Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

IMG_0459

Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Eight Planets, One Book and a Young Monk’s Discovery

On an ordinary afternoon in a Ladakhi reading room, a young monk opened a small, well-used astronomy book. He began with Mercury, passed through Earth, and continued until all eight planets were in order. Within days, he could recite their names without the book in his hands. The book had become a portable sky.

The story of a young monk who memorized all the planets from a single book is more than a feat of memory. It shows how a child can turn a modest volume into a world of questions. Avalokiteśvara Trust supports reading rooms, book drives, educational activities, art and music in Himalayan communities, creating paths between a borrowed book and a young person’s imagination.

A Book Small Enough to Carry

The astronomy book was not an encyclopaedia. It had short chapters, simple diagrams and enough space for a child to draw. Its compact size allowed the monk to return to it whenever curiosity returned. Rather than treating memorisation as the final task, his teacher turned each fact into an activity: point to a planet, place it in sequence, or explain what the picture was showing.

Learning step What the monk did What he gained
Name the eight planets Recited the names from Mercury through Neptune A reliable sequence he could retrieve
Match each planet with an image Connected a name with a visible feature Memory hooks that joined words to pictures
Arrange the planets from the Sun Used diagrams and spoke each position aloud Better recall and spatial understanding
Check the book’s claims Asked where its information came from A habit of questioning remembered facts
Teach a younger reader Repeated the sequence using a picture card Confidence gained through explanation

Memorisation supplied the scaffolding, while the illustrations supplied the hooks. A red world for Mars, a pale one for Venus and a ringed figure for Saturn gave each name a place in the story. By closing the book and describing what he had seen, the monk strengthened the connection between the page and his own language. He was not copying a list blindly; he was rehearsing a map.

Even a memorable book can contain outdated ideas. Some older introductory books include Pluto among the planets, while current teaching identifies eight planets and classifies Pluto as a dwarf planet. The young monk’s recitation opened a door, but it did not settle every question. A good reading room makes room for both wonder and correction.

When Recitation Became Understanding

Soon, the monk was asked to do more than say the names. Could he explain why Earth is the third planet from the Sun? What did the book mean by orbit? Were the illustrations drawn to scale? These prompts changed memorisation into inquiry. Repeated words gave him confidence, while experiments with diagrams and movement gave those words meaning.

At the reading room, a card for each planet helped. The children arranged them beneath a strip of paper representing the Sun and used beads to demonstrate movement. They compared sizes with measured circles rather than the dramatic artwork in the book. Music offered another route: one child beat a quick rhythm for Mercury’s swift orbit, while another invented a deeper rhythm for Jupiter. The exercise made an abstract system physical, social and memorable.

The crucial turn came when the monk could teach without simply chanting. They used plain language, checked a diagram and admitted when the book did not answer a question. That habit matters in literacy: recall is useful, but a learner also needs evidence, vocabulary and the confidence to say, “I do not know yet.” The solar system became a practical lesson in disciplined curiosity.

Books That Open Doors in Ladakh

A book that changes one child’s thinking matters twice when it can be passed on. In Ladakh and other Himalayan communities, suitable children’s books can be scarce, and distances make each trip to a large bookshop costly. Donated volumes also need to match local languages, classroom interests and a child’s stage of learning. A pile of unrelated adult books can be generous in intention without being useful in practice.

Book drives solve part of this problem, but circulation is the real gift. A slim astronomy book might spend a week in one home, visit a reading room and then return with a child’s drawing tucked inside. Each reader adds a trace of use. The pages begin to record not only where a planet was described, but how one young mind interpreted it.

Educational, artistic and musical activities can deepen a donation’s value. A reading-room session might lead to painted planets, a handmade model of the solar system or a group song about the Sun and its neighbours. These are not decorations placed around the book; they give children ways to interpret its ideas. The strongest learning happens when an image, a sound and a question all point back to what was read.

What Makes Books Work in Ladakh and Australia

Across Australia, distance also shapes access to books. A volume collected in Sydney can travel thousands of kilometres to a rural town in western Victoria or a remote community in the Northern Territory. Public libraries, school libraries and travelling collections often fill gaps that a conventional bookshop cannot, especially where populations are small and specialist shops are far away.

Australian book lovers may describe a well-used copy as having “had a fair bit of a workout”. That casual phrase captures something practical: books with signs of use often invite another reader to pick them up. The second-hand market supports the same cycle through charity shops, op shops, school fundraisers and online resale platforms. For an international donation, current guidance from the receiving organisation matters more than filling a shipping carton with spare volumes. Wish lists, suitable languages, postage arrangements and local receiving partners should be checked before anything is sent.

Money also matters. Australian donors can look for clear information about how funds are transferred, what the charity can deliver and how outcomes are reported. Some registered Australian charities can claim Gift Aid on eligible donations, but an overseas organisation cannot simply be treated as eligible. That status must be verified rather than assumed. Transparency is part of good book-drive practice, just as checking an outdated scientific fact is part of good teaching.

What made the astronomy lesson memorable

  • A clear sequence: the eight planet names, beginning with the planet nearest the Sun.
  • Vivid images that could be recalled with the book closed.
  • Questions that turned a correct answer into another investigation.
  • An opportunity to explain the idea to someone else.

What a useful Australian book drive should send

  • Titles requested by teachers, families and the receiving reading room.
  • Books in the languages children use at home and in class.
  • Illustrated science and nature books at suitable reading levels.
  • Durable, clean copies selected for repeated handling rather than shelf appeal alone.

The Knowledge That Outlasts Memorisation

The young monk’s achievement is best remembered as more than a display of recall. One book gave him an ordered set of names, images that held those names in place, and questions that pushed him towards explanation. Reading, drawing, music and teaching transformed possession of facts into a way of thinking. The planet sequence was only the beginning of the journey.

What should remain is the belief that a child’s first book can become a working library of ideas. For the children and young monks supported by Avalokiteśvara Trust, that belief is built through shared reading rooms, thoughtful book drives and creative activities that make learning possible and joyful. The eight planets remain a simple example: one small book opened a much larger world.