Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

The Quiet Joy of Thank You Cards from Himalayan Children

A hand-drawn thank you card can be small enough to hold in one hand, yet it often carries an entire world of feeling. Bright mountains, careful letters, smiling faces, flowers, books, and colorful patterns may fill its pages. Each mark reflects a child’s time, imagination, and desire to connect with someone who has helped make learning possible.

At Avalokiteśvara Trust, these cards often emerge from reading rooms, book drives, creative workshops, and everyday moments shared with children and young monks in Ladakh and other Himalayan communities. A donated book may begin the relationship, but a handmade card gives that relationship a personal voice.

Receiving a child’s artwork is a reminder that educational support is deeply human. It is measured in books and supplies, yet it is also seen in confidence, curiosity, gratitude, and the courage to express an idea. A simple card can show how access to learning resources creates space for creativity to grow.

More Than Paper And Paint

A child’s thank you note is rarely a polished piece of stationery. It may be drawn in colored pencil, felt-tip pen, watercolor, or whatever materials are available. Some letters may be uneven, while others show remarkable care. The charm lies in its sincerity rather than its perfection.

When children create cards for donors, volunteers, teachers, or visiting supporters, they practice putting feelings into words and images. They decide what deserves to be pictured: a favorite book, a classroom, a monastery, a mountain landscape, a musical instrument, or a friend. Their choices offer a glimpse into the experiences that matter most to them.

For the recipient, the card becomes a tangible connection to a distant community. It carries evidence that a contribution reached real children with individual personalities and dreams. A gift that may have felt abstract now has a face, a voice, and a story attached to it.

A Creative Response To Kindness

Artistic activities give children a welcoming way to respond when spoken English or formal writing feels difficult. A drawing can communicate warmth across languages and geography. A few words placed beside a picture may express appreciation more clearly than a long message.

Handmade cards also support several forms of learning at once. Children develop fine motor skills while drawing and writing. They practice vocabulary, spelling, composition, color, shape, and visual storytelling. In a group setting, they learn to share materials, listen to ideas, and celebrate different approaches.

The process can be especially meaningful for young monks and children who spend much of their time studying. Creative work offers a change of rhythm and encourages observation. It gives them permission to explore beauty, humor, memory, and imagination beyond the boundaries of a lesson book.

What A Card Can Tell Us

A thank you card may reveal details that photographs or statistics cannot. A carefully drawn bookshelf can show the importance of a new reading room. A picture of children gathered around a book may reflect the excitement of discovering stories together. Notes about music, painting, or games can point to activities that have become treasured parts of the week.

The images also show how children interpret their surroundings. Himalayan landscapes may appear beside classroom scenes, monastery courtyards, animals, family members, and imagined places. Through these details, supporters see that education is connected to the whole life of a child, including culture, community, play, and spiritual practice.

Cards should be received with respect for that personal meaning. They are not simply souvenirs or evidence of a successful campaign. They are gifts of attention. A child has paused to think about another person, selected colors and words, and entrusted a small piece of their inner world to someone far away.

From A Book Drive To A Lasting Connection

A book donation can open a door to reading, but the relationship surrounding it can continue through shared stories and creative exchanges. When a reading room receives new titles, children gain opportunities to read independently, listen to stories, recommend favorites, and imagine lives beyond their immediate surroundings.

A card sent in response creates a gentle circle of giving. Supporters provide books, educational materials, art supplies, or volunteer time. Children respond with drawings, messages, performances, or stories. Each side learns that generosity is a relationship rather than a one-time transaction.

A Child’s Card May Show What It Can Reflect
A stack of books or a bookshelf Growing access to reading materials
Friends reading together Belonging and shared learning
Mountains, homes, or monasteries Local identity and cultural pride
Paintbrushes, instruments, or costumes Confidence through artistic and musical activities
A short handwritten message Literacy practice and personal gratitude
Bright patterns and imaginative scenes Freedom to explore creativity

This exchange also helps supporters understand why consistent care matters. One book can delight a child for an afternoon, while a sustained reading program can shape habits, confidence, and opportunity over many years. A handmade note often captures that wider impact in a remarkably direct way.

The Emotional Life Of Giving

Donors may contribute from another country and never meet the children who benefit from their generosity. A card narrows that distance. It can transform a donation receipt into a meaningful memory and remind supporters that their assistance has reached people with hopes, preferences, and distinct creative voices.

For volunteers, receiving artwork can be especially moving after time spent arranging shelves, sorting books, leading activities, or helping in a classroom. The card may bring back the sound of a child laughing during a music session or the concentration of a group choosing a story. It connects practical work with the relationships that give it purpose.

These moments can renew a supporter’s commitment without placing pressure on children to perform gratitude. The value of a card comes from its freedom and authenticity. Children should be encouraged to create because they enjoy expressing themselves, while appreciation should remain a natural possibility rather than an obligation.

Making Space For Children’s Voices

A meaningful thank you card begins with an environment where children feel safe to communicate. Quality paper and art materials are helpful, but encouragement matters just as much. Teachers and volunteers can invite children to draw what they enjoy, write about a favorite story, or create a picture for someone who helped the reading room.

Adults can support the activity by providing examples without asking every child to copy the same design. Some children may prefer writing, while others may choose patterns, portraits, landscapes, or abstract color. Young artists should be praised for thoughtfulness and effort, not compared with one another.

Cards can also become part of a wider literacy activity. Children might dictate a message before writing it, learn how to address an envelope, translate a greeting, or read replies from supporters aloud. This turns a warm exchange into a practical lesson in communication, correspondence, and cultural connection.

Ways To Honor Every Handmade Message

Supporters can preserve the meaning of children’s artwork through simple, considerate actions:

  • Display cards in a home, office, reading room, or community gathering space.
  • Write a warm reply that mentions a specific drawing, color, story, or activity.
  • Share photographs of cards responsibly, protecting children’s privacy and dignity.
  • Keep a small collection in a folder so the artwork can be revisited over time.
  • Let the cards inspire continued support for books, art supplies, music, and learning spaces.

A response does not need to be elaborate. A few sincere sentences can tell a child that their work was received and valued. When appropriate, supporters may describe where the card is displayed or share a drawing from their own community, creating a respectful exchange between young people in different places.

The most important response is continued attention. A child’s message can encourage supporters to remain involved with reading programs, educational activities, and community partnerships. Gratitude becomes especially powerful when it leads to dependable action that benefits many children, including those whose names may never appear on a card.

Help More Young Voices Be Heard

Every handmade thank you card begins with an opportunity: a book to open, a quiet place to read, an adult willing to listen, or materials that make artistic expression possible. Supporting Avalokiteśvara Trust helps create those opportunities for children and young monks across Himalayan communities.

You can help by donating to reading rooms and book drives, volunteering your skills, sharing the organization’s work, or providing resources for creative and musical activities. Each contribution strengthens a setting where children can learn, create, and communicate with confidence.

When a child sends a hand-drawn card, the message travels far beyond its paper and ink. It carries the joy of discovery and the promise that thoughtful support can grow into lasting connection. Help keep books, imagination, and young voices moving from one Himalayan community to another.