Attention: Volunteering Opportunites

Hello! I am receiving many inquiries into volunteering in Ladakh this year and thank you for writing to us!

At the moment we are busy planning and fundraising for some reading rooms in other areas of the Himalayan region. It looks like we’ll require some talented people with art and language skills September onwards.

So if you are interested, please email avalokitesvaratrust@avalokitesvaratrust.org with the subject: Volunteer 2016 and I shall send you a volunteer form if we are interested in taking it further. It’s difficult to reply to each individual, so please understand that we shall be in touch on a suitability and availability basis.

We also may require volunteers with a design or architectural background. More news on that soon.

Thank you!

P.S. The best and preferred way to be in touch is via email

LITTLE BUDDHAS IN THE WOODS

Little Buddhas in the woods

Little Buddhas in the woods

On a magical sunny day, in the month of August (2015), we decided to spend a day with the young monks of  the Chemdey Monastery in the village of Sakti. Our friends, artist, Abhishek Singh, musician and drum-jammer Kumi Masunaga and her lovely daughter Aya, came with us to share their talents, their skills and to spread joy! We were also accompanied by my little daughter Samira, my husband, our Ladakhi friends and Sushil, a Mumbai-based photographer who captured some glorious moments!

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Assembling hula hoops

The young monks from Chemdey Gonpa school participated in ice-breaking musical activities that Kumi had designed for them. Abhishek introduced them to a few art activities, took them through the process of creating their group artwork and showed them stunning visuals from his comic book. Aya demonstrated how to ‘hula-hoop’! We also set up a book corner in the school.

The young monks were keen to learn and listened carefully to the process, enjoyed drawing and colouring, asked questions and at the end, proudly exhibited their artwork in the woods!

Kumi is a Japanese percussionist and a drum circle facilitator who lives in Hong Kong with over fifteen years of performing, teaching, and facilitating experience. She has worked with a range of ages and cultural backgrounds, designing, planning and executing programmes. For more- www.drum-jam.com

Aya is natural performer. She sings, dances and has lead her “Circle Game” playshop for groups of children at events. She has acted in youth musicals, theatre play and some TV commercials in Hong Kong. She speaks English, Japanese and basic Cantonese and Mandarin. Here engagement with the children we visited, has been both endearing very valuable!

Abhishek Singh is artist,animation film-maker and graphic novelist who currently lives between his studios in Brooklyn, New York and Mumbai. Whenever possible he retreats for a meditation trek in the Himalayas. For more – www.abhishekartstore.com

Photo courtesy, Sushil, Kumi and Abhigya

In the slideshow you will see- Chemdey Gonpa, the village of Sakti,  the monks at play and at work, receiving their Ladakhi copies of ‘Chuskit Goes to School’ , a group photo and more.

Avalokitesvara Trust creates reading rooms for children so for International Book Giving Day , we decided to start a book-collection drive. We received an incredible response from all over India. Books were carefully chosen, ordered and shipped to Dharamsala for the young readers of Norling Creche & Kindergarten. We are happy to have enhanced their little library with good quality books. To have played a role in encouraging the joy of reading and bringing smiles to their faces!

We got together to open packages of delightful books and celebrate International Book Giving Day at the Norling creche and kindergarten. A group of 15 volunteers, aged 8 to 10 years were very eager to create a new library upstairs. They happily carried all the old books and categorised them into small, medium and large books. We had a little contest to see which group ( red, green, yellow, blue, white colours of the prayer flags) could count the most books in the least time. It was chao tic and so much fun!! And they finished counting the books in 9 minutes (they’d decided on 15 minutes as the target) After this exercise, they realised that their existing books needed to be categorised into levels and broader subjects. So we created colour codes for levels of reading, for Tibetan, science and for teacher reading material. After four hours of activity we finally displayed all the new additions on to the empty shelves.

The next day, we played a few games. An improvisation of ‘Simon says’, became ‘Norbu says, Sangmo says..’ and the library room was filled with laughter! To calm everyone down, we sat in a circle and concentrated on our breathing. This wasn’t any easy task as a few of them were curious to know what was to follow but we managed to bring back our focus and recollect the activities of the previous session and the task at hand. Setting up a library is no small job and the children once again, tidied up the piles of old books. After all this work, they had a tea break and then finally, chose a book each and sat in a corner or lay on their tummies to immerse themselves in their new book collection. It was very satisfying to see them enjoying the books with quiet rapture. We added a few finishing touches and called it a day by taking a group of books for the little ones downstairs to create a small toddler library. Now that we’re ready, we’ll be inviting ALL the children from ALL the classes to their new reading rooms. We can’t wait!!

Celebrating Ladakhi Children’s Books And The Voices Behind Them

In the high-altitude communities of Ladakh, a children’s book can become a bridge between home, school, language, and imagination. Stories rooted in mountain landscapes help young readers recognize familiar places while discovering new ideas, characters, and possibilities. When local writers and illustrators create for children, they preserve cultural memory in a form that can be shared across generations.

Celebrating Ladakhi authors means valuing the many ways stories are told across the region. Some grow from folktales, monastery traditions, family histories, and village life. Others address friendship, environmental change, identity, or the experience of growing up between languages. Together, these works contribute to a richer reading culture for children and young monks.

Access remains essential. A beautifully written story has little impact if it cannot reach a classroom, reading room, or family library. Through book drives, literacy activities, and creative learning programs, the Avalokiteśvara Trust helps place meaningful books in the hands of children who may have limited access to varied reading materials.

