Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Children name their reading room

Children are more likely to use and care for a reading space when they can see their own language, ideas and choices inside it. How we create a sense of ownership by letting children name their reading room begins with trusting children to contribute, not merely consume what adults provide. The resulting name becomes a shared starting point for organising books, welcoming visitors and shaping activities.

In Ladakh, reading rooms can become important meeting places for children and young monks. A name chosen by the people who use the space gives that setting a character no professionally supplied sign can reproduce. It may reflect a favourite story, the surrounding landscape, a local aspiration or simply the words children want visitors to hear first.

Naming also supports the wider educational, artistic and musical work of Avalokiteśvara Trust. When children name a room, they begin to understand it as a place where their interests matter. They can connect books with songs, pictures, conversations and creative activities rather than treating literacy as a separate school task.

Australian supporters will recognise many of the same principles. Public libraries in Melbourne and Sydney host regular story time, while Children’s Book Week and school holiday reading programmes give children a voice in what they read. Australian book drives can draw on schools, publishers, Dymocks, independent bookshops and community collections, while mobile and mail services help regional readers access books. These familiar practices show how participation can turn a funded resource into a shared cultural space.

What child-led naming changes

A reading room may be well stocked, brightly painted and carefully organised yet still feel like a borrowed facility. The difference lies in who was allowed to make the decisions.

Feature Adult-led reading room Child-led reading room
Name Chosen by staff or donors Chosen by the children who use the space
Layout Fixed around available stock Built around the group’s interests and priorities
Rules Imposed for order Developed with the children and adapted with feedback
Feeling Organised but impersonal Familiar, shared and genuinely theirs

The process works best when naming is more than a ceremonial vote on options adults have already selected. Children need time to discuss books, imagine the space and explain their preferences. Their name can then guide decisions about where books are displayed, which activities are offered and how visitors are welcomed.

This approach also avoids assuming that every child responds in the same way. Some may suggest an immediate name, while others need drawing, storytelling or quiet discussion. A facilitator gathers these different forms of expression, checks that every child has contributed and helps the group turn individual ideas into a name the community can use.

How a name becomes part of daily life

We begin by creating a relaxed setting where children can discuss what a good reading room should contain. They might identify favourite subjects, characters, languages or places before sharing possible names. The group then narrows its choices through conversation and, where appropriate, a vote. A consensus can work just as well when children agree that several ideas should be combined.

Once selected, the name appears on the entrance sign, reading shelves, activity cards and bookmarks. Children help choose how it is displayed, giving them a practical role in design as well as decision-making. A reading passport bearing the chosen name can record visits, book recommendations and short reflections. A song or musical welcome can be created around the same identity.

The name also gives book drives a clearer purpose. Instead of delivering a miscellaneous collection, donors and volunteers can ask how each title contributes to the interests represented in the room. Australian teams accustomed to collecting books during school Book Days can involve children in sorting, recommending and labelling new arrivals. The donated books then support a place children recognise as their own.

Why the choice carries deeper meaning

A shared name creates belonging. It gives children a way to refer to the space, claim its benefits and welcome others into it. For young monks and other children in Himalayan communities, this can strengthen confidence while making the room feel accessible rather than institutional. Ownership develops through repeated use, conversation and the knowledge that adults have respected their judgement.

The practice can also support literacy beyond decoding words. Children learn that a community can hold a name, make decisions and revise its choices. If a name no longer reflects the group, the children can discuss why it should remain or change. This makes reading inseparable from communication, identity and collective responsibility.

Although our work is educational rather than clinical, a French guide to gradual readaptation stages after prostate surgery offers a useful analogy. Progress becomes more sustainable when demands are adjusted to the person rather than imposed at once. Similarly, naming works best as a gradual process: observe, listen, try, discuss and refine rather than expect children to produce a perfect result immediately.

A child-led naming process that works

Several practices help ensure that a name is meaningful rather than merely decorative.

  • Give children a genuine voice by allowing ideas to influence the room’s name, layout, activities and welcome rather than asking for decoration after every decision has been made.
  • Offer clear, varied choices through words, pictures and short presentations so children with different communication styles can participate equally.
  • Include local languages and stories when children wish to do so, allowing the name to express cultural identity without excluding those who use another language.
  • Carry the name into everyday actions through signs, bookmarks, book recommendations, reading records and activities that children help design.
  • Review the choice regularly by asking whether the name still feels accurate and inviting children to suggest improvements when the group or its needs change.

These steps protect the meaning of the process. A vote followed by an unchanged adult-designed room would teach children that participation is temporary. By contrast, seeing their name guide practical decisions demonstrates that their perspective has genuine value. The room becomes stronger because responsibility is shared, not transferred completely from adults to children.

A shared identity that keeps growing

Ownership does not mean adults abandon their responsibilities for safety, inclusion and good stewardship. It means children have a meaningful part in decisions that affect their learning environment, while adults continue to provide support, resources and careful guidance. The balance lets children develop agency without placing unreasonable expectations on them.

A child-named reading room can also evolve. New books, changing interests and older members joining the group may call for another conversation about the name or the space. That continuity makes ownership stronger: it is not a one-time ceremony but an ongoing relationship between children, books and the community they serve.

Our next concrete step is to hold the first child-naming workshop before any new reading room is furnished.