Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

How We Use Recycled Materials to Make Book Covers and Bookmarks

A discarded cereal box, a paper shopping bag or a worn-out map can become part of a child’s next reading experience. At Avalokiteśvara Trust, we reuse these everyday materials to create book covers and bookmarks for children and young monks in Himalayan communities. The activity gives old paper a new purpose while making reading feel personal, colourful and inviting.

Our workshops connect practical making with literacy. Children choose patterns, fold card, add drawings and experiment with simple collage techniques. A handmade cover can protect a well-loved storybook, while a bookmark helps a young reader keep their place and return to the same story with confidence.

The materials may begin in different places: a school collection in Australia, an office recycling box, a local charity shop or a community craft cupboard. Once sorted and prepared, they can support creative learning in Ladakh and other communities where access to quality books and art supplies is limited.

Recycled material Preparation Suitable project Important consideration
Cereal and food boxes Flatten, trim and wipe clean Sturdy book covers Remove greasy or damp sections
Paper shopping bags Cut open and smooth Covers, collage and bookmarks Check for plastic coating
Old magazines and calendars Select clean pages Decorative panels and bookmark designs Avoid very thin pieces as the only layer
Used office paper Separate blank or lightly printed sides Drawing, lining and testing templates Remove staples and confidential information
Maps and brochures Cut around useful images Feature panels and visual storytelling Check for glossy finishes that resist glue
Fabric scraps Trim loose threads Reinforced covers and textured bookmarks Use child-safe scissors and non-toxic adhesive

Why Reuse Matters In A Reading Room

Recycled bookmaking turns sustainability into a visible, hands-on lesson. Instead of treating packaging as rubbish, children can see its strength, colour and design potential. A cardboard panel becomes a protective cover; a narrow strip of paper becomes a place marker; an old calendar image becomes the setting for a new story.

The activity also supports fine motor skills. Measuring, folding, cutting, gluing and pressing require concentration and coordination. Children practise sequencing as they prepare a surface, arrange decoration and allow each layer to dry. These skills complement reading, drawing, handwriting and classroom craft.

Australia provides many familiar examples of this approach. Families in Sydney, Melbourne, Brisbane and regional towns regularly bring home cardboard food packaging and paper bags from shops. Council recycling rules differ from place to place, so materials that cannot go into a kerbside bin may still be useful for a supervised creative project, provided they are clean, dry and safe.

Choosing Materials For Strong, Safe Covers

A good recycled cover needs enough structure to protect pages without becoming difficult for small hands to use. Cereal boxes and other lightweight cartons are often ideal because they are firm, easy to cut and available in many households. Two layers can be joined when a book needs extra protection, with the printed side hidden beneath a plain paper lining.

Paper bags are useful for wrapping, collage and folding. Their natural kraft colour creates a warm background for pencil, crayon or water-based paint. Glossy brochures and magazine pages can add bright details, although their coated surface may need a small amount of roughening before glue will hold securely.

Materials are inspected before use. We remove sharp staples, loose plastic film, food residue, mouldy sections and edges that could scratch. When projects are made with children, we use child-safe scissors, non-toxic glue and washable art materials. Strong solvents, hot glue guns and damaged packaging have no place in a children’s reading activity.

Materials We Collect Carefully

  • Clean cereal, tea and biscuit boxes with firm card
  • Paper bags without plastic laminate or wet patches
  • Unused sections of office paper and school worksheets
  • Old calendars, maps, magazines and illustrated brochures
  • Fabric offcuts with securely woven edges
  • Cardboard from donated stationery and book parcels

From Flat Packaging To Finished Bookwork

The first step is flattening and measuring. We place the book on the card, leave a small margin around the front and back, and mark the spine area. The card is then scored rather than fully cut along the folds, allowing the cover to open without cracking. A paper template helps children repeat the process for different book sizes.

Next comes the surface design. Some children prefer a simple cover with a title panel, while others build a collage from letters, landscape shapes, animals or musical motifs. A bookmark can be cut as a long rectangle, folded for strength or layered with a contrasting strip. Rounded corners help prevent sharp points from catching on clothing or pages.

Glue is applied sparingly, especially near the spine and edges. The finished piece is pressed beneath clean books while it dries. This creates a flatter surface and reduces curling. If a cover will receive heavy use, a second layer of paper can be added, or the edges can be reinforced with narrow strips of recycled card.

Learning Through Design And Storytelling

A decorated cover can become the beginning of a story rather than a final embellishment. Children may draw a mountain path, a monastery courtyard, a family meal or an imagined animal and then describe what happens beyond the picture. This gives quieter participants a way to contribute before they are ready to read aloud.

Bookmarks offer another small opportunity for expression. A child might write a favourite word, copy a line from a story, illustrate a local plant or add a bilingual label. In communities where several languages are used, the bookmark can celebrate that variety through scripts, colours and carefully chosen vocabulary.

Workshops also encourage responsible consumption. Rather than buying new decorative paper for every activity, participants learn to look closely at what is already available. That message is relevant in Australia, where households are accustomed to sorting waste, carrying reusable shopping bags and making purchasing decisions around packaging. It also supports a broader understanding of why access to books should be matched with care for the resources used to produce them.

Workshop Habits That Protect The Books

  • Wash or wipe reusable surfaces before cutting them
  • Keep paper dry during storage and transport
  • Remove staples, tape, plastic windows and rough edges
  • Use a template so card is not wasted through repeated mistakes
  • Share offcuts for small decorations instead of discarding them
  • Label finished items with the maker’s name or a positive reading message

Connecting Australian Communities With Himalayan Learning

Donated materials and creative ideas can travel through relationships between supporters, schools, libraries and community groups. An Australian reading group might collect clean packaging during a term, while a local craft circle prepares sample designs. These small contributions can accompany book drives or inspire activities in reading rooms supported by Avalokiteśvara Trust.

Local conditions matter when planning collections. A paper bag from a Melbourne bookshop may be useful, while a takeaway coffee cup from a morning commute usually contains a plastic lining and is better excluded from this project. Office paper can be valuable, but pages containing personal information must be shredded or securely destroyed rather than passed into craft supplies.

Australian packaging claims also require care. The Australian Consumer Law applies when organisations describe products or materials as recyclable, recycled or environmentally beneficial. Clear wording is preferable to broad promises: we can say that a cover uses clean reused card, rather than implying that every part can be recycled indefinitely. The Australian Packaging Covenant Organisation and local council guidance are useful references, while collection rules should always be checked for the relevant suburb or town.

The finished covers and bookmarks are modest objects, yet they carry several messages at once. They show that books deserve protection, that creativity does not depend on expensive supplies and that communities can share practical knowledge across distance. Each item gives a child something made by hand and a reason to spend more time with a book.

The most useful starting point is simple: save clean, dry card and paper, remove anything sharp or confidential, and turn one sturdy piece into a cover or bookmark before buying new craft material.