Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

How a Single Piano Lesson Sparked a Love for Music in a Himalayan Village

In a high-altitude Himalayan village, a piano once stood quietly in a small learning room, waiting for curious hands. The instrument had arrived with donated books, art supplies, and other educational materials, yet no one was quite sure whether the children would feel comfortable approaching it. Its polished surface seemed unfamiliar in a place where many young people knew local songs by heart but had little access to formal music education.

That changed during one afternoon lesson. A visiting music teacher placed a child’s fingers on the keys and played a simple melody. The sound travelled through the room, drawing children away from their books and games. One lesson became an invitation to listen, experiment, and create.

The experience reflects the wider purpose of Avalokiteśvara Trust: making learning resources available in Himalayan communities while giving children space to discover their own abilities. A piano can teach rhythm and concentration, but it can also become a bridge between confidence, friendship, and imagination.

A Quiet Room Filled With Possibility

The piano lesson took place in a community reading room where children gathered after school. Shelves held storybooks, picture books, poetry, and illustrated volumes in several languages. For many children, the room was already a welcoming place to read, draw, complete homework, or spend time with friends.

The instrument added a new dimension to that environment. It was not presented as an expensive object reserved for talented students. Instead, the teacher encouraged everyone to come closer, touch the keys gently, and notice how different sounds could be combined. Children who were shy about reading aloud could participate by tapping a rhythm or choosing a note.

This approach mattered. A first encounter with music does not need to begin with scales, examinations, or perfect technique. It can begin with curiosity. When young learners feel safe enough to make mistakes, a new skill becomes an opportunity rather than a test.

The First Melody

The first exercise was deliberately simple. The teacher played a short sequence of notes and invited the children to repeat it. Some listened carefully and copied the pattern. Others pressed several keys at once, producing unexpected harmonies. Laughter filled the room, followed by a second attempt and then a third.

One child remained near the edge of the group, watching in silence. After hearing the melody several times, the child moved forward and placed one finger on the keyboard. The teacher guided the rhythm without taking over. That small moment of participation became the turning point: the piano was no longer a strange object in the room, but something the child could understand.

Music education often begins with such a modest breakthrough. A learner recognizes a pattern, remembers a sound, or discovers that patient practice can change the result. In a remote village, where regular instrumental lessons may be difficult to find, that discovery can carry particular importance.

From Listening To Playing

After the first session, the children began returning to the piano whenever the room was open. They practiced short melodies, experimented with high and low notes, and tried to accompany familiar songs. Some created rhythms inspired by local celebrations, while others borrowed ideas from folk tunes heard at home.

The instrument also encouraged cooperation. Children took turns, listened to one another, and helped younger participants find the correct keys. A student who had learned a melody could teach it to a friend. This informal exchange gave the group a shared purpose and helped music become part of the reading room’s daily life.

Early experience Skill developed Wider effect
Repeating a short melody Listening and memory Greater concentration
Taking turns at the keyboard Patience and respect Stronger peer relationships
Creating a simple rhythm Imagination and coordination Confidence in self-expression
Practicing several times Persistence A positive attitude toward learning
Performing for friends Communication Pride in personal progress

The piano did not replace books, drawing, or study time. It complemented them. Musical practice strengthened attention, while creative activities helped children approach learning with energy and confidence.

Why Creative Learning Matters

Children in Himalayan communities may face long distances to school, limited educational materials, and few opportunities to explore the arts. These circumstances can make a well-stocked reading room especially valuable. Access to books supports literacy, while music and art open additional ways to process ideas and express feelings.

A child who struggles to speak in a group may feel comfortable contributing a rhythm. Another may find that practicing a song improves focus during homework. Someone else may discover an interest in composition, singing, or performance. Creative learning gives children more than a recreational activity; it provides different routes toward participation.

The piano lesson also showed that cultural exchange works best when it respects local identity. The goal was not to replace Himalayan musical traditions with a foreign model. The children were encouraged to connect the new instrument with sounds they already knew: devotional singing, village celebrations, lullabies, and regional melodies. Familiar musical ideas gave the unfamiliar keyboard a place in their world.

A Ripple Through The Community

As the children became more confident, their interest reached beyond the reading room. They spoke about the piano at home and invited siblings to hear new melodies. Parents and community members began to notice that the instrument was helping children spend purposeful time together after school.

Small performances offered another milestone. A child who once hesitated to touch the keyboard could play a short piece for friends. The audience did not expect polished concert standards. Applause celebrated effort, memory, and courage. These gatherings helped families see how educational programs can nurture abilities that are difficult to measure through ordinary classroom work.

The effect of one lesson therefore extended in several directions. It gave children a shared activity, encouraged regular attendance at the learning space, and helped the community value artistic development. The piano became part of a broader network of books, lessons, volunteers, and local relationships.

Keeping The Music Alive

A single session can spark enthusiasm, but continued access allows that enthusiasm to grow. Instruments need care, learning materials need renewal, and children benefit from patient guidance over time. Volunteers with musical experience can support beginner lessons, while local educators can help adapt activities to the children’s age and interests.

Simple resources can make a lasting difference. Printed song sheets, beginner exercise books, headphones, rhythm instruments, and protective equipment all help create a dependable music program. A regular schedule is equally important because children learn best when they know when the room will be open and when they can practice.

Supporters can contribute in practical ways:

  • Sponsor musical instruments and maintenance for community learning rooms.
  • Donate beginner-friendly music books, song sheets, and creative learning materials.
  • Volunteer time for piano, singing, rhythm, or arts sessions.
  • Support reading room programs that combine literacy with music and storytelling.
  • Share the work of Avalokiteśvara Trust with people who value education in Himalayan communities.

The most meaningful measure of success may be the child who returns to the keys without being asked. That child is practicing concentration, taking ownership of learning, and discovering that a quiet room can hold an entire world of sound.

A piano lesson lasts only a short time, yet its influence can continue through daily practice, shared melodies, and the confidence to try something new. In the Himalayan village where this story began, music became more than an unfamiliar activity. It became a source of connection and a reminder that access to creative learning can shape a child’s future.

Your support can help Avalokiteśvara Trust place books, instruments, artistic materials, and caring guidance within reach of more children and young monks. Donate, volunteer, or help share these initiatives so that another small learning room can fill with the sound of discovery.