Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

The First Book Checked Out From A Himalayan Reading Room

A reading room can begin with shelves, cushions and carefully chosen books, yet its real life starts when a child carries one of those books away. The first checkout is a small administrative act, but it can also mark a powerful change: books have moved from being objects on display to becoming part of a child’s ordinary life.

For Avalokiteśvara Trust, which supports children and young monks in Ladakh and other Himalayan communities, this moment reflects a wider commitment to literacy, creativity and access to learning. For readers in Australia, it may feel familiar through local libraries in Melbourne, Sydney or regional towns, while also revealing how meaningful a book can be where resources are limited and a reading room is a new community space.

Moment What It Represents Lasting Effect
A child chooses a book Curiosity and personal agency Reading becomes a voluntary habit
The book is recorded Trust and shared responsibility A community library begins to function
The book leaves the room Access beyond the shelves Stories enter homes, schools and monasteries
The book returns Continuity and accountability More children can enjoy the same resource

A Quiet Beginning With A Big Meaning

The first child may hesitate before choosing. A shelf of colourful covers can be exciting, but it can also feel unfamiliar, particularly for someone who has had limited access to books at home. A volunteer might point towards an illustrated story, a book about animals, a folktale or a simple volume in English, Tibetan or another familiar language.

Once the choice is made, the room changes. The child holds the book close, perhaps glancing at the cover again while a volunteer writes down the title and borrower’s name. There is no grand ceremony, yet the exchange carries the dignity of a library membership. The child is being trusted with something valuable and is invited to return for another story.

This kind of memory often stays with the people who witness it. Volunteers may remember the careful decision between two books, the sudden smile after a recommendation or the concentration involved in turning the first few pages. The first checkout becomes a visible sign that the reading room belongs to its community.

From Shelf To Home And Monastery

A reading room matters because it extends learning beyond formal lessons. In Ladakh, children and young monks may live across scattered settlements, attend schools with different levels of resources or share books among several readers. A well-stocked room creates a dependable place for quiet study, imaginative play and independent discovery.

Books can support many forms of learning. A young reader might practise new vocabulary through a picture book, explore geography through an illustrated atlas or encounter a different culture through a novel. Art materials, music activities and storytelling sessions add further ways to engage children who may not yet see themselves as confident readers.

The first borrowed book also travels through a network of relationships. It may be read beside a sibling, discussed with a teacher or shared in a monastery dormitory. A child who returns with a story to tell contributes to the room’s atmosphere, encouraging another child to browse the shelves. In this way, a single checkout can help create a reading culture.

For an Australian audience, the contrast is easy to recognise. Many children in Brisbane, Adelaide or Perth can access public libraries, school libraries, bookshops and second-hand books through regular family routines. In Himalayan communities, a dedicated reading room may gather those opportunities in one accessible place.

Why Choice Builds Confident Readers

The first book is significant partly because the child chooses it. Reading is more likely to become enjoyable when young people can follow their interests rather than treating every book as a compulsory exercise. A child fascinated by wildlife may begin with birds or snow leopards; another may prefer a comic, a folktale, a biography or a book of poems.

Choice also respects different reading levels. A beginner can select a short, highly illustrated story without feeling embarrassed, while a more experienced reader can look for a longer adventure. Young monks may choose books that connect with history, philosophy, science or the wider world. A mixed collection allows each reader to find an entry point.

This principle is familiar during Australia’s annual Book Week, when children dress as characters and celebrate stories at school. It is also visible in everyday library habits, such as borrowing a book before a weekend trip, listening to audiobooks during a commute or browsing an op-shop shelf for an inexpensive paperback. The setting changes, but the pleasure of selecting a story remains recognisable.

A first checkout can therefore be understood as an act of agency. The child is not simply receiving educational material. They are making a decision, taking responsibility for an item and discovering that their interests deserve space.

The Care Behind A Shared Collection

A thriving reading room depends on more than donations. Books must be suitable for the community, in good condition and organised so children can find them. A collection may include new titles, carefully selected second-hand books and resources gathered through book drives. Transport, storage and local advice are essential parts of the process.

Volunteers also need to create a welcoming and safe environment. When organisations work with children in Australia, child protection responsibilities may include Working with Children Checks and state or territory child-safe requirements. The Australian Charities and Not-for-profits Commission provides a national regulatory framework for registered charities, while local safeguarding obligations still require careful attention.

Practical support can be shaped by Australian realities. A donor in Canberra might purchase books locally and contribute to freight costs rather than sending unsuitable titles. A community group in Hobart could run a book collection while checking condition, language and relevance before packing. Families may prefer to give a modest amount online, especially as household budgets are affected by rising costs and the price of postage.

Useful contributions to a reading-room project include:

  • Children’s books selected for age, reading level and cultural relevance
  • High-quality picture books that communicate through images as well as text
  • Bilingual or multilingual resources where they support local learning
  • Book labels, shelves, cushions and basic reading-room equipment
  • Reliable funding for transport, maintenance and educational activities
  • Volunteer time for cataloguing, storytelling and creative workshops

The care invested before a book reaches a shelf protects the meaning of the first checkout. A child should encounter a collection that feels considered rather than random, with enough variety to encourage repeated visits.

Keeping The Memory In Motion

A first checkout is a beginning rather than a finished success story. The book needs to be returned, renewed or passed to another reader. The room needs regular opening hours, patient volunteers and activities that make children want to come back. Reading grows through repetition: one story becomes several, and a hesitant borrower gradually becomes a confident participant.

Simple records can show how a collection is being used without reducing the experience to statistics. A checkout log may reveal which subjects attract interest, which age groups need more resources and whether particular languages are well represented. Photos and community stories can preserve the atmosphere of the room while respecting children’s privacy and dignity.

Over time, the first borrower may become someone who recommends books to younger children. A young monk might help organise a shelf, lead a storytelling session or translate a passage for a friend. These acts show that literacy is shared knowledge. The reading room becomes a place where children contribute as well as receive.

The most memorable part of the first checkout is often the moment after the book leaves the shelf: a child walking away with a story, a volunteer watching with quiet pride and a new possibility opening in the community. The practical lesson is clear: when every child can choose, borrow and return a good book, a small reading room can become a lasting centre of learning.