Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Strings of Learning: Guitar Lessons in a Himalayan Monastery

In a quiet Himalayan monastery, a simple guitar can open an unexpected door to learning. Boys who spend their days studying Buddhist philosophy, languages, and traditional texts are discovering rhythm, melody, and teamwork through regular music sessions.

The program brings practical guitar instruction into a setting where education is closely connected with community life. Each lesson gives young monks time to listen carefully, practice patiently, and express themselves through sound. The result is more than a new artistic skill: it is a shared experience that builds confidence and curiosity.

For Avalokiteśvara Trust, creative education is part of a wider commitment to children and young people in Ladakh and other Himalayan communities. Alongside reading rooms, book drives, and learning activities, music creates another way for students to explore their abilities.

Bringing music into monastic life

The guitar classes are designed to complement the monastery’s existing routine rather than compete with it. Lessons are arranged around prayer, study, meals, and other responsibilities, allowing the boys to take part without losing the structure that guides daily life.

A typical session begins with tuning, posture, and a review of earlier exercises. Students then work through basic chords, strumming patterns, and simple melodies. At first, holding the instrument correctly can feel unfamiliar, but repetition gradually turns small movements into a dependable musical foundation.

The shared setting also makes the lessons naturally collaborative. A student who has mastered a chord can help a classmate, while those who learn quickly may lead a rhythm exercise. This peer support encourages generosity and creates a positive atmosphere in which mistakes become part of the learning process.

From first chords to confident playing

Learning guitar requires patience. The fingers must grow accustomed to pressing the strings, and the right hand must develop a steady movement. Early sessions may involve only two or three chords, yet these small building blocks can soon support recognizable songs.

Instructors focus on clear, achievable progress. Boys may practice switching between chords, keeping time with a metronome, or following a basic chord chart. These exercises strengthen concentration and coordination while giving learners a visible sense of achievement.

Music theory is introduced through practical examples. Instead of treating notation and rhythm as abstract subjects, teachers connect them to the songs being played. Students begin to understand tempo, repetition, dynamics, and musical structure because they can hear each idea in action.

A learning space shaped by cooperation

The guitar program supports social and emotional development as much as musical ability. Playing in a group teaches students to listen for one another, wait for the right moment, and maintain a shared tempo. These habits are valuable in the classroom, the monastery, and daily community life.

Group practice also gives quieter boys a comfortable way to participate. A student may not immediately want to perform alone, but he can contribute to a rhythm pattern or play a repeating chord alongside his peers. With time, this low-pressure involvement can lead to greater confidence.

The sessions offer a healthy balance between discipline and play. Practice is taken seriously, but music also brings laughter, surprise, and creative freedom. This balance helps children remain engaged and reminds them that education can involve joy as well as effort.

Part of the program What students practice Skills supported
Instrument basics Tuning, posture, finger placement Coordination and care
Chord work Common chord shapes and transitions Memory and perseverance
Rhythm exercises Strumming, counting, and tempo Focus and listening
Group playing Following a shared progression Cooperation and confidence
Informal performances Playing for peers and visitors Expression and self-belief

Why guitar education matters in Ladakh

Access to instruments and structured arts education can be limited in remote Himalayan communities. A guitar program brings a practical creative resource directly to students who may otherwise have few opportunities for formal music lessons.

The value of the program extends beyond performance. Music encourages close listening, pattern recognition, memory, and fine motor control. It can support broader educational development by helping students concentrate for longer periods and approach difficult tasks in manageable steps.

For young monks, guitar lessons also create a bridge between their traditional surroundings and a wider cultural world. The instrument is contemporary and portable, yet it can be used respectfully within the monastery’s community setting. Students gain a form of expression that can travel with them wherever their education and service take them.

Supporting a sustainable music program

A lasting music initiative depends on more than providing a few instruments. Guitars need strings, tuners, picks, cases, and maintenance. Students also benefit from songbooks, chord charts, music stands, and teachers who can return regularly to build on earlier lessons.

Supporters can contribute to this continuity in several practical ways:

  • Help provide durable guitars and essential accessories for group lessons.
  • Support transport and teaching costs in remote Himalayan locations.
  • Donate beginner songbooks, music theory materials, and replacement strings.
  • Fund opportunities for students to share their progress through small performances.
  • Encourage arts education alongside literacy, language, and academic learning.

Reliable resources allow the program to move beyond occasional demonstrations. When an instrument is available for regular practice, students can develop muscle memory and take ownership of their progress. A well-maintained guitar may serve many groups of learners over several years.

Partnerships are equally important. Volunteers with guitar teaching experience can offer structured lessons, while local educators and monastery staff provide cultural guidance and continuity. The strongest programs grow from cooperation with the community rather than imposing an outside model.

Music as a lasting form of expression

A guitar lesson may begin with a single open string, a hesitant chord, or a rhythm that keeps stopping and starting. With encouragement, those early sounds develop into songs played by a group of focused young musicians. Each improvement reflects patience shared between students, teachers, families, and supporters.

The program also creates memories that reach beyond the classroom. A student may remember the first song he played with friends, the moment he performed for visitors, or the satisfaction of helping someone else learn a chord. These experiences strengthen belonging and give creative work a meaningful place in monastery life.

Arts education can remain with a young person long after a particular lesson has ended. It can offer comfort, friendship, and a way to communicate across language and cultural differences. In Ladakh, guitar teaching is helping young monks discover that learning can be thoughtful, disciplined, communal, and joyful at the same time.

Support this work by learning more about the Trust’s educational initiatives, sharing its mission, or contributing resources that make music lessons possible. Every instrument, teaching session, and set of learning materials helps give Himalayan children and young monks more opportunities to read, create, perform, and grow.