Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

How to Start a Reading Room in Your Own Community

A reading room can be much more than a quiet place filled with shelves. It can become a welcoming learning hub where children discover stories, practice languages, complete homework, draw, listen to music, and build confidence. In communities with limited access to libraries or reliable educational resources, a modest room can make a lasting difference.

The work of Avalokiteśvara Trust in Ladakh offers useful lessons for anyone hoping to create a similar space. Ladakh’s mountain villages and monastic communities have different needs, distances, languages, and traditions, yet the central principle is widely applicable: begin with local relationships, understand what children actually need, and build slowly around consistent access to books.

Starting a reading room in your own community does not require an expensive building or a large collection. It requires a safe location, thoughtful planning, suitable books, trusted adults, and a commitment to keeping the doors open.

Begin With Listening And Local Partnerships

The strongest community library projects start with conversations rather than purchases. Speak with children, parents, teachers, monks, youth leaders, and neighborhood organizations. Ask what children enjoy reading, which languages they use, what school subjects challenge them, and when they would realistically visit. A reading room that reflects local interests will attract more regular users than one designed from a distance.

In Ladakh, geography and community structure are especially important. A village may be separated from the nearest town by difficult roads, while a monastery may already offer a trusted gathering place for young monks. In another setting, a school, community center, apartment building, or faith organization might provide the best home. A local partner can help identify suitable hours, introduce volunteers, and explain cultural expectations.

Write down the needs you hear and look for shared ownership. Invite local people to help choose the room, sort donations, paint walls, create signs, or organize opening activities. When residents participate from the beginning, the reading room is more likely to remain useful after an initial grant, book drive, or volunteer visit has ended.

Choose A Space That Feels Safe And Welcoming

The ideal space does not have to be large. It should be clean, dry, well-lit, easy to reach, and comfortable for children of different ages. Good ventilation, floor cushions, sturdy chairs, and low shelves can make a plain room feel inviting. If electricity is unreliable, consider daylight, rechargeable lamps, and offline educational materials.

Accessibility deserves attention from the start. Check whether children can enter safely, whether younger readers can reach books, and whether the room is usable for children with mobility, visual, or learning needs. Clear pathways, large-print materials, quiet corners, and varied seating can support a wider group without requiring major construction.

Create a simple code of conduct covering respectful behavior, care of books, supervision, and inclusion. Children should know which adults are responsible for the room and how to seek help. Volunteers should follow safeguarding procedures, avoid being alone with a child where possible, and receive guidance on appropriate communication and boundaries.

Build A Collection Around Real Reading Needs

A large pile of donated books is not the same as a useful library. Collections should include picture books, early readers, fiction, nonfiction, reference materials, comics, poetry, local stories, and books connected to children’s schoolwork. Choose materials in the languages children understand best, while adding books that support language learning and broaden their horizons.

Book drives work better when donors receive clear guidance. Request new or gently used books suitable for the target age group, and explain which languages, subjects, and reading levels are needed. Screen every donation before it reaches the shelves. Damaged, outdated, culturally unsuitable, or advanced books can overwhelm a small collection and consume valuable storage space.

Collection Priority Practical Choice Benefit
Early literacy Picture books, alphabet books, simple stories Builds vocabulary and reading confidence
Independent reading Short novels, comics, folk tales, graded readers Encourages regular reading
School support Dictionaries, atlases, science and mathematics resources Reinforces classroom learning
Local connection Regional history, legends, arts, and bilingual books Strengthens identity and comprehension
Creative learning Drawing guides, music books, craft resources Extends learning beyond text
Inclusive access Large-print books, tactile materials, audio resources Welcomes varied abilities and learning styles

Organize books so children can find them independently. Use color labels, picture symbols, or broad categories instead of relying only on alphabetical order. Keep a simple record of the collection, and review it each year. Books should circulate if possible, because borrowing allows children to read at home and gives families a stronger connection to the project.

Turn The Room Into An Active Learning Hub

Regular programming gives children a reason to return. A weekly story hour, reading circle, homework period, art session, or music workshop can make the room feel alive. Activities should remain flexible: some children may want a quiet place to read, while others learn best through discussion, drawing, performance, or hands-on projects.

Lessons from Ladakh also point to the value of respecting existing cultural and educational traditions. Invite teachers, artists, storytellers, musicians, and monastic educators to contribute. Local stories can sit beside international children’s literature. A session on folk music, environmental stewardship, or regional history may encourage children who do not initially see themselves as readers.

Keep activities simple enough for local volunteers to continue. A volunteer does not need to deliver a formal lesson every time. They might read aloud, help a child choose a book, organize a vocabulary game, or listen patiently while a beginner practices. Consistency matters more than elaborate events.

Plan Staffing, Funding, And Long-Term Care

A reading room needs dependable people as much as it needs books. Identify a coordinator who manages opening hours, volunteers, supplies, and communication with partners. Create a rota with clear responsibilities so the project does not depend on one person. If children visit after school, schedule at least two responsible adults whenever possible.

Prepare a realistic budget covering shelves, mats, lighting, transport, repairs, stationery, activity materials, training, and replacement books. Remote communities may face high delivery costs, so local purchasing and carefully coordinated shipments can be more efficient than sending unsuitable donations. A small reserve fund helps the room respond to broken furniture, seasonal needs, or changes in attendance.

Funding can come from individual donors, schools, local businesses, community groups, charitable trusts, and book drives. Explain exactly what support will provide: a set of bilingual readers, monthly creative sessions, shelving for a village room, or transport for educational materials. Transparent records and short updates with consented photographs or stories help supporters understand the project’s impact.

Measure What Children Gain

Evaluation does not need to be complicated. Track attendance, borrowing, volunteer hours, program participation, and the number of active readers. Record which books are most borrowed and which activities attract children who rarely visit. These details can guide collection development and help demonstrate responsible use of donations.

Numbers should be combined with personal observations. A child who begins choosing books independently, reads aloud to a younger sibling, or joins a group discussion may be showing meaningful progress. Invite children and families to share feedback through informal conversations, drawings, suggestion cards, or short interviews in their preferred language.

Review the project after three and six months. Ask whether opening hours work, whether the collection reflects the community, and whether children feel safe and included. Use the findings to adjust rather than assuming the original plan was perfect. A reading room remains strong when it listens continuously.

Practical Steps For A Strong First Year

Before opening the doors, turn the broad vision into a manageable sequence. A pilot room serving one neighborhood or age group can reveal what works without placing excessive pressure on staff or finances.

  • Map local partners, potential venues, volunteers, and transport options.
  • Survey children and families about languages, interests, schedules, and access needs.
  • Prepare a modest collection policy before accepting donated books.
  • Set consistent opening hours and publish clear safeguarding expectations.
  • Start with one weekly program, then expand according to attendance and capacity.

After the first year, celebrate progress while keeping the focus on continuity. Share a brief report with supporters and community partners, including successes, challenges, attendance patterns, and upcoming priorities. Invite local residents to help decide whether the next investment should be more books, improved lighting, volunteer training, or additional creative activities.

A community reading room grows through trust. In Ladakh and elsewhere, the most valuable resource may be the dependable presence of people who welcome children, protect their curiosity, and make learning materials available week after week.

Your project can begin with a single accessible room, a carefully chosen shelf of books, and a small group of committed helpers. Contact local schools, community organizations, libraries, and charitable partners to build the first circle of support, then invite families to shape the space with you. With patient planning and steady care, that first shelf can become a lasting center for literacy, creativity, and shared possibility.