Stories Shaped By Mountain Life

Ladakh’s landscape naturally leaves its mark on children’s literature. High passes, changing seasons, rivers, grazing animals, monasteries, and tightly connected villages can all become settings for stories. Young readers may recognize the rhythm of winter, the importance of water, or the responsibilities shared within a household. These details make reading feel personal rather than distant.

Local authors also bring cultural knowledge that may be missed in books written for a general international audience. A story can show how a festival is prepared, explain the meaning of a traditional object, or portray the relationship between a child and an elder with warmth and accuracy. Such books affirm that ordinary experiences are worthy of literature.

This connection does not mean every Ladakhi story must be strictly traditional. Contemporary writers can use familiar surroundings to explore modern education, technology, migration, and changing aspirations. A child cycling along a mountain road or studying in a new school can be just as representative of Ladakh today as an ancient folktale.

Language As A Living Part Of Reading

Children’s books have a special role in supporting multilingual development. In Ladakh, readers may encounter Ladakhi, Tibetan, Hindi, Urdu, and English in different parts of daily life and education. A book that includes more than one language can help children move between these worlds without treating their home language as secondary.

Bilingual and translated stories also give families opportunities to read together. A parent or grandparent may tell a story in the language used at home, while a child follows the printed English version. This shared experience builds vocabulary, confidence, and affection for reading. It also allows children to see their language represented in a polished, valued format.

Translation requires care. Names, humor, cultural references, and the sound of oral storytelling may not transfer directly from one language to another. Local editors, teachers, and authors can protect the spirit of a story while making it accessible to new readers. Their knowledge is an important part of responsible publishing.

From Oral Tradition To The Printed Page

Many children first meet stories through spoken narration. An elder may recount a tale during a family gathering, or a teacher may share a legend during a lesson. These performances use voice, repetition, gesture, and memory. When such a tale becomes a picture book or early reader, the printed version can preserve it while giving children a new way to revisit the narrative independently.

Illustration is especially powerful in this process. Artists can show the colors of a local landscape, the design of clothing, the details of a village home, or the expressions of familiar animals. Strong images support children who are still developing reading fluency and help younger listeners understand the story before they can read every word.

Feature Value For Young Readers Support For Local Culture
Local settings Makes stories recognizable and engaging Records places and ways of life
Home-language elements Builds confidence and vocabulary Keeps linguistic heritage visible
Regional illustrations Helps children connect words with experience Encourages local artistic expression
Folktale adaptations Links generations through shared narratives Preserves stories in a durable format
Contemporary themes Reflects children’s present lives Shows that local literature can evolve

A printed story should not replace oral tradition. The two forms can strengthen each other. Books give families and educators a lasting resource, while oral storytelling keeps language flexible, communal, and emotionally rich.

Why Local Representation Matters

Seeing a child like oneself in a story can influence how reading feels. When characters have recognizable names, homes, clothing, concerns, or landscapes, young readers may feel that books belong to them. Representation can also broaden the imagination of children from outside the region, helping them encounter Ladakh through the perspectives of its own communities.

Local authors offer nuance that outsiders may overlook. They can portray children as curious, funny, inventive, thoughtful, and complicated rather than reducing them to symbols of remoteness or hardship. This distinction matters when books are shared internationally. A child in Ladakh should appear as a complete person, not simply as a figure in a dramatic landscape.

Publishing regional voices also creates opportunities for young people to imagine creative futures. Meeting a local writer, illustrator, musician, or storyteller can make artistic work seem possible. Author visits, drawing workshops, reading circles, and story-making sessions extend the value of a book beyond its pages.

Books That Build Community

A children’s book becomes more useful when it is part of a wider learning environment. In a reading room, children can choose books at their own pace, discuss characters with friends, and return to stories that interest them. This freedom encourages independent reading and helps children discover whether they prefer poetry, adventure, folklore, science, biography, or visual storytelling.

Book drives can be designed with local needs in mind. Alongside new titles, communities may benefit from durable picture books, beginner readers, illustrated dictionaries, art materials, and books for older children. A balanced collection supports different ages and reading levels rather than assuming that one type of book will suit everyone.

Projects connected with children’s literacy work can also invite community participation. Teachers may recommend titles, families may share traditional stories, and young readers may create drawings or short books of their own. These activities turn children from passive recipients into contributors to a growing culture of reading.

Thoughtful Ways To Support Regional Publishing

Readers, educators, and donors can help Ladakhi children’s literature grow through practical, respectful choices. Support is most effective when it strengthens local knowledge and responds to what children, teachers, and community partners actually need.

  • Choose books by Ladakhi or Himalayan writers when building a classroom, home, or community library.
  • Pair book donations with reading circles, storytelling sessions, and age-appropriate creative activities.
  • Support bilingual editions and careful translations that retain local names, settings, and cultural meaning.
  • Invite local teachers and families to guide book selection and identify gaps in available resources.
  • Credit authors, illustrators, translators, and storytellers clearly so their work receives lasting recognition.

These steps help create a literary ecosystem rather than a one-time collection. They also encourage publishers and institutions to invest in stories that may have a smaller commercial audience but significant cultural and educational value.

A celebration of Ladakhi children’s books can begin with one shared story and grow into a lasting relationship with reading. By donating suitable books, supporting reading spaces, sharing local authors, or contributing to creative education, you can help children encounter stories that reflect their lives and expand their horizons. Support the work of the Avalokiteśvara Trust and help make books, imagination, and local voices part of every child’s learning journey.