Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

How Music Lessons Grow Confidence in Himalayan Children

In Himalayan communities, a song can travel from a classroom into a courtyard, monastery, family kitchen, or village celebration. Music gives children a practical way to express feelings, remember language, and share something they have created with others. For young learners growing up in remote mountain regions, that experience can have an influence far beyond the lesson itself.

Learning an instrument or singing in a group asks children to listen closely, practise patiently, and take small risks. A child may begin by quietly observing, then play one rhythm, sing one line, or perform with a friend. Each step offers evidence that effort can lead to progress.

Confidence develops through these repeated experiences. With suitable teaching, encouragement, and access to instruments, music education can support communication, cooperation, creativity, and a stronger sense of belonging among children and young monks in Ladakh and neighboring Himalayan communities.

A Safe Space For Self-Expression

Children do not always have the vocabulary to describe worry, excitement, homesickness, or pride. Melody, rhythm, and movement provide another language. During a music activity, a child can communicate through a drumbeat, a repeated phrase, or a carefully chosen song without needing to explain every emotion aloud.

This freedom matters in communities where children may be shy around unfamiliar adults or hesitant to speak in a formal classroom. A welcoming music session allows different personalities to participate in different ways. One child may sing, another may keep time, and a third may help organize instruments. Every role has value.

Music can also connect modern learning with local identity. Traditional Himalayan songs, monastery chants, folk instruments, and familiar melodies help children see their culture as a source of creativity. When lessons include local musical heritage alongside new sounds, confidence grows from both curiosity and recognition.

Progress Children Can Hear

Reading a musical score, remembering lyrics, or coordinating a rhythm requires concentration. These tasks may seem small, yet they create visible milestones. A child who could play only two notes last week may perform a complete phrase today. The sound of that improvement makes learning feel tangible.

Teachers can strengthen this process by dividing activities into achievable stages. Short rehearsals, paired practice, and simple performances reduce pressure while keeping children engaged. Praise works best when it identifies a specific action: steady rhythm, careful listening, brave participation, or persistence after a mistake.

Such feedback helps children connect success with practice rather than talent alone. That mindset supports confidence in other areas, including reading, public speaking, drawing, and collaborative schoolwork. A music lesson becomes a place where mistakes are treated as information and improvement is something a child can actively build.

From Quiet Practice To Shared Performance

Performing for classmates can feel intimidating, particularly for children who have had few opportunities to speak before a group. A supportive music program makes performance gradual. Children might begin by playing together, move to small groups, and eventually choose whether they want a solo role.

Group performance teaches children that preparation affects the whole ensemble. They must listen for timing, watch a conductor or teacher, and recover when someone misses a note. These are practical lessons in responsibility and cooperation. The experience of completing a piece together can create a strong sense of shared achievement.

A small concert in a reading room or community center can be meaningful for families as well. It gives caregivers a chance to celebrate children’s progress and shows the wider community that young people’s ideas deserve attention. Organizations such as the Trust’s work help create environments where educational, artistic, and musical activities can become part of everyday community life.

Music experience Confidence it can support Wider learning connection
Singing in a group Comfort using the voice Communication and language practice
Learning an instrument Patience and self-belief Concentration and fine motor skills
Keeping a shared rhythm Cooperation and attentive listening Teamwork and classroom participation
Preparing for a performance Responsibility and courage Planning and public speaking
Creating a song or melody Imagination and personal expression Creative problem-solving

Skills That Travel Beyond The Classroom

Music lessons strengthen listening, memory, coordination, and self-regulation. A child has to notice changes in tempo, remember a sequence, and control movement at the right moment. These abilities can support literacy and other academic subjects, especially when instruction combines sound, movement, words, and visual learning.

The social benefits are equally important. Children who practise together learn to wait for their turn, encourage peers, and respond constructively when a group needs to start again. In mixed-age settings, older students can guide younger learners, while beginners contribute enthusiasm and fresh ideas. These relationships help create a culture of mutual support.

For young monks, music may also complement routines built around recitation, ceremony, and community service. For children in village schools or reading rooms, creative activities can make educational spaces feel welcoming. When students associate learning with curiosity and friendship, they are more likely to participate with confidence.

Making Music Accessible In Remote Communities

Access is often the first barrier. Instruments can be expensive, specialist teachers may be difficult to find, and mountain travel can limit regular attendance. A useful program therefore needs flexible planning. Simple percussion, recorders, keyboards, locally available materials, and the human voice can all provide strong foundations.

Consistency matters more than elaborate equipment. Regular short sessions can be more effective than occasional large events because children have time to build habits and relationships. Teachers and volunteers can use familiar songs, call-and-response exercises, rhythm games, and creative storytelling to keep lessons active without requiring extensive resources.

Book drives, reading rooms, and arts programs can reinforce one another. A child might read a story about a festival, learn a song connected with it, draw an instrument, and perform with friends. This integrated approach makes learning richer while ensuring that music remains connected to language, culture, and imagination.

Encouragement That Builds Lasting Confidence

Adults shape the emotional atmosphere of every lesson. Children gain confidence when teachers welcome questions, allow mistakes, and avoid comparing beginners with advanced performers. Clear routines help students know what to expect, while choices give them ownership over the learning process.

Families and community members can encourage progress by valuing practice rather than demanding perfection. Applause after a performance is meaningful, yet quiet recognition can be just as powerful: asking a child to teach a rhythm to a younger sibling or inviting them to help care for the instruments.

Supporters, donors, and volunteers can contribute to this work in practical ways. Useful assistance may include funding instruments, transporting materials, helping with arts sessions, documenting performances, or providing age-appropriate music resources. The goal is to give children repeated opportunities to participate, improve, and be heard.

Ways To Strengthen A Child-Centered Music Program

  • Provide simple, durable instruments that children can use regularly and safely.
  • Schedule short weekly lessons so progress develops through steady practice.
  • Include local songs and cultural traditions alongside broader musical styles.
  • Offer group performances with optional roles for children who are still gaining confidence.
  • Train teachers and volunteers to give specific, encouraging feedback.

When music education is thoughtfully supported, the results can be seen in many forms: a child raising a hand, joining a rehearsal, helping a classmate, or standing before an audience with a steady voice. These moments may begin with a single note, yet they can influence how children view their abilities for years to come.

Supporting music activities in Himalayan communities helps place creativity, dignity, and opportunity within reach. Visit the organization’s website to learn about its reading rooms, educational programs, volunteer opportunities, and ways to help children and young monks discover their voices through music and learning.