Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

The power of a quiet corner for children’s learning

A reading space can be small, simple, and deeply meaningful. For a child, a cushioned seat beside a low shelf may become a place to discover new worlds, practice an unfamiliar language, or spend a peaceful afternoon with a favorite story. In communities where books and educational resources are limited, that corner can support confidence, curiosity, and a lasting relationship with learning.

Designing a children’s reading area is less about expensive furniture than thoughtful choices. Light, comfort, access, and a sense of welcome all influence whether young readers want to return. A well-planned room can serve children with different ages, abilities, interests, and levels of reading experience.

For initiatives in Ladakh and other Himalayan communities, the setting adds practical considerations. Mountain climates, remote locations, shared buildings, and limited supplies call for adaptable solutions. The strongest reading rooms respect local life while creating a calm environment for literacy, creativity, art, and music.

Begin with safety and belonging

Children should feel that a reading room belongs to them. Low shelves allow young readers to browse independently, while clearly marked sections help them find picture books, folk tales, science titles, poetry, and books in familiar languages. Covers displayed face-out can attract children who may not yet know what kind of story they want.

Furniture should be stable, smooth-edged, and suitable for the ages using the space. Floor cushions, woven mats, benches, and small tables can provide flexible seating without making the room feel formal. A clear path between shelves and activity areas supports movement and makes the room more accessible for children with different physical needs.

A welcoming space also reflects local identity. Handmade artwork, children’s drawings, regional patterns, and familiar landscape images can make the room feel connected to its community. The aim is a peaceful setting that feels cared for, rather than a room where children are expected to remain perfectly still.

Use light, color, and sound with care

Natural light is valuable in a reading environment, especially when children spend long periods looking at print. Seating near a bright window can create an inviting reading nook, but direct glare should be reduced with curtains, shades, or careful furniture placement. In sunny high-altitude locations, soft filtered light can protect both eyes and book pages.

Color can guide mood and function. Gentle earth tones, warm whites, and muted blues or greens often support concentration, while brighter accents can identify a creative corner or display area. Too many competing colors, posters, and decorations may make it harder for children to focus, so visual variety should be balanced with open wall space.

Sound deserves equal attention. A reading room beside a busy classroom or communal area may need rugs, fabric panels, curtains, or book-filled shelves to soften noise. A small quiet corner should not demand silence from the entire group. Instead, separate active zones for drawing, music, discussion, and reading so children can choose an appropriate level of energy.

Choose materials that serve many readers

A useful reading room includes more than shelves of books. It may offer drawing paper, pencils, bookmarks, simple writing tools, magnifying glasses, story cards, and prompts for creative response. These materials help children connect reading with storytelling, observation, performance, and art.

Books should be varied in format and difficulty. Picture books support early literacy and visual interpretation; short novels build reading stamina; nonfiction encourages questions about nature, history, science, and daily life. Bilingual or multilingual books can strengthen language learning while ensuring that children see their own culture and experiences represented.

Durability matters where replacement supplies are difficult to obtain. Washable floor coverings, sturdy shelves, repairable furniture, and protective book covers extend the life of a reading space. A modest collection that is well organized and regularly maintained can be more useful than a larger collection that is difficult to access.

Match the design to local conditions

A reading room in a Himalayan village may need to function through cold winters, bright summers, and changing community schedules. Warm textiles, insulated windows, and safe heating arrangements can make reading possible across the year. Furniture that can be moved or stacked allows the room to host workshops, storytelling, music practice, or group lessons.

Space should be planned around real patterns of use. If several age groups share the room, create a lower, softer area for younger children and a more independent study space for older readers. If monks, families, volunteers, or teachers use the room at different times, simple storage systems can keep materials organized between activities.

Local makers may be able to build shelves, benches, or display units using available materials. This approach can reduce transport costs and create a stronger sense of community ownership. Practical design becomes more sustainable when maintenance skills and replacement materials are available nearby.

Small choices can shape daily reading habits

A child is more likely to choose a book when the process is easy. Labels with words and pictures, color-coded shelves, and baskets for different subjects can help children browse without constant adult assistance. A return box prevents books from being placed randomly and makes tidying a shared routine rather than a punishment.

A visible reading calendar can encourage regular visits. It might include storytelling days, quiet reading periods, book discussions, drawing sessions, and opportunities for children to recommend titles. These activities turn a room into a living learning environment instead of a storage area for donated books.

The arrangement should leave room for personal choice. Some children enjoy reading alone, while others learn through conversation and shared stories. Providing both individual nooks and group seating respects these differences and allows confidence to grow at a comfortable pace.

Design element Practical choice Benefit for children
Seating Cushions, mats, low benches, and small chairs Supports comfort and different reading styles
Shelving Low, stable units with face-out displays Encourages independent browsing
Lighting Natural light with curtains or shade Reduces glare and improves focus
Acoustics Rugs, textiles, and separated activity zones Creates a calmer reading atmosphere
Materials Durable furniture and repairable book covers Extends the life of limited resources
Organization Picture labels, baskets, and return boxes Builds independence and shared responsibility
Community identity Local art, languages, and familiar stories Helps children feel represented and welcome

Build a space that grows with its community

A reading room should be evaluated by how children use it, not simply by how attractive it looks on opening day. Volunteers and teachers can observe which shelves are most popular, where children prefer to sit, and which materials are rarely selected. These observations provide useful guidance for future book drives and room updates.

Children can participate in improving the space. They may create signs, illustrate reading cards, suggest new titles, or help choose a name for the room. Giving children a voice teaches responsibility and reveals their interests more accurately than adult assumptions alone.

Regular care is essential. Books need sorting and repair, cushions need cleaning, and displays need refreshing. A simple maintenance schedule shared by staff, volunteers, and older students can keep the room inviting. Continued attention communicates that children’s learning is valuable every day, not only during a special event.

Practical principles for a lasting reading nook

A successful children’s reading area can begin with a few deliberate steps:

  • Place books where children can see and reach them without help.
  • Combine quiet individual seating with flexible space for storytelling and group work.
  • Select durable, locally maintainable furniture and materials.
  • Include books, artwork, and languages that reflect the community.
  • Review the space regularly and adapt it to children’s changing needs.

The most important feature is consistency. When children find the room open, cared for, and stocked with inviting materials, they learn that reading is part of ordinary life. Even a small corner can become a dependable place for concentration, imagination, friendship, and discovery.

Avalokiteśvara Trust helps create opportunities for children and young monks through reading rooms, book drives, educational activities, and creative programs in Ladakh and other Himalayan communities. Supporting this work can help place quality books, welcoming spaces, and the tools for lifelong learning within reach of more children. Donate books, contribute to a reading-room initiative, or volunteer your time to help turn a quiet corner into a shared doorway to knowledge.