become someone who helped another child begin, making reading confidence more visible across generations.

Lessons for Australian Libraries and Schools

In Melbourne, Brisbane and Sydney, public libraries already offer familiar places for children to borrow books, join holiday reading programmes and take part in activities with other families. A bookmark reward could fit these programmes without requiring expensive equipment, particularly where a book remains in the library after the session.

Local op shops, independent yarn stores and weekend maker markets provide familiar sources of materials. Australia’s wool industry also makes knitted and felted goods familiar, while community craft circles often gather in neighbourhood centres and Country Women’s Association rooms. At a community craft morning, bringing a reusable coffee cup is a normal part of sitting down with other people.

Australian schools use the Australian Curriculum as a shared learning framework, with reading assessed through NAPLAN in Years 3, 5 and 7. A finished-book ritual would complement that wider approach by recognising effort without presenting every learner on the same competitive scale. The reward would work best when reading, reflection and creative activity remained connected.

Local legislation also shapes how such an activity is organised. Schools and charities must follow applicable image-consent policies and privacy obligations, including the Privacy Act 1988 where relevant. Donors of books should also understand that the Copyright Act 1968 restricts unauthorised copying, even when a book is offered generously to a reading programme.

A Practical Blueprint for Bookmark Rewards

A small programme can work well when its rules are clear, its materials are durable and its purpose remains focused on reading rather than collecting objects.

  • Define completion in a child-friendly way, such as reaching the final page and sharing a brief reflection with a volunteer, teacher or older reader.
  • Use washable yarn without loose beads, excessive fringe or other features that could snag a book or become a safety concern for younger children.
  • Let each reader personalise the marker with a colour, stitched initial or small symbol, keeping names and identifying details off the public display.
  • Pair the reward with a short conversation about the book, giving children an opportunity to recount a favourite scene, explain a character or recommend the story to someone else.
  • Plan for consent, storage and continuity by collecting only authorised photographs, keeping finished rewards in a labelled box and teaching other volunteers the simple pattern.
  • Reuse suitable yarn, invite older children to help with basic stitching and keep a small stock of plain colours so that no child misses out because a preferred choice has run out.

The finished-book reward should remain supplementary. It works best alongside patient reading, access to varied books and the support of adults who listen to children talk about what they have read.

Keeping the Thread of Reading Alive

The strongest lesson from the knitted bookmarks is that ordinary materials can carry an educational message. Avalokiteśvara Trust brings books and creative learning together, but the volunteer added something equally simple: a personal acknowledgement at the moment a child reached the end.

A handmade marker does not replace good teaching, classroom time or a varied collection of books. It makes one specific achievement easier to recognise and gives that achievement a lasting form. The practical takeaway is simple: a visible finish can turn a child’s effort into pride and make the next reading goal feel possible.