Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

first time a child saw a rainbow drawn in a science book

In a small village outside Leh, where prayer flags catch thin mountain air, a nine-year-old novice monk opened a donated science book and stopped on a single page. The page showed a glass prism splitting white light into a band of seven colours. For the boy, the image carried the same weight as the frozen rivers he watched each winter. He had seen rainbows arching over the Indus valley, but he had never seen them drawn as something a person could explain.

That afternoon he called two younger children to the reading room shelf and pointed at the diagram. Together they traced the path of light with their fingers, asking whether the colours came from the sky or from inside the page. By the time a volunteer returned, the three of them had drawn their own version on the back of a recycled envelope, arguing about whether violet belonged at the top or the bottom.

The boy had learned to read Tibetan script in the monastery, but the science book, printed in English with labelled diagrams, opened a different kind of literacy. He realised that pictures could carry explanations as well as stories, a discovery that would shape how he approached every book afterward.

A page that bridged sky and paper

The book had travelled from a publisher in another country, passed through a warehouse, and arrived in a box marked "education supplies" at a depot the Avalokiteśvara Trust uses. Science titles rarely make it into Ladakhi reading rooms, where picture books, prayer texts, and folktales dominate the shelves. A rainbow diagram felt almost like a foreign object, and that foreignness gave it power.

Children in remote Himalayan villages learn through listening, repetition, and direct observation of an extreme landscape. Snowfall, glacial melt, the slow creep of shadows across a monastery wall, the arc of a rainbow after a sudden August storm — these are already part of their visual vocabulary. A printed page that translates a familiar phenomenon into a labelled drawing adds a second layer of meaning. The rainbow stops being only weather and becomes a concept.

When the volunteer asked the boy what the diagram meant, he answered in a careful mix of Tibetan and English that light bends when it passes through glass, and that water in the sky bends light in the same way. He had not memorised that sentence; he had reasoned his way toward it using the picture.

How colour becomes a doorway into literacy

For early readers, colour is often the first reliable signal that they are interpreting a page correctly. Letters remain mysterious, but red is red, and yellow is yellow, in any language. When a child identifies the colours of the visible spectrum in order, they are practising sequence, memory, and confidence, three skills that sit quietly beneath the more obvious act of reading words.

Reading rooms run by the Trust lean into this by mixing science primers with storybooks. A child might move from a folktale about a yak herder to a chapter on reflection, then back to a picture book about stars. The rainbow page acts as a hinge, linking the imaginative world of story with the explanatory world of science. In a region where schooling sometimes arrives late and instruction is delivered in multiple languages, those hinges matter.

The science a diagram can and cannot teach

A diagram of a prism is both generous and economical. It shows light bending as it enters glass, splitting into a band, and bending again as it exits, but it leaves out the temperature of the room, the dust in the air, and the colour of the wall behind the prism. Children looking at such a diagram fill in those missing details with their own experience. The Ladakhi boy filled them with snowmelt and monsoon humidity. A child in Brisbane fills them with summer storms. A child in Hobart fills them with winter drizzle. The diagram becomes a template onto which each reader pours their own sky.

There is also a limit to what any single page can do. Without a torch, a glass of water, and a strip of white paper, the concept of refraction remains abstract. Reading rooms in Ladakh and library makerspaces in Australia increasingly pair books with simple kits so that the page can be turned into an experiment by the end of the afternoon. The diagram is the door; the experiment is the room behind it.

Comparing reading support across two regions

Reading initiative Himalayan region (Ladakhi villages) Australian states and territories
Main access point Reading rooms in monasteries and community centres, set up through charitable drives Public libraries, school libraries, and the National Library of Australia in Canberra
Language mix Ladakhi, Tibetan, Hindi, English English plus community languages; the Australian Curriculum recognises Aboriginal and Torres Strait Islander languages
Typical book donations Reconditioned picture books, prayer texts, occasional science primers New releases, CBCA-shortlisted titles, Indigenous-authored works from publishers such as Magabala Books
Volunteer pathway Short placements arranged through charitable partners, often during the Australian winter Structured programs via state education departments, ACNC-registered charities, and university practicums
Funding framework Direct donations, in-kind book drives, partner sponsorships ACNC tax-deductible receipts, state literacy grants, Reading Australia programs

Across both regions, the same challenge quietly repeats itself: getting the right book into the hands of a child at the moment when it can change the way they see the world. Ladakhi reading rooms rely on trust-based partnerships and seasonal volunteer flows. Australian programs lean on a denser network of institutions, including the Children's Book Council of Australia, the State Library of Victoria, the State Library of Queensland, and Reading Australia.

Where Australian children meet the same wonder

Across the country, primary school students in cities such as Melbourne, Sydney, and Perth encounter the rainbow diagram in Year 4 science, where the Australian Curriculum includes light and its behaviour as a core topic. Many have already seen rainbows on the Mornington Peninsula, at Bondi, or over the water at Cottesloe, yet the classroom diagram still feels like a small revelation. Teachers often pair it with an experiment using a glass of water and a torch, asking students to predict where each colour will fall on a sheet of white paper.

The Children's Book Council of Australia has long recognised that picture books can carry scientific ideas gently. Award-winning titles blend accurate diagrams with story, sitting alongside fiction on school library shelves from Hobart to Darwin. Public library holiday programs in places like the State Library of Victoria and Brisbane's libraries run sessions where children build simple spectroscopes from cardboard tubes, mimicking the prism in the science book.

In remote Australian communities, the gap between lived experience and printed explanation can be just as wide as in the high Himalayas. Children in parts of the Northern Territory or western Queensland grow up watching dry-season storms produce vivid rainbows, then meet the same phenomenon in a textbook weeks later.

The role of donors and local partners

Supporting a reading room is rarely a single transaction. A donor might fund science books, sponsor bilingual worksheets, or pay a local coordinator. In Australia, the same logic applies through ACNC-registered charities that provide tax-deductible receipts and connect urban donors with regional literacy projects.

Practical ways to strengthen both regions include:

  • Sponsoring a shipment of bilingual science primers to a Ladakhi reading room
  • Donating new or near-new science picture books to a local public library branch
  • Funding a volunteer placement during the Australian winter, when Himalayan villages welcome visitors
  • Contributing to the printing of Ladakhi-English vocabulary sheets tied to science themes
  • Supporting Indigenous publishers in Australia so that local stories reach regional schools

Reading rooms in Ladakh also benefit from:

  • Solar-powered lamps that extend evening reading hours in winter
  • Weatherproof shelving for monsoon-affected valleys
  • Simple lab kits that match the science books already on the shelves
  • Translation support for science terms that have no direct Ladakhi equivalent
  • Photography workshops so children can record their own experiments

What the Ladakhi boy took from that book was not a definition of refraction but a sense that the world could be held in two forms at once, as weather and as explanation. He had watched rainbows disappear into the roof of his monastery and reappear after a storm; now he owned a drawing of one, and it belonged to him.

For readers in Australia, the same thread runs through school libraries in Adelaide, reading nooks in Canberra, and community halls in remote towns. When a child sees a rainbow rendered for the first time as colour, as light, and as a question, a reading room has done its quiet work. That image, traced across two hemispheres by children who otherwise share little, is the kind of moment the Avalokiteśvara Trust was built to repeat.