Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

How We Encourage Girls to Stay in School Through Craft Workshops

In the Himalayan region, education can be shaped by distance, household responsibilities, limited resources, and the lack of welcoming spaces for young learners. For many girls in Ladakh and surrounding communities, staying in school depends on more than access to a classroom. It also requires encouragement, confidence, practical support, and a sense that learning belongs in their lives.

At Avalokiteśvara Trust, craft workshops create that sense of belonging. Through drawing, textile work, paper crafts, painting, and other creative activities, girls have opportunities to express themselves while building skills that support their education. These sessions are connected to our wider work with reading rooms, book drives, and learning activities for children and young monks.

Creative learning gives girls a reason to return, participate, and imagine new possibilities. A workshop may begin with a simple craft project, yet it can lead to stronger communication, improved concentration, friendships, and greater confidence in school.

Creating welcoming spaces for learning

A reading room or community workshop can feel different from a formal classroom. It offers time to explore, make mistakes, and try again without fear of being judged. This relaxed setting is especially valuable for girls who may be hesitant to speak in larger groups or who have had few opportunities to take part in artistic activities.

Craft sessions are planned as inclusive learning spaces where every contribution matters. A girl who is quiet during a discussion may communicate thoughtfully through color, pattern, drawing, or handwork. As she sees her ideas respected, she may become more willing to read aloud, ask for help, or take part in school activities.

The atmosphere also helps build friendships. Girls work beside one another, share materials, and learn from different approaches. These relationships can make education feel more connected to everyday life and reduce the isolation that sometimes causes students to disengage.

Turning creativity into confidence

Making something by hand provides visible evidence of progress. A finished weaving, greeting card, painting, or recycled-paper project shows that patience and effort can produce meaningful results. For a child who struggles with a subject at school, this experience can strengthen the belief that improvement is possible.

Workshop leaders can connect creative projects with literacy and other areas of learning. Girls might write a short description of their work, read a story related to a design, calculate measurements, or research traditional patterns. In this way, craft becomes a bridge between artistic expression and academic learning rather than an activity separate from education.

These connections encourage girls to see their abilities more broadly. They are readers, makers, problem-solvers, and collaborators. Such confidence can help them continue attending school when lessons become difficult or when family and community expectations make education harder to prioritize.

Linking workshops with school participation

Craft activities are most effective when they support a girl’s wider educational journey. The Trust’s approach places creative sessions alongside access to books, reading practice, educational games, and conversations about the value of continued schooling. This combination helps children develop both enthusiasm and practical learning habits.

Workshops can reinforce skills that schools depend on every day. Following instructions supports comprehension. Sorting materials develops organization. Measuring, planning, and completing a sequence of steps strengthen concentration and problem-solving. Group projects encourage communication, cooperation, and respectful listening.

For girls who have missed lessons, a creative activity can provide a gentle route back into learning. It gives them a positive experience before they face unfinished schoolwork. Regular attendance at community sessions can also help trusted adults notice when a child needs encouragement, books, supplies, or additional support.

Workshop element Learning benefit Connection to staying in school
Drawing and painting Expression, observation, and fine motor skills Builds confidence in sharing ideas
Textile and paper crafts Patience, planning, and coordination Strengthens concentration and persistence
Group projects Communication and cooperation Creates supportive peer relationships
Story-based activities Reading, vocabulary, and imagination Makes literacy meaningful and enjoyable
Displaying finished work Pride and recognition Helps girls see themselves as capable learners

Valuing local culture and girls’ voices

Creative education becomes more meaningful when it respects local knowledge. Patterns, colors, stories, landscapes, and materials from Ladakh and other Himalayan communities can inspire projects. Girls can explore familiar traditions while developing their own interpretations, giving them a stronger connection to both place and personal identity.

This approach avoids presenting education as something distant from community life. A craft workshop can show that school learning, family traditions, and creative expression have room to support one another. Girls may discover that their experiences and observations are valuable sources of knowledge.

Giving girls space to make decisions is equally important. They can choose colors, suggest themes, explain their designs, or help organize a group activity. These small acts of leadership encourage self-advocacy and show that their opinions deserve attention in educational and community settings.

Supporting families and communities

A girl’s ability to remain in school is influenced by the people around her. Families are more likely to value continued education when they can see its benefits and when learning activities respect local responsibilities. Community-based workshops create opportunities for parents, caregivers, educators, and volunteers to witness girls’ progress directly.

Finished projects can become conversation starters at home. A child may explain a new technique, share a story from a reading session, or show how a group activity required planning and cooperation. These moments help families recognize that education develops practical, social, and creative strengths.

The Trust also shares stories and images from its work to demonstrate how educational resources affect children’s daily lives. Supporters can see that books, safe learning spaces, and creative programs work together. When communities and donors understand this connection, long-term support for girls’ education becomes easier to build.

Making creative learning sustainable

A successful workshop does not depend on expensive equipment. Accessible materials, careful preparation, and committed local support can make regular activities possible. Reused paper, natural fibers, fabric remnants, pencils, paints, and donated supplies can all become tools for learning when they are used thoughtfully.

Consistency matters more than spectacle. Occasional events may be enjoyable, but recurring sessions give girls time to develop skills and relationships. A predictable schedule helps children form routines, while ongoing projects allow them to experience planning, revision, and completion over several visits.

Volunteers can contribute by helping prepare materials, read with children, guide a project, or celebrate progress. Donors can support books, art supplies, reading-room resources, and the coordination required to keep activities available. Each form of support helps create an environment where girls are encouraged to remain curious and engaged.

Practical ways to strengthen this work include:

  • Provide age-appropriate books, paper, art supplies, and textile materials.
  • Support regular craft and reading sessions rather than one-time activities.
  • Encourage girls to lead small parts of projects and share their ideas.
  • Connect creative work with literacy, numeracy, and school-based learning.
  • Share children’s achievements respectfully with families and supporters.

Opening pathways beyond the classroom

Craft workshops can influence how girls see their future. Creative skills may lead to interests in design, teaching, cultural preservation, entrepreneurship, or community service. Even when a girl chooses a different path, the habits developed through making—focus, patience, collaboration, and confidence—can remain useful throughout her education and adult life.

The larger purpose is to help girls experience school as a place of possibility. Books expand their understanding of the world, while creative activities help them communicate what they think and feel. Together, these resources support a fuller form of learning that recognizes academic progress and personal growth.

Avalokiteśvara Trust is committed to nurturing that possibility in Himalayan communities. By supporting reading rooms, book drives, volunteers, and craft-based education, you can help girls continue learning with confidence and joy. Give time, share resources, or make a donation to help provide the books, materials, and welcoming spaces that keep education within reach.